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poster

61

30

6.1

/667/

62

/42/

57

/22/

3.3

/5622/

18-year-old Shengnan is invited to a mysterious party by her cousin. Upon arrival, Shengnan finds herself surrounded by greasy middle-aged men, with the exception of Jianguo, who is different. Shengnan and Jianguo decide to bail on the party, embarking on a night of adventures in the adult world.

poster

?

50

/1/

He feels like a bloated balloon; he wonders if he still breathes. He bumps into a girl who once sat next to him at school, he wonders if it means anything to revisit the memories of secondary school. Or does he merely want to prove how incapable of breathing they all have become? Once she dreamt about becoming a dancer, now she works as a yoga instructor, teaching others as well as herself to breathe properly. Balloon vividly portrays the disillusionment, loneliness and nostalgia of people who have been working for almost a decade. Just how jaded have we all become?

poster

?

40

/1/

It was the time when thousands of families left Hong Kong to look for a ‘better future’. After almost 20 years of separation, here comes the reunion dinner for a father and his daughter. The awkward distance between the two make them seem like strangers, but deep in their hearts hide their missing for each other. Memories intertwined with the present, both of them know that what really matters is your beloved ones are all well.

poster

?

30

/1/

When a city becomes less accessible and appealing, is intergalactic immigration the only solution? A young couple comes on board a spaceship to reach their utopia. There had been both subtle and crude instances of suppressions, mostly to establish dominance, from the authority which they endured with determination. However, the theft of an important literature “Book of Flock” turned their voyage into upheavals and jeopardized their dreams. Though stylish in a futuristic tone, the fable may be as timeless as the message conveyed in the “Book of Flock”: the sadly familiar tactics by the totalitarian authority to fool the people and suppress their free will.

poster

?

50

/2/

50

/1/

Liza, once a notorious mob boss, has always been strategically planning the career of her only son Yan. It is however never in Yan’s intention to follow her mother’s footsteps - instead he aspires to be a filmmaker. As a mob, Yan is highly incompetent, and his disappointing performance already messed up a simple drug deal. Liza desperately tries to save her most sought-after son, but she ends up, along with her son, breaking into her neighbour Mr. Chan's home. They accidentally steal the head of Mrs. Chan, whom they assume was murdered by Mr. Chan. They recklessly decide to blackmail Mr. Chan, and everything goes out of control. Will Liza and her beloved son survive this crisis?

poster

?

70

/1/

Nine works for an old laundry shop due for closure to make way for urban renewal projects. Ordered to return a washed suit and pocket watch to an old customer, Nine starts a journey within the area soon to be transformed beyond recognition. He encounters a number of local residents who treasure and preserve the unique charm of the area. A conversation with his grandfather who repairs old chairs prompted Nine reflections on the values of preservation and the apparent priority of all things new only made possible by sacrificing things and memories from older eras. This observant piece stars veteran actress Lora Lu and stage actors Au Yeung Chun and Sheung Ming-fai.

poster

?

50

/1/

The title is an allusion to the Chinese gambling game but the story is a treacherous journey with high stakes and a handsome reward. Three friends brave rugged terrain to escape hardship and persecution, surviving on foraged food and their meagre possessions – a pack of ciggies, the Little Red Book of Chairman Mao and three dices – all the while hounded by Red Guards on patrol. Loyalty, friendship and life are bet against a new beginning in the city where the streets are allegedly paved with gold. The odds are against them and the chance of survival is a row of the dice.

poster

?

40

/1/

Hui-man has the body of a beast. As a former social worker, he still wishes to help others, especially his loved one Ning, a headstrong beauty who resists the world and who lives in the ruins after leaving her wealthy family. Both fight for survival and face their own needs and fears. Reunited despite obstacles, they only wish for a simple candlelight dinner without fanfare.

poster

?

70

/1/

Mothers often go to extremes and make sacrifices for their children, including feigning madness. Fun-nei's mother has been kept in custody in a mental hospital for killing her husband, leaving daughters Fun-nei and Si-ling on their own. Fun-nei later achieves success by making her eventful life story into a documentary. One day the mother escapes from the hospital and returns home. Furious that Si-ling has not reported the escape, Fun-nei clashes with her sister and films the conflict, eventually unveiling the hidden truth.

poster

?

40

/1/

Life and death are decreed by fate, so the wisdom goes—but who really controls our first and last breath? When we are vulnerable, is the omniscient and omnipotent Heavenly Father the only refuge? The pastor’s wife is terminally ill. By her death bed is the devoted younger son who wishes to minimize her suffering by withholding life support so that she can leave in peace. The pastor, however, insists on obeying the doctrines and God’s will. As signs of impending death approach, is the pastor simply waiting for a miracle? A difficult debate ensues when love for the family conflicts with religious obligations.

poster

?

