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poster

86

8.0

/5278/

82

/149/

76

/136/

4.3

/30238/

96

/72/

88

/96/

86

/19/

4.0

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

poster

85

7.8

/31007/

78

/838/

76

/753/

4.2

/224060/

93

/54/

89

/321/

87

/22/

4.0

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

poster

85

7.8

/14365/

77

/448/

76

/408/

4.2

/46988/

99

/144/

89

/56/

94

/23/

3.5

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

poster

85

7.7

/9996/

76

/301/

76

/215/

4.3

/56911/

93

/45/

87

/132/

86

/20/

4.0

Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.

poster

84

7.6

/15543/

76

/383/

73

/353/

4.1

/76638/

100

/26/

85

/133/

4.0

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

poster

80

7.7

/2275/

78

/60/

74

/61/

4.2

/8388/

83

/6/

84

/16/

3.5

Jacquot Demy, the son of a garage owner and a hairdresser, is fascinated by cinema and decides to pursue his dream of becoming a filmmaker by any means necessary.

poster

78

7.4

/3077/

76

/93/

71

/112/

4.1

/25289/

65

/49/

81

/1/

4.0

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

poster

74

6.9

/2462/

70

/71/

65

/69/

3.6

/10416/

100

/7/

71

/5/

3.0

A lonely 40-year old woman finds herself shattering taboos by falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age?

poster

75

60

7.4

/3022/

74

/127/

71

/93/

4.1

/33086/

A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention.

poster

70

58

7.0

/4796/

67

/107/

69

/123/

3.7

/22738/

71

/31/

A penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple and a documentary-like look at the daily struggles of the inhabitants of Sète in the South of France.

poster

79

55

7.4

/1294/

75

/46/

74

/33/

4.0

/8662/

93

Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.

poster

81

54

7.6

/2246/

77

/62/

73

/51/

4.0

/14622/

100

/11/

83

/3/

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

poster

77

50

7.2

/1800/

70

/62/

67

/61/

4.0

/16604/

100

/5/

73

/1/

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.

poster

67

45

6.9

/1678/

67

/52/

62

/54/

3.6

/14520/

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

poster

80

44

7.6

/302/

75

/15/

69

/10/

3.9

/1237/

93

/54/

89

/322/

More than 40 years after making "Cléo de 5 à 7," Agnes Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking.

poster

72

44

7.1

/1422/

72

/37/

70

/36/

3.8

/4056/

Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.

poster

71

43

7.0

/604/

65

/16/

71

/23/

3.8

/3116/

76

/4/

Agnes Varda's documentary of the celebrations arising from the 25th anniversary of her husband Jacques Demy's film The Young Girls of Rochefort.

poster

76

41

7.4

/1699/

67

/52/

72

/53/

4.1

/14765/

88

/1/

While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

poster

67

39

7.1

/902/

62

/27/

63

/37/

3.8

/4740/

Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.

poster

71

39

7.3

/1002/

67

/32/

68

/28/

3.9

/6565/

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

poster

64

38

6.5

/2130/

64

/43/

60

/59/

3.8

/7213/

55

/5/

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

poster

68

36

6.9

/1467/

65

/55/

66

/50/

3.8

/8002/

67

/1/

After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.

poster

76

33

7.8

/178/

77

/21/

76

/21/

3.8

/2845/

French visual artist-director JR situates his latest social-art intervention in a Southern Californian supermax prison, where he has imagined an enormously ambitious collaboration with the facility’s inmates.

poster

73

32

7.3

/647/

61

/9/

68

/15/

3.8

/2053/

86

/1/

75

/4/

Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

poster

63

29

6.5

/755/

62

/24/

59

/17/

3.4

/3699/

An adventure of three characters: Clarisse, a psychic’s apprentice, Lazare, who works at the Parisian catacombs, and the bronze statue of a lion at the Denfert-Rochereau (in the 14th arrondissement). Clarisse and Laraze meet daily, but one day Lazare disappears and the lion disappears as well!

