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poster
Criterion Channel
68
61
6.7
/6161/
63
/115/
65
/136/
3.4
/11709/
80
/5/
65
/77/

Sanshiro Sugata (1943)
A hotheaded youth in 1880s Meiji Japan apprentices to judo master Shōgorō Yano, trading brute jujutsu bravado for discipline and humility. As Sanshirō matures, he proves judo’s spirit against old-guard challengers—including a deadly duel—while falling for his vanquished opponent’s daughter. Based on the novel by Tsuneo Tomita, son of Tomita Tsunejirō, the earliest disciple of judo.
poster
?
9.4
/17/

Easy Alley (1939)
N/A
poster
?
7.4
/18/

Enoken’s Shrewd Period (1939)
N/A
poster
?
8.0
/31/

Enoken's Surprising Life (1938)
N/A
poster
?
7.6
/21/

Subterranean Heat (1938)
N/A
poster
?
7.5
/36/

Currents of Youth (1942)
It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.
poster
?
6.8
/7/

Shinpen Tange Sazen: Sekigan no maki (1939)
Another adaptation of Tange Sazen.
poster
?
4.2
/7/
50
/3/

Bouquet of the South Seas (1942)
N/A
poster
?
5.4
/6/

Kantaro of Ina (1943)
War-time jidaigeki by Eisuke Takizawa.
poster
?
4.4
/7/

My Daughter's Only Wish (1939)
My Daughter's Only Wish tells the story of a poorly paid and clumsy office clerk, played with much comedic talent by Atsushi Watanabe. His biggest problem: His daughter Hideko is too clever and is expected by her teachers to enter the school for higher girls after graduating from primary school. But how is our poor clerk supposed to pay the school fees? How does poor Hideko feel about the situation? How can they cope with the envious colleagues who have less brighter daughters? And - an important question for Hideko's mother - what will the neighbours think? What's the point about getting a good education for girls anyway?
poster
?
50
/1/

Harmonica Boy (1940)
The only son of a sushi chef hates sushi and decides to leave home to search for a job and make his own way.
poster
?
7.5
/28/

Tojuro's Love (1938)
A colourful study of theatrical life. Two acting troupes vie for the Kyoto market during the Genroku Era. Tojuro, an extremely popular actor, feels the limits to his acting when he sees his rival troupe put on a new type of play featuring its star, Nakamura. He has the famous Chikamatsu write a new play but cannot get used to the character he is to play in it.
poster
?
4.9
/23/
50
/1/

Shanghai Landing Party (1939)
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
poster
?
5.2
/6/
70
/1/
60
/1/

The Seven Changes of a Paper Crane (Part 2) (1941)
The story is based on the serial novel by Tsunoda Kikuo.
poster
?
4.7
/6/
60
/1/
50
/1/

The Seven Changes of a Paper Crane (Part 1) (1941)
The story is based on the serial novel by Tsunoda Kikuo.
poster
?
6.2
/8/
30
/1/

Onna keizu (1942)
1942 adaptation of Izumi Kyoka's novel.
poster
?
6.1
/23/

Nanking (1938)
Propaganda documentary about the fall of Nanking. Considered for a long time as a lost film, it was discovered in Beijing, China, in the year 1995.
poster
?
6.0
/10/
60
/1/

A Man's Flower Road of Triumph (1941)
N/A
poster
?
6.5
/24/

Flower Picking Diary (1939)
Based on the book Heaven and Maiko by Yoshiya Nobuko, it is the story of two girls of different family backgrounds in Osaka.
poster
?
7.1
/14/

Sky of Hope (1942)
What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.
poster
?
4.7
/15/

Rainbow Hill (1938)
A half brother and sister work at a hotel in Hakone respectively as a porter and a souvenir shop clerk. They are close. One day a woman named Hasegawa checks into the hotel in order to recuperate in a calm environment with fresh air. She is the mother of the store employee. The mother and daughter were separated due to the Kanto earthquake. The girl was practically raised by her older half brother.
poster
?
5.8
/9/

Numazu Officer School (1939)
Japanese war movie
poster
?
6.0
/11/
40
/1/

Song of the White Orchid (1939)
Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.
poster
?
6.9
/67/
63
/3/

Wings of Victory (1942)
N/A
poster
?
6.6
/96/
70
/3/
59
/7/

A Fond Face from the Past (1941)
A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.
poster
?
6.0
/32/
50
/3/

Toward the Decisive Battle in the Sky (1943)
Young men endure challenging flight training in the Yokaren, a program feeding new pilots into the Army and Navy. By the time of the filming, the pressure of the war had led the government to shorten the training and expand the age range of the recruits. Yokaren was highly selective, and thus an object of great fascination and desire for boys and young men. In this Navy–sponsored film, Setsuko Hara plays the daughter of a family that often entertains recruits on their days off—a surrogate sister to many trainees. Her fragile younger brother aspires to join the program, but is rejected. With perseverance and much support from Hara and their mother, he surmounts his weaknesses and becomes a flier.
poster
?
6.2
/9/

