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poster

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65

/2/

A man searches for memories of his family's past, alternating between Geomeunyeo, Buseok Temple, and his grandmother's house, all of which are located along a straight line on the map. Geomeunyeo is a rock located in the reclaimed area of Buseok, Seosan, South Korea. It was originally a reef that was exposed above sea level, but is now above ground. The name of Buseok, which means floating rock, is said to be derived from Geomeunyeo.

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60

/1/

A short film as a draft, an exercise, or maybe the first segment of a long-term project tracing the evolution of my nephew's voice as he grows. In the film, he talks about when he built a snowman called Snow Ice Monster which was then torn down and rebuilt by other children. He listens to a recording of his voice and notices that he sounds like a certain Minjung, who does not exist in real life.

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60

/1/

The message in virtual reality

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60

/1/

fotofiction is a film that adds time to the photos by printing them on 16mm using photos taken on 35mm black and white film around the hometown since 2011. It is about novel-like stories that occurred on this island, listing scenes left behind by people and nature as time passes.

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50

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A Woman with a Movie Camera is the result of an experiment and an exploration on the 16mm film camera shooting, developing, and hand printing of her father.

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5.3

/68/

60

/3/

52

/4/

Uncompromising and shocking portrayal of the life of a French pimp and his wife exploited by him as a prostitute, who stay together in an almost post-apocalyptic post-industrial landscape. Shot on grungy Super-8. The first hour focuses on the everyday activities of the man and woman. They consume cheap food, watch TV and nasty porno, they receive customers and combat each other with psychological power games. Despite emotional numbness, the woman tries to escape. She makes friends with another woman, but then decides that returning to the man is the easiest option. The return of the other woman heralds the very shocking finale. Not for the squeamish.

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40

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'hibernation ' is conceived from the videotape of the wedding ceremony and the daughter's home video. In the work process, the filmmaker pays attention to the details being recorded, what I remember, and the relationship to lead it in the new detail. Hand printing performs the role of editing and printing simultaneously. As a result, the print created in this process will be a result and new material at the same time. Additive printing procedure is taken as a manner of recording in this film.

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And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. — T.S. Eliot, Burnt Norton (No. I of Four Quartets)

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A short film by Lee Jangwook

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The office, as an everyday space, holds subtle tension and creative potential even within its monotony. This work reconstructs such a space, weaving the latent movements and sounds of office supplies into a rhythmic flow. The photogram technique explores the boundary between materiality and immateriality, creating moments where familiar objects feel unfamiliar. Through this, the audience discovers new expressions of everyday objects that often go unnoticed.

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Trees from the backyard of NANO LAB, Melbourne, Australia.

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A 16mm film by Bokyung Jun

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Illuminating, magnifying, cutting, freezing the endless night and infinite music woven through the story with light.

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I continue to indulge in the illusion that I am a fish.

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I often envisioned floating images. Not knowing where they were heading or why they were drifting left me feeling uneasy. So, I decided to observe from a distance. I layered the moments when I felt myself floating over the gestures of drifting. Could the image of floating, settled onto film, provide answers to these questions?

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This film begins from what is unseen rather than what is seen. The act of connecting fragments is carried out by the audience. Images that were once unrelated become intertwined, and something unfolds in the spaces between them. That which does not flow is dead. Fragment is a collection of images derived from this sentence.

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What is this incessant noise that keeps ringing? It sounded like the roar of the wind, the hum of passing cars, or the sea breeze sweeping through the streets. It felt unfamiliar. The lights of the night, the towering and intricate buildings illuminated by smooth LED surfaces, come alive, dancing with faces and bodies. Seoul is a whirlwind—a devouring maw, a cacophony, a rapid stream of images that leaves your senses struggling to find focus. And so, I set out to trace this intriguing sound. One of them comes from the roof of my home. It originates from the wind and evokes the repetitive beat of a drum. On se souvient des pas begins here. Through a geographic and temporal journey as the camera transitions from one scene to another, the film encounters Korea's history and traditions. This is a kind of journal—an attempt to grasp the essence of this land where I lived for ten months.

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I've tried creating a stop-motion animation of a story that begins with a camera and a toe human being, both physically incompatible, sticking their heads into each other's holes.

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it happened. trivial.

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A music video of Mid-Air Thief – Moons

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A film made with things collected in the summer.

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A ceollection of the artist's personal images that overlap with reality and stimulate nostalgia.

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My dog, who lived with me for 13 years, had never seen the sea in her life. I wanted to go to the sea and say goodbye to her through film, without knowing the existence of the sea.

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Images out of their intended context create new context, and also provide us the perception to be able to see which were there but not seen in its own context. This work is a process of research on the world which is familiar, but at the same time full of mysteries. This film is based on the abandoned images with variable reasons. I hoped the images would be free from the logic of selection. At the same time, I was curious about the world which is full of mysteries, always richer than the personal perception. (Lee Jangwook)

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Conversation brings and changes the memory. Sometimes, it is a procedure that concludes upon certain memory. In this context, the way of conversation becomes methodology and theme at the same time. The process of conversation keeps repeating, and it is performed the way of conversation by using traces made during the repeating process, such as film, sound, and motion of choreographer. (Lee Jangwook)

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"Emotional memories that had formed the ambiguous boundaries between reality and fantasy began to divide exactly in two, and at the same time there was no emotion left on either side of reality and fantasy." Chang Gyeong is the name of a palace in central Seoul - a palace that was turned into a zoo by the occupying Japanese.

