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poster

?

90

/1/

In France, victims and perpetrators of offenses, misdemeanors, or crimes can meet and talk in secure, supervised settings. Included in the Penal Code since 2014, this "restorative justice" is intended to complement criminal justice and provide a safe space for dialogue. The aim is to enable victims to rebuild their lives and perpetrators to take full responsibility for their actions, thereby reducing the risk of reoffending. This film follows one such program over the course of a year. Amélie, a prison rehabilitation and probation counselor, and Séverine, a lawyer for a victims' association, prepare Marthe, Aurélien, Sylvain, and JF, who are incarcerated for murder or attempted murder of their spouses. They also follow Emeline, Evelyne, and Marie, victims of similar crimes.

poster

?

40

/1/

Patrona, Mexico. A railroad runs through the village. Every day, migrants try to cross the American border, crammed onto the roofs of the freight trains. As soon as they hear the train whistle blow, Norma, Bernarda and a dozen of other women from Patrona stand along the tracks to help the men who dream of a better life.

poster

71

?

7.5

/43/

80

/2/

60

/5/

3.6

/291/

After the death of his grandmother Emma, Robin Hunzinger and his mother Claudie find a carefully preserved collection of letters which Emma received from a girl called Marcelle. In the 1920s, Emma and Marcelle met at school in Dijon. Secretly, love blossomed between the two teenage girls, but after two years they parted ways. Marcelle developed tuberculosis and was admitted to a sanatorium. Complementing the sparse photographs of the women, Hunzinger combines archive footage, avant-garde films, and music to create a sensuous, poetic atmosphere.

poster

?

N/A

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