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poster

56

?

7.3

/56/

40

/1/

3.6

/294/

At 38, film director Victoria Mapplebeck found herself single, pregnant, and broke. Filmed over 20 years, Victoria explores a life where she and her son Jim, survive two generations of absent fathers, her breast cancer diagnosis and Jim’s rollercoaster teen years. She first began documenting their lives with her old DVCAM before shooting on five generations of smartphones. Victoria recorded hundreds of hours of footage, capturing each twist and turn in Jim’s life, from the thumbs- up he gave her during her first scan, to his first day at college. Motherboard documents a lifetime of parenting, capturing the comedy and drama of solo motherhood in all its unfiltered glory

poster

?

8.8

/9/

Powerful and poignant, Her Name is Nanny Nellie offers us the rare privilege of bearing witness to a family reclaiming their history. In 1925, the Australian Museum commissioned three statues of ‘full blood ’Aboriginal people: a child, a man and a woman, exhibited as nameless objects to be studied as examples of a ‘dying race.’ The woman was Nellie Walker, Irene Walker’s great grandmother and director Daniel King’s great, great grandmother. Now Irene is on a journey to retrace Nellie’s life and to reconnect the other families to their ancestors’ statues and re-display them, this time with their names, identities and dignity. This is far more than a symbolic quest, but an opportunity to change how we remember and represent, and to give the nameless names.

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