40

/1/

All Christians are blessed by the grace of God—and in some cases, their evils are sanctioned. Devoted churchgoers Grace and her mother live together. Out of Christian charity, they often take in teenagers without parental care. Their latest ward is Ching Yi, a young girl suffering from domestic violence. Brought into their home by Pastor Leung, Ching Yi is treated like a sibling by Grace, who enthusiastically shares her faith to the aloof house guest. Grace’s faith is shaken, however, when she accidentally discovers a secret between Ching Yi and Pastor Leung. When the church disguises vile and unspeakable deeds as the will of God, Grace decides to take matters into her own hands.

poster

?

50

/1/

The film is a resonant portrayal of the younger generation in the post-Umbrella Movement era. Two years ago, Ah-man (Ng Wing-sze), an independent yet stubborn university student, left home after a furious argument with her mum when the Umbrella Movement broke out. Now, she undertakes a new kind of lifestyle – a life of a vegetarian and an organic farmer. However, she never stops thinking of the taste from home. With the film's fragmentary narrative style, Ah-man’s story also reflects the ambivalent decisions between family and society of her friends.

poster

?

30

/1/

A story taking place in a Hong Kong with a different history. Hong Kong has not undergone a transfer of sovereignty in 1997. In 2003, a teenager, Lap Yan stays at home because of SARS. A girl who is a new neighbor of Lap Yan visits him and stays with him all day. Lap Yan does not realise the outside world is changing, which will affect his own future.

poster

?

60

/1/

Where may one find bliss, in life or in death? Four disappointed young people meet each other at a rave party, finding bliss under the influence of drugs. After sharing a brief night of ecstasy, they are suddenly transported to another realm via a car accident. Stranded and waiting to be delivered, as the lost souls witness the void and pain they leave behind in the world of the living, each must reckon and reconcile their scarred former lives, every unrequited dream and relationship, before they can finally arrive at the real land of bliss.

poster

?

10

/1/

Is there eternity in the universe? Five-year-old Ka-wing and his younger sister Ka-yan have been asking this question for all time. From a tumultuous childhood in an abusive household, the siblings are delivered to the HO’s, where they find temporary solace and stability. A brief reunion with their biological parents propels the children back onto a trajectory of precarity and shatters their young dream of home, a shifting idea gradually taking form as they grow up. Featuring Loletta LEE Lai-chun (Golden Horse Awards for Best Actress, Ordinary Heroes, 1999) and David SIU Chung-hang, the short is a narration of childhood through a decade of imaging technology.

poster

?

10

/1/

Forced to wear dresses and behave in a certain way against her will at her stepfather’s dinners, 13-year-old Ling meets Kitty, a rebellious 17-year-old, and is fascinated by the older girl who seems unfettered by any rule. As the two girls become close, Ling experiences a sexual awakening and wants to play the role of Kitty’s keeper. But things get complicated when Kitty’s former boyfriend appears on the scene. Full of angst, this coming-of-age story traverses the painful rites of passage of adolescent loneliness and sexual longing. The black sheep hark back to all the pure yet misunderstood selves we used to be.

poster

?

10

/1/

Summer, 2003. The SARS epidemic is easing, school resumes. Hau-Ching overhears her crush Tsz-Hin complimenting another girl’s glasses. To get a pair of glasses, Hau-Ching tries all kinds of tricks to become shortsighted. Behind this budding love looms the persistent threat of the epidemic, and the quiet unravelling of the fragile family fabric. As Hau-Ching pretends to lose focus of things around her, the obscure picture of her absent parents becomes ever more apparent. A bittersweet coming-of-age tale featuring Sean WONG Tsz-lok, Golden Horse Award 2023 for Best Supporting Actor nominee for Time Still Turns the Pages (2023).

poster

?

40

/1/

What constitutes a “disadvantaged youth”? Man Hang did have noble and lofty goals for his life after graduation, but they were quickly crushed by the harsh reality of life. Working an unglamorous job at a warehouse along a colleague with autism, Man Hang was bullied by his boss with unreasonable demands. His mind wanders back to his school days especially when he was seated next to Wing Lok, a classmate with autism who was constantly ridiculed and taunted by the class. During reunions, Man Hang and his friends mused on the irony: With all of them having similarly unremarkable careers, are their lives more fulfilling than Wing Lok who could remain true to himself?

poster

?

