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poster

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10

/1/

Experimental short by Ivan Martinac.

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10

/1/

Experimental short.

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10

/1/

Experimental short.

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10

/1/

Experimental short.

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10

/1/

Experimental short.

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10

/1/

Meštrović (Exaltation of Matter), is a short film directed by Ivan Martinac, recorded in the production of Kino Club Split. He filmed it provoked by the teasing of Belgrade moviegoers who claimed that “mostly eating and drinking is done in the Split cinema club”, which was not far from the truth. Still, the wounded pride and anger took their toll, and in 1960 he filmed his first “Split” film — Meštrović (The Exaltation of Matter) with which he succeeded. At the international film festival in Vienna, he received a UNICA bronze plaque, the first international award received by amateur cinematography in Yugoslavia at the time.

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6.9

/17/

Two brothers are renovating the apartment that they have inherited from their recently deceased mother. By working together, they will finally face the traumatic past that has been troubling their relationship throughout the years.

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8.2

/88/

Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.

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5.5

/20/

Oleg is a film student who leads a spartan life surrounded by analogue technology. A librarian during daytime, Marta is an avant-garde novelist who works with alternate subjectivity. Narrated from each of their perspectives, Čučić’s film recounts a romance that never ceases to take new shape.

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10

/1/

A couple meet and walk down the streets of Split all the way to the shore. This is the second film Zafranović ever made and the oldest preserved.

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10

/1/

Experimental film by Ivan Martinac.

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6.9

/7/

Briefly depicted fragments from the characters' lives, through summer and winter, as each of them suffers a loss. Cinematic meditation on inevitable loss.

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10

/1/

An experiment with 'anti-language' in detail (in composition, in changing plans, in exposition, etc.). Proof that the general rhythm and those miraculous 'pixels' that are not seen in the projection really mean a lot, if not everything.

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5.7

/12/

10

/1/

70

/1/

Creating mystical cinematic supernovas through elaborate cutting techniques.

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5.2

/5/

Roza is looking for a new roommate. Karmen is looking for refuge.

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10

/1/

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.

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10

/1/

Before a dynamic camera waitresses are rushing in all directions at the busy central Split train station, doing their daily work. The hectic atmosphere is amplified with cuts from face to face, movement to movement, transforming the film into a rhythmically programmed energetic trip.

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10

/1/

This meditation on transience, possessing a macabre and mysterious atmosphere, filled with a number of ambient motifs that are repeatedly succeeded by confounding silhouettes of human heads, is founded upon rhythmic contrasts and structural molding of film. In a brilliant sequence of images, the film evokes a sensation of leaving, abandoning.

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10

/1/

Break-up flick.

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10

/1/

16mm short that shows rhytmic motions of reflections spreading across sea waves, set to jazz tune.

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10

/1/

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

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10

/1/

Anti-film by Mihovil Pansini.

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10

/1/

Compressing one idle day in the life of a young artist by rotating the camera through his room, a sort of a self-portrait of Lordan Zafranović resembles a one-shot film, its grainy photography and moody music suggesting a meditative atmosphere characteristic for Split authors of his generation.

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6.2

/51/

10

/1/

17

/4/

Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.

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10

/1/

Experimental film.

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10

/1/

70

/1/

Conceptual-structural film by Branko Karabatić exploring media and television.

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10

/1/

Between four walls of her apartment, a girl enjoys in intimate idleness and being her true self.

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10

/1/

An abstract film, with which Pansini attempted "Malevichean" reduction. It is a blank, an empty film reel with coloristic and toned global changes, nothing more.

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10

/1/

A 8mm experimental short.

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10

/1/

A 8mm experimental short made in Kino Klub Split.

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10

/1/

A 8mm experimental short.

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10

/1/

Following the form of a tetrahedron, the film consists of four regular segments, each covering one topic. It gained a cult status among Split kino-amateurs of older generations.

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5.8

/5/

10

/1/

An experimental film with no plot. Consists mostly of static shots portraying train wagons. The word COMPOSITION in Serbian has a triple meaning here – a train composition, composition of a shot, and music composition. Regarding the third meaning, the “soundtrack” of the film is a 5 second loop that keeps repeating itself over and over again.

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10

/1/

Eminently a montage film, Monologue on Split is Martinac’s cinematic manifest.

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7.4

/19/

Roko and Mirela are friends from Split. A big music festival is taking place in the city and Mirela wants to go.

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7.8

/23/

A story about hip hop scene in the city of Knin, Croatia.

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After a tourist faints in front of his home, Marinko's life is changed forever as he's forced to face his loneleyness.

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One apartment, one world where everything is formed of dusk.

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Experimental film by Ivan Martinac.

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Way Out is dedicated to Stanley Kubrick’s 2001: A Space Odyssey.

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Experimental short.

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Short observations of one or more journeys, somebody's smile and a dog.

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