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This Is Not a Movie About Cardenete (2022)
Fernando, Jaime and Juan Carlos live in L’Hospitalet de Llobregat (Barcelona). During the 80s and 90s they visit and record with a Hi8 the daily life of their parents’ town of origin: Cardenete (Cuenca). During those years the world changes rapidly: Spain enters the EU, the Soviet bloc falls and the Olympics are held in Barcelona. But what does Cardenete have to do with all of this?
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Bailas como perdiendo el miedo a morir (2025)
Through personal archive footage, Martín reflects about depression, the difficulty to free himself of the past and the uncertainty of a present/future. Using VHS videos from his childhood and the insertion of tweets as a personal diary, it creates a dialogue between nostalgia of an evocative past and the dynamics of an online world.
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Everyday Is Like Sunday (2021)
Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.


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