85

/2/

All clothes have a story to tell. Ma was about to close the Angela laundry shop for the day when Shum appeared. A young man with a head injury and handful of dirty clothes from his stay at the street during the Umbrella Movement, Shum needs his clothes washed. Full of passion for the social cause, Shum initially chided Ma for staying in the comfort of the shop. However, these two strangers slowly opened up to each other when a number of characters passed by the shop, revealing the tumultuous world behind Ma’s stoic silence. Shum also gained new insight on meaningfulness, which exists not only within a worthy cause but also at seemingly abandoned clothes.

poster

?

10

/2/

50

/1/

Yan Yan wishes to bring her girlfriend home during the Lunar New Year, causing shame and anger in her father. Rosario, a migrant from the Philippines, tries to intervene into the heated argument on the street. It turns out to be a performance by an invisible theatre troupe and Yan Yan invites Rosario to join their group. During the workshops, Rosario recalls past moments with Lila, her ex-lover back in the Philippines. That night she receives a package from Lila, and reconnects with feelings long suppressed. Director Jamie CHI draws from her own experience and brings back her teammates from the invisible theatre project in this short film.

poster

?

10

/2/

Kevin, a young theatre director from Hong Kong, is searching for ideas for his next play with his team, hoping to get funding for an overseas production. Frank, a middle-aged hairdresser in Berlin, is performing his daily routine. Coincidences bring them together, though their friendship is dictated by the parameters of the smartphone. Kevin decides to adapt the stories of the Berlin Wall to the stage, as old memories of living in East Berlin come flooding back to Frank. Shadows, in their literal and metaphorical sense, become the third wheel which silently alters their lives and turns into a story that transcends the boundaries of reason. Through this experimental work, director Terence LI sheds light on the inner space-time of the queer and the displaced.

poster

?

10

/2/

Inspired by a true story, Eggs tells the tale of A-Li and A-Mai from Vietnam who meet and fall in love in Taiwan. When A-mai gets pregnant, what follows is not necessarily a blessing. Like many lost-contact migrant workers in Taiwan who, worried that they cannot afford to raise their children, flee and take on cash-in-hand jobs, A-Li and A-Mai go up the mountain to a place full of lychee stink bugs where A-Li can earn some money. When stopped by the police, they escape into the mountains and forests for fear of their status as illegal migrant workers. Taking refuge inside an abandoned factory, the couple tries to evade the police and to ensure the safe delivery of the baby.

poster

?

10

/2/

30

/1/

For sixth grader Marco, the minutiae of life revolve around taking the light rail with his best friend Chris and their Beyblade battles. But just like the Beyblades that spin in unpredictable directions, Chris is embarking on a different life path. Before Chris’s departure, they continue to linger around the neighbourhood playing with friends, uncertain about the future and how to say farewell. Tuen Mun, through the director’s lens, is slightly tinged with melancholy, resembling both a maze and a playground. In a child’s imaginative and innocent perspective, the film makes poignant observations on the anxieties of the adult world during the pandemic and how people deal with inevitable losses.

poster

?

10

/2/

What is love in the time of Coronavirus, when people are separated in both space and time? Wing returns to Hong Kong from Taiwan upon learning that her estranged father is dying in a hospital but she has to undergo quarantine in a hotel. Talking to her father through the screen, Wing realises she can never forgive this older man who abandoned the family many years ago, while the other man, her husband, seems very far away in Taiwan. Isolated in the tiny hotel room, Wing battles alone with the diseases of body and mind, caused by old and new grievances.

poster

?

10

/2/

70

/1/

The city is no longer the same after the year of social unrest. How do those that remain make peace with the past and move on with their lives? After Nam’s good friend Man left the city, Nam is left behind to take care of Man's mother and motor bike, while struggling to live life as normal. A strange visitation one night by her grandfather brings Nam back to her ancestral village in mainland China, where she learns about her father’s painful past. Under the silent and long poetic gaze of the camera, the survivors of two generations, representing the past and the present, the country and the city, commiserate together in a shared moment of grief and solidarity.

poster

?

10

/2/

An umbrella standing alone in the rain by the road. Is it a magical umbrella that protects its owner, or a curse? Sum-yu, a reserved young woman, suffers daily sexual harassment in the office by her male colleagues and superior. All this changes when she comes across a blood-red umbrella on a rainy night, unleashing a malevolent spirit and transforming her into a merciless avenger against the men who have wronged her. Can wrongs of the past life be righted in the current one? A modern ghost story incorporating body horror motifs, the short relates a bloody and thrilling tale of contemporary gender relations.

poster

?

