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poster
Kanopy
68
57
6.3
/3093/
64
/63/
59
/79/
3.2
/3663/
100
/8/
58
/50/

Aelita: Queen of Mars (1924)
A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.
poster
Kanopy
68
51
7.0
/2484/
62
/49/
65
/62/
3.5
/2280/
75
/8/
69
/23/

Storm Over Asia (1928)
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.
poster
Kanopy
64
33
6.6
/930/
64
/13/
60
/35/
3.6
/1785/

Three Songs About Lenin (1934)
This documentary, made up of 3 episodes, is based on three songs sung by anonymous people in Soviet Russia about Vladimir Ilyich Lenin.
poster
Kanopy
62
33
6.9
/1312/
63
/23/
63
/41/
3.7
/2686/
42
/2/

By the Bluest of Seas (1936)
Two men shipwrecked on an island in the Caspian Sea are saved by members of a collective farm, where they work on its fishing boats and woo the young woman leading the fishermen.
poster
65
28
7.1
/1206/
64
/23/
62
/34/
3.6
/1200/
60
/5/

Outskirts (1933)
In a remote Russian village during World War I, colourful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.
poster
Kanopy
72
21
7.2
/785/
55
/11/
61
/24/
3.6
/980/
100
/2/

The House on Trubnaya (1928)
Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.
poster
65
16
6.9
/532/
62
/11/
60
/21/
3.5
/353/

Road to Life (1931)
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the young people when they try to damage the newly built railroad to the camp.
poster
61
7
6.3
/173/
70
/8/
47
/10/
3.2
/274/

Black and White (1932)
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.
poster
?
6.6
/7/

For Your Health (1929)
About the fight against alcoholism in the workplace.
poster
?
6.3
/32/

Crossroads (1931)
N/A
poster
?
4.4
/7/

Dokhunda (1934)
The screen adaptation of the novel by Tadjik writer Sadriddine Aini, telling the story of a tramp who falls in love with a rich girl, was supposed to become the first full-length feature film in Central Asian film history. But the unfinished Dokhunda was banned by the Soviet authorities when film production was already in full swing. No footage survived. This is why Izvolov had to rely on Lev Kuleshov’s draft to study and appreciate the maestro’s vision and the unique aesthetic concept, which was never to be realised during Kuleshov’s lifetime.
poster
?
7.1
/88/
40
/2/
50
/4/

Morozko (1924)
Based on the Russian fairy tale Father Frost.
poster
?
5.5
/10/
60
/1/

Ruddy's Career (1934)
The movie tells about the first years of Nazism. In the center of the plot is a German student graduating from an institute and receiving a diploma with a gold medal for success in science. The same is honored by his Jewish friend Joseph Voltmeyer. During the solemn ceremony, Nazi students provoke a fight, beat Joseph and Ruddy, who stood up for him.
poster
?
5.6
/42/
10
/1/
50
/1/

Der Kampf (1936)
N/A
poster
?
90
/1/

Shepherd and Czar (1935)
N/A
poster
?
5.0
/25/

The Golden Lake (1935)
A geological expedition looking for gold in the Russian taiga is beset by a gang of thieves. US title: Golden Taiga.
poster
?
6.4
/6/

Two Oceans (1933)
A documentary film about how soviet polar explorers made world's first successful crossing of the Northern Sea Route in one navigation without wintering. The film was shot at the Mezhrabpomfilm studio in 1933.
poster
?
5.0
/9/

Rivals (1929)
Two young women fight over the love of a hunter.
poster
?
5.6
/49/

Terrible Vavila and Auntie Arina (1928)
Educational film about March 8th, about the situation of rural women.
poster
?
5.9
/42/
27
/3/

Diary of a Revolutionist (1932)
The secret police agent finds that factory director wife is counterrevolutionary but dies from the heart attack. The director reads the diary of an agent and turns his wife to police.
poster
?
5.7
/42/
50
/1/

The Ice Rink (1927)
A small skater at a skating rink accidentally pushes a respectable man skating with a lady. Fleeing from pursuit, he gets on the running track and is the first to finish. The enthusiastic spectators give him a standing ovation.
poster
?
5.9
/25/

Gypsies (1936)
A Soviet agent tries to win over a band of gypsies to a happy life on a farm co-op.
poster
?
4.2
/6/
70
/1/

No Entry to the City (1929)
Directed by Yuri Zhelyabuzhsky.
poster
?
6.3
/71/
20
/1/
40
/4/

House of the Dead (1932)
Soviet film based on Dostoevsky's autobiographical novel of his prison experiences in Tsarist days.
poster
?
7.1
/19/

The Glass Eye (1929)
Archive footage from the 1920s juxtaposed against a film-within-a-film parodying the melodramatic excesses of popular cinema of the day.
poster
?
6.1
/43/
50
/4/

Love and Hate (1935)
A group of Ukrainian women are forced to work in the mine under the supervision of cruel enemy soldiers. When the soldiers are forced to retreat and decide to blow up the mine, the women organize a guerrilla action to stop them.
poster
61
?
6.8
/106/
54
/7/

