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6.2

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Two young people discover each other as they explore a labyrinthine derelict Glasgow swimming pool. A high-energy contemporary dance piece shot in the emptied Govanhill Baths in Glasgow.

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Filmed in Scottish Ballet’s technical workshop during the Covid-19 lockdown, Trace is a short film commissioned for the 2020 Edinburgh International Festival. This touching duet was first performed live by the company at Dance Odysseys, a series of works presented by Scottish Ballet and Gelabert Azzopardi Companyia de Dansa during the 2013 Edinburgh International Festival.

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Scottish Ballet’s first-ever Digital Artist in Residence, Zachary Eastwood-Bloom, built on his visually sublime arsenal of digital artworks by working with three choreographers and composers to create Technology//Mythology//Allegory – a series of three new works – for the 2019 Digital Season. Beauty, artifice, voyeurism and the digital gaze are questioned in The Three Graces, a highly manipulated and multi-layered collaboration between Zachary Eastwood-Bloom and choreographer Madeline Squire.

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The lake is a pool of light. The strong, graceful Odette captivates us, surrounded by arching backs, spiralling arms and mesmerising formations. David Dawson’s daring, visceral choreography from Swan Lake is perfectly paired with the rich, romantic Tchaikovsky score in this short film, The Swan, directed by Eve McConnachie. With an all-female cast led by Constance Devernay-Laurence, The Swan is a powerful showcase of our dancers’ strength and connectivity.

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The Shimmering Extraordinary, created by Emmy Award-nominated director Fx Goby, is a collaboration between Scottish Ballet and Nexus Studios. Commissioned as part of our Safe to Be Me™ Festival 2021, a digital festival of dance that celebrates diversity, the films are inspired by the programme’s themes of acceptance, identity, and respect.

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The Secret Theatre features the choreography of Scottish Ballet founder Peter Darrell and CEO/Artistic Director Christopher Hampson, co-directed for the screen by Jess & Morgs. With set and costumes designed by Lez Brotherston; music by Rimsky-Korsakov and Tchaikovsky recorded live by the Scottish Ballet Orchestra; new additional composition by Frank Moon; and performances from the full Scottish Ballet company; this Christmas special is an unforgettable adventure for all the family.

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With 28 doors and 36 dancers, Indoors is a playful work by Sophie Laplane, set to Mozart’s ‘Papageno, Papagena’. Rehearsed via Zoom and recorded during the Covid-19 lockdown, this short film explores ways we can open our doors to new possibilities, all in Laplane’s distinctly unique style.

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Choreographer Sophie Laplane was commissioned to create a work in a week, as part of Scottish Ballet’s 2019 Digital Season. Each day of the creation process was live-streamed to Facebook, and the final product has been turned into a short film directed by Eve McConnachie.

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Juliet awakens from a fever dream. The lines between hallucination and memory blur as cinema and dance collide in a kaleidoscopic journey of belonging, defiance, and self-discovery. A vivid retelling of Shakespeare’s Romeo and Juliet brought to life by Scottish Ballet.

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Frontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow.

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Choreographed by Scottish Ballet Soloist Nicholas Shoesmith (Catalyst, The Fates) and directed by Ciaran Lyons, this high-octane short film takes viewers on a journey through a game-like landscape inhabited by otherworldly beings, where the real and virtual collide.

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Choreographer Sophie Laplane has reimagined her quirky and curious Oxymore as a short film.

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