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poster
?
7.8
/7/
10
/1/

Soleil de Printemps (1969)
The story of a young man of peasant origin, a minor official in Casablanca, which can not adapt to life in the big city.
poster
65
?
7.3
/44/
50
/1/
67
/4/
3.7
/314/

Mirage (1979)
Ahmed Bouanani’s first feature film played a pivotal role in bringing experimentalism to Moroccan cinema. It’s a fable-like story of a poor young farmer who finds treasure in a flour bag. This takes him on a journey where nothing is as it seems. The film’s narrative structure frequently makes reference to mythology and literature, utilizing Morocco’s rich history and oral traditions.
poster
?
7.6
/8/
45
/2/

Memory 14 (1971)
Crafted exclusively from film archives, Thakirah Arba’at 'Ashar (1971) was Ahmed Bouanani’s first feature, but the censors forced him to cut it down from 2 hours and 18 minutes to 24 minutes.
poster
?
10
/1/

Brahim (1957)
The rebirth of hope to overcome poverty and unemployment after the independence of Morocco.
poster
?
7.6
/26/

Flower of Oblivion (2006)
Following a painful childbirth, Zakia, a young woman from the Tunisian bourgeoisie becomes dependent on the Khochkhach plant (Poppy). After a few years of slow descent into the hell of dependence, she will meet in a Khémais asylum, with whom she will rediscover the taste of loving and living.
poster
?
10
/1/

Tarfaya (or The Walk Of A Poet) (1966)
A man from Tarfaya, penetrated by the magnificence of his country, the power of its beauty and the nomadic life of his ancestors goes in search of a great popular poet. He would be able to teach him wisdom, music, and the wonderful art of singing and poetry.
poster
?
10
/1/
70
/1/

Six and Twelve (1968)
Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.
poster
?
10
/1/

Conquer to Live (1968)
Karim decides one day to leave his village in the Rif and to venture into the big city of Casablanca where he must conquer, first to live, then to express himself.
poster
?

Les Enfants Terribles de Casablanca (2010)
Fresh out of a marketing and management school, Ilias, while managing his father's business, is convinced that his true duty to his country is to promote the cultural and artistic as a vehicle for new ideas, in a world where corruption and intrigue rule: the business world.
poster
?

The Four Sources (1977)
Ahmed Bouanani’s Al-Manabe' al-Arba'a (1974), a very low-budget fantastical adaption of a poetic fable, features his wife Naïma Saoudi, who also worked as an art director and set designer. It is his only film in colour, which convinced him that his vocation was to work in black and white.


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