The Thaw (1931)
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.
poster
58
?
6.4
/217/
65
/5/
45
/8/

Loss of Feeling (1935)
In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.
poster
?
6.7
/86/
32
/4/

Accordion (1934)
Igor Savchenko's Accordion (Garmon', 1934) was adapted from a poem by A. Zharov. This film sheds light on the reasons why the mass song came into being. In it, the country boy Timosha stops playing the accordion after being chosen leader of the local Komsomol. When he understands that he must compete with the sad kulak songs played by Tlskliby ("Mournful"), he recognizes his mistake in abandoning his accordion, and in the end he gathers the other youths around him with his lively and merry songs.
poster
64
?
7.0
/110/
45
/2/
54
/9/

A Simple Case (1930)
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)
poster
?
6.3
/65/
10
/2/

Dzhulbars (1935)
A squad of rebels attacks a peaceful caravan, and the old guide Sho-Murad and his granddaughter Pery find themselves in captivity of the bandits. Border guards and a sheepdog Dzhulbars repulse prisoners and neutralize enemies.
poster
?
6.4
/85/
42
/6/

Marionettes (1934)
Fearing the Soviet Union, rich businessmen who want more influence in Europe decide to give the nation of Boufferia a new king, an easy to handle drunkard.
poster
69
?
7.1
/206/
65
/2/
57
/5/

The Three Million Trial (1926)
History of theft and double crossing when two thieves fall out over the theft of the money of the proceeds of the sale of a house by a banker to a religious community.
poster
?
7.0
/38/
30
/1/
58
/4/

Forty Hearts (1931)
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences.
poster
Kanopy
58
?
6.7
/229/
54
/5/
50
/13/

The Great Consoler (1933)
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
poster
?
6.4
/39/

Horizon (1932)
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.
poster
?
7.1
/72/
65
/4/
54
/7/

Ranks and People (1929)
From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as is the case with "Chiny I Lyudi" ( Ranks And People ) (1929) in which three short stories by Chekhov, "Anna On The Neck", "Death Of A Petty Official" and "Chameleon" were assembled for the silent screen.
poster
56
?
7.1
/159/
55
/2/
50
/9/

The Man from the Restaurant (1927)
During the good old days of the Russian aristocracy, that is to say, before the October Revolution, in the city of Moscow there was a fancy restaurant which catered to the appetites and egos of the rich. In one such establishment works a middle-aged waiter who is devoted to serving his bourgeoisie clients correctly. However, his life outside his job is very different: His son was killed during the Russian civil war and the waiter's wife died of grief as a result....
poster
?
5.2
/38/

The Adventures of the Little Chinese (1928)
Within the initiatory journey of two children lies a fine lesson in geopolitics done Soviet style. Apart from this political demonstration, the patched-up puppets stroll through the décor with incomparable poetry. The charm never fades. This masterpiece is a treasure trove of creative invention carried by an attention to detail and a quest for perfection.
poster
52
?
6.9
/174/
30
/1/
35
/5/

The Tailor from Torzhok (1925)
A 1925 Soviet comedy sponsored by the Soviet Finance Ministry, with a plot promoting the new economy. A small-town tailor, Petya Petelkin (Ilyinsky), bought a lottery ticket and handed it to his landlord, widow Shirinkina (Deykun) who wants to marry him. Petya is a hard-working tailor trying to start his own business. He is also in love with Katya (Maretskaya), whom he wants to marry. He has to survive a cascade of funny situations in the unstable Soviet reality, before his romance with Katya comes to a happy ending.
poster
62
?
7.4
/293/
50
/2/
53
/10/

St. Jorgen's Day (1930)
The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.
poster
?
6.4
/69/
70
/1/
10
/1/

Torn Boots (1933)
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
poster
?
6.9
/63/
70
/3/

Two-Buldi-Two (1929)
Naturally, the circus milieu of 2 Buldy 2 (1929) encourages stunts. A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution. At the climax Buldy Jr. escapes the Whites thanks to flashy trampoline and trapeze acrobatics; the gaping enemy soldiers forget to shoot.
poster
?
6.5
/42/
55
/2/

Salamander (1928)
The film is based on real events and reveals the tragic episodes from the life of the Austrian biologist scientist-materialist Paul Kammerer (1880-1926), hunted by regressive scientists and Catholic reactionaries who committed suicide.
poster
?
6.4
/34/
80
/2/

The Adventures of Baron Munchausen (1929)
Cartoon based on Rudolph Erich Raspe's stories about Baron Münchhausen.
poster
?
5.7
/14/
50
/3/

Carnival of Colours (1935)
The experimental work consists of several fragments, demonstrating the use of color in film: showing paintings of Soviet art, photography parade on first of May on Red Square in 1934-1935, recording a working amateur and sketch of Soviet Georgia.
poster
52
?
6.7
/121/
40
/1/
50
/13/

Song of Heroes (1932)
The building of blast furnaces Magnitogorsk and the Kubas Basin by Komsomol, the Communist Union of youth, as part of Stalin’s first five-year plan.
poster
?
6.3
/87/
20
/1/
49
/8/

The White Eagle (1928)
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy.


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