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poster

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40

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Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

poster

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10

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Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

poster

?

10

/1/

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

poster

?

10

/1/

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

poster

?

10

/1/

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

poster

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70

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"The Misfortunes of Paul Cadéac" shows the ravages of time on a copy of the film "Quai des blondes", the only realization that Paul Cadéac shot in 1954. By isolating and slowing down the most damaged photograms of the French producer's film, I managed to create an object with abstract shapes and, insidiously, to give another life to a leading artistic work. Gérard Courant

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20

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Almost all of this episode of the Carnets filmés, with the evocative title, Tout est Brisé is devoted to the misdeeds of the storm of 26 December 1999 on the Bois de Vincennes, whose forest extends at the foot of my building. For several months, I was the cinematographic witness of this disaster which brought down more than half of the 130,000 trees in the Bois.

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90

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Couple is a cinematic series of portrait films, which show two persons, who free to do what they wish, in a fixed camera shot of 3:20 minutes.

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10

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Le Nouvel Hiver is a slightly disillusioned reflection on the state of the world (the fall of the Berlin Wall, the end of the USSR, the Gulf War), the events of which are the thread of this year's Notebooks (1 January 1991 to 31 December 1991). Of course, these Notebooks are far from this sinister current events because life is elsewhere, in creation and in a quest for the absolute. And then, Le Nouvel Hiver takes us into surprising encounters (with Ken Loach, Brigitte Lahaie) and transports us to places I can't live without (the Ardèche in the North).

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20

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Le Ciné-Club Universitaire de Dijon is the recording of this radio programme - a first for Gérard Courant - which allows him to talk about some of the films that are close to his heart: The Death of Maria Malibran by Werner Schroeter, La Cicatrice intérieure by Philippe Garrel, Hotel Monterey and Jeanne Dielman 23 quai du Commerce 1080 Bruxelles by Chantal Akerman, La Chinoise (The Chinese) by Jean-Luc Godard, Né by Jacques Richard.

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20

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Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

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100

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"Villagium" is a film made from a stationary one-and-a-half-hour shot, which shows the storm and the rain in the street, by the church in the village of Priay, Ain.

poster

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10

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Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

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20

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30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

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10

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Gérard Courant films the routes of his voyage in Greece with a Super8 camera. Reflections, waves, ports and landscapes are edited at a dizzying pace; in their midst, portraits appear of a very beautiful woman, along with images of the director who turns the camera on himself, showing his face reddened by the sun.

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10

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70

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Reel 39 of Gérard Courant’s on-going Cinematon series.

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70

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During a shoot with an Eagle K4 camera, a failure caused freeze-ups with abstract shapes.

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10

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Series of areas that are dear to him(Morvan, Bugey, les Aples, Vivarais,…etc.). Shots taken while driving from his car, holding the camera with his right hand without looking through the viewfinder while I driving withf his left hand.

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10

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A travelling journal of 100 movements from 1978 to 1992.

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10

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N/A

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10

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70

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Reel 38 of Gérard Courant’s on-going Cinematon series.

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10

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80

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Reel 37 of Gérard Courant’s on-going Cinematon series.

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10

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Reel 36 of Gérard Courant’s on-going Cinematon series.

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10

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20

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20

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Voyage au centre du monde is, following an invitation from the new Belgrade town hall and the government of the Republika Serbska, the film brought back by Gérard Courant from his trip with a group of writers in Yugoslavia and Bosnia and Herzegovina.

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10

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Reel 29 of Gérard Courant’s on-going Cinematon series.

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10

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An ongoing series of static shots of train stations around the world.

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20

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An ongoing collection of single static shot, mute, showing a view of the cinema facades where Cinematons have been screened.

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10

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Reel 30 of Gérard Courant’s on-going Cinematon series.

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10

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Reel 32 of Gérard Courant’s on-going Cinematon series.

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10

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10

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80

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Reel 31 of Gérard Courant’s on-going Cinematon series.

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10

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10

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70

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Reel 33 of Gérard Courant’s on-going Cinematon series.

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Reel 34 of Gérard Courant’s on-going Cinematon series.

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Reel 35 of Gérard Courant’s on-going Cinematon series.

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Reel 28 of Gérard Courant’s on-going Cinematon series.

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Reel 25 of Gérard Courant’s on-going Cinematon series.

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Reel 27 of Gérard Courant’s on-going Cinematon series.

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Reel 26 of Gérard Courant’s on-going Cinematon series.

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10

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Reel 24 of Gérard Courant’s on-going Cinematon series.

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10

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Reel 23 of Gérard Courant’s on-going Cinematon series.

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Reel 22 of Gérard Courant’s on-going Cinematon series.

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10

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Reel 21 of Gérard Courant’s on-going Cinematon series.

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10

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Reel 20 of Gérard Courant's on-going Cinematon series.

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10

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Reel 19 of Gérard Courant's on-going Cinematon series.

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10

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Reel 16 of Gérard Courant's on-going Cinematon series.

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