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A photograph of someone. They are emptied, replaced by something else. I discover the vertical side of 8mm fits with the empty screen.

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Through repetitive negative film printing, I abstracted scenes in which black and white are endlessly exchanged. Images of Lumière(;light) brothers' arrival of train, 35mm photos of train station I shot in France, and female corporal images from my experiences and memories were used for this performative process.

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Part of the "floating rocks" series. Geomeunyeo evokes the sea where no water exists and reveals forms where there is no light. When one sense closes, another opens in an endless cycle. Through the filmmaker's intervention, Geomeunyeo repeatedly sinks and resurfaces. Shot on 16mm black-and-white film and hand-processed, Geomeunyeo highlights the physical nature of film and the subtle traces naturally produced during manual development. This repetition creates a poetic rhythm that moves between presence and absence, appearance and disappearance.

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The result of an experiment around filming, developping and making hand impressions with 16mm of the director's father.

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Entering from the intimate and often complicated relationships between fathers and sons, Dreams of My Father explores memories and visions from God, gods, and ghosts and their reverberations in family lives.

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“I almost drowned when I was five on a family trip, but I don’t remember anything. I just knew it, because every time my family got together, they talked about it. A few years ago, I asked my family about this incident. I discovered that my mother had completely different memories than other family members. It’s the only (dance) sequence in the film.”

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The journey is a process during which many substances are brought to me : receipts, tickets and plastic packaging are easily thrown away. However, these materials contain all the time, language and air of the city. I wanted to collect things that were recorded but not saved and explore their properties. First, I printed travel documents such as receipts and tickets. Then I randomly inserted audio from videos taken at the travel destination. This work is a travelogue that goes beyond visually stimulating images of tourist attractions.

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One who believes in something, a passenger, an entrance and an exit, an express train that constantly arrives and leaves. Rules break like a prayer. Derivative realities that we believe in, bodies that cross paths, the place, the sound, the time that it creates.

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A man is washing a large window, but something is not satisfactory.

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What the director's grandfather went through during the COVID-19 pandemic.

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To prevent the absence of sense from becoming an absence of image, the image obtained on the retina after passing through the pupil and the lens must pass through the blind spot before arriving at the optic nerve. A dark room is a blind spot in an image.

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Sensus Communis: The circumstances of the artists associated with their workshops are very diverse. At a time when it is difficult to occupy even a square meter of residential space due to unequal economic and social conditions, artists who own or rent studios to produce art have continued to walk a tightrope between thought and reality. How is it possible to do what you want? Depending on the type of work and socio-economic conditions, the occupation method, space size and use are very different. - Studio Score: Artists experience physical and movement perception in space and time, right in the studio. The place is used, the body is treated as an important element and the boundary between art and life is broken, leading to new aesthetic experiences.

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A chronicle filming the journey from the directors' accomodation in Seoul to the Space Cell labs and workshops.

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The artist looks back at the passing of time and raises his camera to capture it. He looked back at the fragments of time that he had accumulated, and once again looked back at the time that had passed. The traces of time left on the film begin to move as light passes through them, some as memories, some as dreams. Even though not much time had passed, some of the things he wanted to recall became dreams, and some of the things that seemed like dreams remained clear in his mind. What did Goh recall and what did he dream of? It is not clear, but he embraces the past time and tries to finish the work of Dreams and Retropection of Go Taeyoung.

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There is an astronaut who believes she is an alien. The illusion repeats itself. The repeated figure in her dream breaks down and scatters, and she feels devastated. The dead star becomes cosmic dust, and soon it becomes a new born star. The broken pieces stick together again.

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A trace of private observation and recording of another person's memory. This work is based on the video recordings of Lee Woo-jung's mobile phone. It is expected that the traces created by the method of repeated superimposition will create different layers of time and emotion. Through this process, the structure of other people's records gradually collapses, and I pay attention to the new structure that emerges from the pile of ruins.

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On a clear afternoon, a small garden at home is surrounded by a silence that seems to last forever. Only the gestures of the cats let me experience the time of this small garden. In the garden, something is being built up, cleared away, destroyed, created. This film is an experience of garden time, which fades as the layer gets thicker.

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You moved as if shimmering and rippling water and I danced above like a seagull. The film explores visual reminders of objects and surroundings of memory to the void and absence tied to it, offering a path for the mechanism of memory. The imagery is contradicted by found sounds that operate as triggers of the past or as debris in the present. The film notes a new category of space-time.

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Filmed at Hongjecheon in Seoul, Mokgamcheon in Gwangmyeong, and Gulpocheon in Incheon, the film captures the impressions of three streams in three different cities. Each of the three streams intersects and overlaps with images of the filmmaker’s own body.

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Plant portraits consist of various participating individuals and their parameters. Indivisuals: Plant Body (PB), Sunlights (S), Films (F), Plant-based Film Developer (PD), Plant Bioelectricity (PE), etc. Parameters: Time (t), Weather (w), Humidity (h), Temperature (K), etc. Individuals generate plant portraits, which are not independent and continue to be entangled with the various parameters.

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The short moment was captured on film when light turned off, and copying and transforming the images make it longer. Then we realize that such operations are what all living things have carried out.

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How to say love.

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