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poster
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6.1
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41
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40
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3.4
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March to May (2024)
A family of five lives together in an old village house. While the parents are slowly aging, the children are growing up, and it is clear that they will soon go their own way. This unchanging rhythm of everyday life is disrupted by the unexpected news of the mother’s pregnancy, and the idea of a new sibling gradually affects all members of the household. March to May is an understated, intimate portrait of family togetherness, which is often expressed in the smallest of ways. An unassuming yet highly original story, filmed with the same tenderness and patience with which nature awakens every spring. Vojtěch Kočárník (kviff.com)
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6.9
/34/
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Eighth Day (2023)
A religious sect congregates by a lake in a forest. They are preparing to perform a baptism the next day, but teenage Anna has her own plans. She is fed up with life in the strict community and longs to experience freedom for the first time.
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If I Ever Lose My Eyes (2023)
A film journey through places near and far, real and dreamy, on the border between reality and fiction, where it is possible to learn how close the realm of the invisible lies and to contemplate whether it is possible to approach the invisible through film. Guides on this journey are various explorers who present their elusive experiences with researching and capturing imprints of the invisible – former filmmakers, a forgotten film movement, a local history expert, a mountaineer, a professor, and the director, Lea Petříková, herself. But the more they reveal, the more complicated it gets.
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After the Magician (2020)
French-Mexican surrealist artist Alice Rahon made her only film - The Wizard - in 1947, which was lost before its first release. From this came a dream of a never-before-seen work, an encounter with a person who is unjustly forgotten, and an excursion to the landscapes of image, sound and imagination.


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