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poster

?

100

/1/

He is back, but this time he is making no mistakes.

poster

?

100

/1/

Two popular youtubers receive fanmail,but very soon they realize that this is not normal fanmail,it was sent by a psychopath.

poster

?

8.8

/32/

Envolves around the mysterious death of a female librarian.

poster

?

10

/1/

A 16mm experimental short. Hajdler dragged the East German color film stock ORWO directly in front of the projector lamp, occasionally pressing the film to the lamp and thus causing the film stock to burn gradually, producing spectacular color effects in the process.

poster

?

5.3

/18/

He lived across, just like this, across the street. He entered his house when we were all going home. The store was closing. In the summertime, it's at 9 PM. That's the last time I saw him.

?

10

/1/

30

/1/

Milan Šamec was a member of conservative stream in the Zagreb Cine Club, the one that denied and mocked the “anti-film”. Termites were made as an absurd demonstration that anyone can make an experimental film. He took the film, exposed it unevenly, and called the dance of visual stains that resulted — termites, because that’s what they reminded him of.

poster

?

5.3

/6/

10

/1/

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

?

5.8

/14/

26

/3/

70

/2/

Unencumbered by a professional education and open to new ideas, Vladimir Petek (b. 1940) was energetically exploring in the 1960s what film could do as a medium if used in nonstandard ways. In his early works, the obsession with the medium was connected to his youthful delight with female beauty, and Petek created some of the most striking portrait films in Croatian cinema, which might be seen as the more filmically inventive cousins of the Screen Tests that Andy Warhol started doing in 1964 to explore film’s seemingly innate ability to turn almost anyone into a "star." Encounter offers a portrait of a woman (Ksenija Filipović, his then-girlfriend) whose face becomes mysterious, desirable, and endlessly captivating on film, all the more so because of Petek’s various interventions in the film stock.

poster

?

7.3

/41/

Two friends, Cigo and Max, are traveling to the seaside in an old car that Max inherited from his late grandpa. What begins as a trip to the seaside takes some weird and unforeseen turns.

poster

?

A series of vignettes from the author's journey in a train.

poster

?

A short film about an oar and the motor engines that should replace it.

poster

?

Autobiographical documentary situated in Lika, Croatia.

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