poster

51

27

5.7

/752/

50

/24/

56

/33/

3.3

/3599/

25

/7/

Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.

poster

50

27

5.2

/1176/

63

/49/

49

/36/

3.1

/375/

50

/16/

27

/8/

50

/8/

A real estate agent from Paris arrives in Los Angeles to settle his late mother's estate, but a found photograph sends him on an impromptu journey to Mexico to find a woman named Lola.

poster

65

26

6.6

/475/

56

/12/

67

/12/

3.6

/2180/

An unusual visit to a large, empty apartment. But is it empty or not? Maybe a family has lived there or is going to live there. Maybe a young girl is going to escape from there. Maybe some of the old-timers who lived there never left. The walls themselves tell the stories of the time passing by.

poster

60

25

6.1

/523/

60

/14/

58

/15/

3.1

/3630/

“Miss Jasmine! I have a package for you!” The 14-year-old girl with braces takes a break from milking the goat. Her local postman has delivered a surprise. She opens it up. Out floats a magical magenta ball dress ten times her teenage size. “I am curious,” she says, and enters the folds of the dress. From here, Jasmine⎯headstrong, a dreamer, a realist⎯takes us on a modern anti-fairy tale through caves and stalagmites, streets and shop windows, obsessions and everyday empowerment.

poster

65

24

7.1

/454/

61

/11/

56

/13/

3.6

/1696/

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.

poster

73

20

6.8

/207/

75

/9/

72

/8/

3.8

/2740/

75

/1/

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

poster

72

13

7.1

/114/

65

/2/

81

/6/

3.6

/839/

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

poster

65

12

6.6

/176/

64

/10/

62

/9/

3.5

/664/

A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.

poster

69

9

7.0

/127/

75

/2/

60

/2/

3.6

/693/

Agnes Varda revisits the storefronts and some of the local people she interviewed 30 years earlier in Daguerréotypes (1976).

poster

75

8

6.9

/19/

85

/2/

72

/3/

3.7

/577/

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.

poster

?

50

/1/

Film director Agnès Varda reflects on the production of ONE HUNDRED AND ONE NIGHTS, and presents a brief on-set interview with actor Michel Piccoli

poster

70

?

7.0

/17/

70

/1/

3.6

/201/

Director Agnès Varda gathers some of her collaborators from JACQUOT DE NANTES to discuss their experiences making the film, as well as show Varda wove her grief over the loss of her husband, Jacques Demy, into other projects.

poster

77

?

6.9

/121/

75

/2/

95

/2/

3.6

/310/

A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.

poster

62

?

6.4

/874/

60

/42/

59

/33/

3.4

/6291/

Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque, presenting a contrast between the famous stairs from the place along with classic film images also revolving around stairs.

poster

?

76

/3/

62

/5/

Two friends (and legendary French New Wave filmmakers) meet in real and virtual worlds.

poster

?

6.3

/26/

40

/1/

50

/1/

A short program in which the participants describe how they fell in love with cinema.

poster

?

One day in 1956 some people were captured by Varda's lens in a surprising configuration, as if staged. This is Le terrasse du Corbusier. Who were they? What were they doing there? And why on that day?

?

This 2009 featurette, directed by Agnès Varda, gives an inside look into how her team set up THE BEACHES OF AGNÈS’s beach trapeze sequences.

poster

?

Michel Legrand, Agnès Varda, and Anouk Aimee share the story behind the song they created for Jacques Demy's first feature film, LOLA, “C’est moi, c’est Lola".

poster

?

Four intellectuals from various professions and backgrounds discuss their thoughts on Agnès Varda's 'Le bonheur' as a film and their thoughts on happiness as a concept.

poster

?

Some teenagers sign up for the contest: "Describe your neighborhood", whose first prize is a trip to Milan. As the youngsters are football fans and fans of Milan AC, they decide to describe the neighbourhood with a rap song, and record a video. Archie Shepp, who also lives in the neighbourhood, watches them and decides to give them a hand.

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