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poster

56

18

6.3

/251/

45

/4/

55

/4/

3.2

/2218/

A chance encounter on a train between a young woman and a blind man.

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10

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Koumba is a brave boy, and a good son who works on a plantation. He leaves his native town of Ngounié to repay the dowry of his sister.

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6.7

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Magloire and Florence got married traditionally, with the approval of their families. Three years later, they face a serious crisis in their couple and want to divorce. But it still has to be done with the consent of their families.

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7.8

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Mise Éire ("I am Ireland") is a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. In the poem, Pearse personifies Ireland as an old woman whose glory is past and who has been sold by her children. The poem inspired this 1959 film of the same name by George Morrison. Here, Morrison painstakingly assembled historical footage of the events surrounding the 1916 Rising from archives across Europe and deals with key figures and events in Irish Nationalism between the 1890s and the 1910s. The narration is by Liam Budhlaeir and Padraig O'Raghallaigh and the musical score is by Seán Ó Riada.

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Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

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5.6

/34/

25

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Abraham is a young sculptor who does not quite understand the changing world in which he lives. During a visit to the village, he falls for the youngest wife of his uncle. They form a relationship but are discovered and Abraham flees to the city.

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6.0

/8/

An Irish language enthusiast hits mid life crisis and leaves his wife and child to become an anti-globalisation warrior arsonist.

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7.4

/95/

77

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78

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Dreaming the Quiet Man’ includes interviews with aficionados of Ford like, Martin, Scorsese, Peter Bogdanovicz, Jim Sheridan, William Dowling, and Joe McBride. There is mesmeric archive and rare photographs of the making of the film. The main location of the documentary is Ford’s ancestral homeland of Connemara, on the west coat of Ireland, where his parents were born. We meet Ford’s cousins, the Feeney’s who tell the story of Ford’s parent’s departure from Ireland after the Great Famine and the young Ford’s return to Ireland in 1922 to visit his cousins the Thornton’s and saw their house being burned down by the infamous Black and Tans. Ford, under the pretense of scouting locations for a movie, gave money to the IRA. We travel to Portland Maine where Ford grew up and went on to become a director in the first bloom of Hollywood. The boy made it good but Ireland was always on his mind.

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Pierre, a young African man raised in Europe, embarks on a quest to explore his culture, resisting Western influences.

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6.4

/30/

10

/1/

62

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An African physician returns home after studying medicine in Paris. He marries and settles down to life in the bucolic splendor of his native land. When he has a confrontation with a white plantation owner, the white man sees red and casts a spell on the African doctor. Although he realizes the curse is an ancient tribal superstition, he still is plagued by the ghost of his late first wife. The black doctor and the white man are assimilated into cultures in which neither of them were born in this vexing jungle tale.

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After his documentary 'Once upon a time Libreville' made in 1972, director Simon Auge recalls the memories of his city dating and what it has become in modern times. "You have to live with your time," he concludes.

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Setting up a network of camera traps in the thick jungles of Gabon isn’t easy. Reaching the cameras just to gather SD cards and replace batteries can take days of trekking in the humid, harsh and hazardous terrain of these forests. There’s the threat of contracting malaria or an injury, with no easy access to hospitals. And there's also the risk of stumbling across poachers and wildlife like elephants and gorillas. That’s why Okala, a company leveraging tech for land management, have been developing smart camera traps and testing them out in a forest concession not far from Gabon’s capital.

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A performance piece delving into themes of mental health, societal norms, and personal identity.

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Ezéchiel and Julien are two young bachelor's 2 students in business management at EM-GABON BUSINESS SCHOOL. They set up a video game shop ago. For days, they have been preparing together the presentation of their company to the students on campus. Via the university's audiovisual team with whom they reserve a slot. The tasks are distributed as follows: Ezéchiel the cerebral studies the reception of the public to make Julien's speech optimal, who is already quite good at chatting, even more so when compared to Ezéchiel. It's D-day. But Julien is absent, which makes Ezéchiel anxious. But, motivated by all the efforts he has already made, he chooses to face his fear.

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A drama that tells the story of Pauline Ayingone, a young woman born from a polygamous marriage with a promising future. However, she becomes the target of her jealous stepmother and envious brothers who orchestrate a series of events, including murder and deceit, in an attempt to destroy Pauline's destiny.

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A 2021 short film directed by Amédée Pacôme Nkoulou.

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Since the end of the 1980s, many dancers have left Senegal to find a better life in Europe. A majority of them are men, but a few women like Hélène also manage to hold their own and pursue their careers on this side of the Mediterranean. In words and movements, Hélène recounts her experience of migration, and conveys her irrepressible need to dance.

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Ballaí Luimnigh (Walls of Limerick) is an original vertical dance film incorporating aerial circus with contemporary Irish dance, created by Kathryn Cooley, Máire Dee and Arturo Bandinelli at the Irish Aerial Creation Centre in Limerick. This project uses the medium of film and aerial dance to distort the audience’s perception of what is physically possible, altering reality and creating an illusionary body/spirit dissociation. The film creators draw from Limerick's history and culture to influence both the narrative and some of the film’s imagery. The title alludes both to the well-known Irish dance and to stories of the city, from the Vikings and the siege of Limerick (1690) to the current cultural and social realities of Limerick.

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