10

/2/

The antidote to loneliness may be found between the two ears instead of legs. Financially ruined, Kwong is ready to go by sleeping pills, until his attention is called to a TV commercial of a sex hotline. He is connected to a female voice who calls herself Sugar, who, initially flirtatious, becomes alarmed at the weeping suicidal voice on the other end. Sugar then tries to keep Kwong on the line by sharing her own life. Inspired by an article about a disabled sex worker, the short is a tribute to these alternative sex workers.

poster

?

10

/2/

We cannot escape from bureaucracy in life as well as in death. Quickie promises his grandma to handle the forced removal of his great-grand aunt’s niche. But without the ancestor’s identity documents, Quickie cannot apply for public columbarium niches. On the other hand, grandma refuses to have the evicted ashes brought home for fear of bad luck. As he struggles with bureaucratic red tape, Quickie thinks of one inventive solution after another to find a temporary home for the ashes. The story is a biting commentary on ridiculous public policies rendered in vibrant, energetic colours and groan-inducing jokes to highlight the absurdity of the situation.

poster

?

10

/2/

“Please hold on...” How many of us have waited in vain for a response from the other side? Dawn’s day begins when the sun sets, driving her customers to their destinations, including the softspoken Sunny. Something not to be spoken of weighs heavy between them, and the nightly trip always ends with them going their separate ways home. As Dawn navigates difficultly through her troubled past, she continues to dial the same number that always fails to connect. One night, her call is finally answered. Be it chance or miracle, will Dawn be able to let go of her past?

poster

?

10

/2/

That year, Jean drifted away from her hometown, straying into a new land. Three years have passed, while Jean feels she has found a new home, past trauma still weighs on her mind. It is time to be reacquainted with the city she has missed and since become unfamiliar. More importantly, she is to be reunited with her temperamental mother. Will there be a merry ending waiting for the prodigal daughter’s return? Will reconciliation be possible for our conflicted young people in Hong Kong? A portrait of the era of estrangement and displacement.

poster

?

20

/3/

Set in Norway, Lykke Til is a story about struggling in a foreign land. Ann, who has moved to Norway, is facing obstacles on multiple fronts: visa, employment, cultural differences, racism and an unexpected pregnancy, which puts her relationship with her girlfriend in jeopardy, another secret hovering over the already strained relationship with her mother. Instead of trying to simply stay afloat, the worst person in the world now has to make a decision and reclaim her life. The director who also writes the script and plays the main role expresses through the short her own experience as a Chinese diaspora and creative talent living in Europe.

poster

?

10

/2/

Four years have passed since the event. Lost and changed, Ling returns to the society, uncertain about her future. People around her avoid talking about what has transpired, their meaningful whispers echoing in the void. One night, Ling meets her younger self from four years ago. They try but know not how to talk to each other. With the scar still throbbing, should the older express regret or encouragement for the younger? Would the younger question the older, can she sympathise with what she is yet to learn? An extraordinary time travel story about the melancholic self-reflection of one’s whereabouts, in the past and in the future.

poster

?

10

/2/

A driver who has ties with criminals follows certain principles and distinguishes himself from the “bad guys”. But just as the unanticipated carrots found in the usual “Today’s Special”, this night’s mission is made special when a young woman is seemingly in grave danger. Trying his best to avert the crisis through a night’s battle of car chases and fist fights, he arrives at the totally unexpected destination of futility. Appropriating the most popular elements of Hong Kong genre cinema: triads, street fights and car chases, Tiger YAU’s first drama short cooks up a visually rich bowl of “Today’s Special”.

poster

?

10

/2/

40

/1/

High school student Faye leads a lonesome life, being bullied at school and her family living abroad. She keeps a distance from people, including her classmate Yiu whom she secretly admires. Yearning for love and desperate to break away from her mundane life, Faye becomes a part-time girlfriend named “Sushi”. A delicate dish on the sushi conveyor belt, Faye is coveted and manipulated by the assortment of men who seek her services. Her life is further complicated when Yiu suddenly confesses his affection for her on the phone. Navigating the tumultuous journey of love, will Faye finally be able to lift herself up, take the lead and find her way?

poster

?

10

/2/

20

/1/

Leaving music school, the happy-go-lucky Ling returns to Hong Kong to her dementia-stricken father, on whom she tries to conduct music therapy. Her demurer older sister Munn, the caretaker and sole supporter of the family, watches with disapproval. Playing the piano piece her father once taught her, Ling seems to register some change in her father’s condition, a glimmer of hope amidst the abyss of oblivion. However, secret animosity and rivalry eventually leads to open conflict between the two sisters, bringing out long-time family traumas. Will music save them?

poster

?