Musashibo Benkei (1942)
A 1942 Jidaigeki by the veteran jidaigeki filmmaker Kunio Watanabe about the legendary warrior Musashibo Benkei with Hideko Takamine portraying Minamoto no Yoshitsune (who is, of course, a man). The film climaxes in the famous encounter/fight btw Benkei and Yoshitsune at the Gojo Bridge.
poster
?
5.8
/7/

Mother of the Red Hands (1941)
The title might sound shocking, but the red hands mean, the hands which drag fishnets. Ohama, 15 or 16 years old girl lost her family and lived alone in a fishermen's village. She is a strong-minded girl and very popular among young children. I guess that this story is one of the origins of girl's manga in the 1950s in which I belonged to the first generation of Japanese story manga.
poster
?
5.7
/28/

The Abe Clan (1938)
“19 vassals of Lord Hosokawa ask permission to commit harakiri with him, as a demonstration of their loyalty. Only Yaichiemon Abe is refused permission, forced instead into the vassalage of his lord’s successor. Humiliated and derided, Yaichiemon eventually commits harakiri without permission. His eldest son is then punished for Yaichiemon’s suicide, and when he resists, is sentenced to death. The entire Abe clan rebels upon the son’s execution, and the clan is annihilated.” --Alan Poul, Japan Society
poster
?
6.3
/59/
60
/1/
60
/5/

Mother Never Dies (1942)
The premature death of a young mother serves as inspiration for her husband and son.
poster
?
6.4
/49/
30
/1/

China Night (1940)
Wartime propaganda filmed by the Japanese in occupied China, Shirley Yamaguchi portrays an orphan rescued from the streets by a kindly Japanese merchant marine officer. Part spy thriller and part Shanghai travelogue, it was part of a popular series known as "Chinese Continental Friendship" made by the occupying Japanese in China.
poster
?
65
/2/
70
/2/

Ramayana (1942)
Ravana, while dancing with animals, kidnaps Sita from Rama, and returns to Lanka to hide as Lankapura burns.
poster
?
5.3
/6/

Ushidure Express (1937)
N/A
poster
?
5.9
/16/

Hyoroku's Dream Tale (1943)
N/A
poster
?
6.0
/29/
57
/3/

Suicide Troops of the Watchtower (1943)
Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."
poster
?
6.5
/119/
60
/1/
62
/5/

Learn from Experience, Part Two (1937)
Part 2 of a 2-part romance (fist part - Kafuku zempen) based on a story by noted author Kikuchi Kan. In the second half, we discover that Toyomi is pregnant -- and while Shintaro and Yurie are on their extended honeymoon, she bears his child, a girl named Kiyoko. She is supported in adversity by Michiko -- and gets considerable moral support from not only her own mother but also from Shintaro's mother and siblings. Even more surprisingly, Yurie strikes up a friendship of sorts with her. When Yurie learns that the child is Shintaro's, she convinces Toyomi that it would be best to let Shintaro (and her) raise Kiyoko, so Toyomi can get on with making a proper life for herself. Tearfully, Toyomi agrees. Sometime later, Michiko goes to visit Toyomi -- and sees her at work, as a kindergarten teacher.
poster
?
5.5
/12/
60
/1/

Oath on the Burning Sands (1940)
A Japanese army engineer (Hasegawa) on the mainland must put his personal feelings for a beautiful Chinese woman (Ri) aside if he is to succeed at building a highway through the "bandit"- (aka anti-Japanese militia-) infested hinterlands.
poster
?
6.4
/16/
60
/1/

The Giant (1938)
Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.
poster
65
?
6.9
/240/
60
/3/
61
/7/
3.5
/398/

Travelling Actors (1940)
This film depicts a troupe of wandering kabuki players traveling through rural Japan.
poster
?
5.3
/7/

Life Begins at 61 (1941)
Japanese war-era film
poster
?
7.5
/9/
60
/1/

Toyuki (1940)
Shot mostly in Tokyo, this comedy depicts two Chinese tourists who have travelled from their country to Japan in order to experience the latter country.
poster
?
6.8
/33/

The Battle of Kawanakajima (1941)
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
poster
?
7.0
/16/

Shanghai Moon (1941)
It is presumed to be a lost film.
poster
74
?
7.2
/81/
80
/1/
40
/1/
3.6
/290/

Fallen Blossoms (1938)
Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants.
poster
?
60
/1/

Yukiko and Natsuyo (1941)
Adaptation of a novel by Nobuko Yoshiya that was serialized in "Shufu no tomo" between 1939 and 1940.
poster
?
4.5
/10/

Dancers of Awa (1941)
Jurobei, a kaisen tonya (wholesaler in port) in Awa, was wronged and killed on the day of the Dance Festival by the evil merchant & the chamberlin. His brother (Kazuo Hasegawa) vowed vengeance on the day of his brother's death. So every year the villains are worried during the Awa Dance Festival (which is part of the Obon festival), but nothing has ever happened, until seven years later...
poster
?
7.4
/6/

Ichiyo Higuchi (1939)
Japanese film based on the life of writer Ichiyo Higuchi (1872-1896).
poster
?
5.9
/12/

The Man Who Waited (1942)
A bizarre murder at a hot springs resort threatens to disrupt an Edo detective's (Hasegawa) vacation. When his hot-blooded wife (Yamada) starts snooping around, however, he finds himself reluctantly drawn in to the case.


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