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10

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This film claimed realist intent, mainly for its thinly veiled allusions to a major scandal in Bombay known as the Champsi-Haridas murder case.

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This love story claims to uphold the tradition of domesticated female virtue. The story tells of virtuous Sushila and her husband Pratap, who leads a peaceful life until her former suitor Jaswant arrives on a social call. His appearance prompts Pratap to suspect his wife's marital fidelity and he drives the visitor away.

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This social film attacks Bombay's industrial parvenu class, initiating the realist-reformist melodrama as a genre. It tells of the street hawker Devdas, who goes to the city to make his fortune but, once successful, becomes an exploitative cotton mill owner and a callous snob knighted by the British.

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Presented as a comment on the lifestyle of Bombay's rich, the film tells of the wealthy Mr. Nanavati (Sandow) who is attracted to a dancer, Roshanara (Yakbal) who in turn is represented by a Dalal Chhotalal (Noor Mohammed). Chhotalal plans to rob Nanavati and seizes his chance when the rich man buys a gold necklace as a present for his daughter's birthday. Chhotalal tempts Nanavati to visit Roshanara, who then seduces him and obtains the necklace. When Nanavati realizes that he has been duped, he accuses Chhotalal, who has by then switched the necklace for a fake. Roshanara, was based upon a real cabaret dancer of that name.

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10

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The story for this film was derived from the Bawla murder case. The maharaja of Holkar fell in love with a dancing girl named Mumtaz (Moti) who spurned his advances because she loved another man. In fact, the maharaja had the man kidnapped in full public view and killed.

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A silent fantasy film centered on the court of the god Indra. Based on Agha Hasan Lakhnavi's play Indrasabha

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A silent social drama exploring themes of treason and retribution. The film would have told a moralistic tale about a character who acts as an "enemy of the nation" and faces divine or karmic punishment for their actions.

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Based on a popular legend, this silent film tells the story of the fairy Bakavali and her divine flower, the Gul, which possesses healing powers. Taj-ul-Mulk, a prince from the East, seeks the flower to cure his blind father. The legend's origins are debated: one version traces it to a 19th-century translation of a Persian tale, while another points to a 16th-century narrative from Abely Sheikh. The story was a favorite on the Parsee stage, particularly the scenes where Taj-ul-Mulk battles his villainous brothers, who steal the flower. The tale also features Bakavali turning to stone and her eventual human rebirth.

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Indian horror movie from 1926.

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Sulochana is a telephone operator, a job she used to do in real life, who becomes the love object of a leading lawyer (Sandow). The problems of inter-community marriage are highlighted, as is the value of patriotism through the character of Peter, the heroine's brother (Khalil). The film also refers to collectivization movement among farmers (inspired by events in the USSR).

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Indian silent film starring Ruby Mayer (Sulochana), released in 1926.

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