80

In our daydreams, we always dream about who we can be and what we can do. Chak is always living between his dream state – where he is admired and can get any girl he wants – and the reality – where he is constantly teased by his sexually frustrated, foul-mouthed friends. One day, Chak's dream becomes reality when he finds the acceptance of a girl he likes, but cruel reality eventually stops him once more. Instead of running away, Chak must face the real world head-on this time around.

poster

?

50

/1/

At a zhizha shop, paperservant dolls eagerly await their destiny of being sent to serve their masters in the underworld. They must be sent out within forty-nine days following their masters’ death, or end their unfulfilled existence as waste paper. Old Mr. Yeung, owner of the zhizha shop, is determined to keep the artisan trade alive. Yet with the old neighbourhood being redeveloped, the shop’s business dwindles along with the chance for the kind-hearted Lo-mui and Kam-lo, two paper dolls crafted by old Mr. Yeung, to find a master. The dolls hatch a plan to escape in a race against time before their demise.

poster

?

60

/1/

Secondary school teacher Mr. Leung meets his student Emily in a classroom after school to talk about her behavioural problems. He is subsequently arrested on Emily’s allegation of sexual assault. Before the trial takes place, Mr. Leung’s colleagues have already decided on his guilt. The school is anxious to brush the matter aside to save its reputation. Ms. Chan has known Mr. Leung for many years and is the only person who believes in his innocence, yet she is criticised and chastised by the others for supporting Mr. Leung. Under pressure from all sides, Ms. Chan hesitates to serve as Mr. Leung’s character witness.

poster

?

30

/1/

People in a red-brick-walled compound are barricaded by a group of mysterious men who threaten those in the compound day and night, telling them not to escape and act as if everything is normal. The people inside muse on the drastic changes in their lives, as their limits are constantly being tested and pushed. Some risk their lives trying to escape, while others lose their will and dwell in the surreal realm between dream and reality.

poster

?

30

/1/

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

poster

?

60

/1/

The story is told from the point of view of a high school girl called Jessie (Jessica Wong) whose talent for the Chinese board game Go has earned her the nickname ‘Queen Chess’. She balances her time between practising Go and hanging out with her boyfriend (Yau Hawk-sau Neo). The former seems to win for this studious girl, but it is clear she’s also seeking something to pull her out of this lonely life of late-night computer games.

poster

?

6.6

/11/

30

/1/

Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.

poster

?

6.9

/7/

60

/1/

When Chan is diagnosed with terminal cancer, he decides to end his own life, but his grandson unexpectedly brings him an abandoned old dog. The encounter cannot change their destinies but allow them to accept changes that inevitably happen.

poster

?

70

/2/

80

/2/

Gay partners Chan Yui and Ka Wing are happily in love, until Chan Yui enters a marriage of convenience with his lesbian friend Fung Ming to appease his parents. Under great pressure, Ka Wing is forced to accept this sham marriage but can things ever go back to normal?

poster

?

7.0

/11/

75

/2/

55

/2/

It was raining non-stop when Hong Kong was rocked by the tumultuous events of October 2014 (the "umbrella movement"). In a fixed sequence shot, the film captured students meeting each other in the hall, in the rooms, discussing, arguing about or remaining indifferent to the event, while it continued to rain outside.

poster

?

30

/1/

Traumatised by the doomed rights movement in Garan, former activist Decem seeks refuge and solitude in the forest, fleeing his homeland and all those he held dear. Relief is however short-lived. As time passes, nostalgia and loneliness creep upon the exiled youth. Decem remains trapped in recurrent nightmares of the past and continues to plunge into despair, living with a constant sense of peril. The challenges of living in the forest along with the wildfire in the mountains eventually make him reconsider the path ahead. Mirroring the disturbed youth’s inner turmoil with the sinister wild nature, the psychological drama relates the tormented state of the exiled body and soul.

poster

?

80

/1/

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

poster

?

50

/1/

Smoker, a prefect in a boarding school, maintains order with weed and terror. Within the confines of the school, we witness a twisted version of a coming of age story of unbridled violence in the name of law and order, culminating tragically to the death of the bullied Dickhead. As the incident escalates and things go astray, Smoker faces a moral dilemma: Should he clear himself of further corruption, or should he act as an accomplice of the authorities? Stylistically extravagant, the short uses the secondary school as a metaphor to underpin the absurdity and brutality in ‘the worst of times.’

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