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poster

?

7.0

/8/

A TV movie by Yaēl André.

poster

?

7.6

/39/

20

/1/

70

/1/

Arbres is the story of the Tree and trees. It begins with the Origins and then embarks upon a journey through the world of the tree and the trees of the world. The film reveals the huge differences and slight similarities between the Tree and Man, investigating the fascinating idea that, amongst plants, the tree fulfils the role played by man in the animal kingdom.

poster

57

?

6.4

/105/

65

/4/

35

/4/

3.4

/256/

Human beings who have experienced such a strong shock that they are no longer even afraid of death (as it often happens to genocide survivors) sometimes fall into what is known as a feeling of timelessness or a “melancholy”. They live somewhat “outside” time, a mode of extra-temporal existence, waiting for the day on which they will be freed from their suffering. It is the people — almost ghosts having survived the conflict in Nagorno-Karabakh between Armenians and Azerbaijani that has lasted for almost twenty years — that the filmmaker shows and listens to in his film. Behind them, behind their wandering bodies, behind their frenzies, is what remains of the collapse of the Soviet Union in Caucasus: ruins, uninhabited spaces, tombs, vestiges of war, trenches where soldiers watch for an invisible enemy.

poster

?

20

/1/

50

/1/

The intersecting story of four notarial situations in a law office in Haute - Auvergne. Through the story of two negotiated sales, an inventory and an inheritance file, the notary's office becomes the reign of stories of property and money, of intimate conversations and secret exchanges, in short of the human comedy.

poster

?

6.4

/22/

In Managua, Nicaragua, teenager Sujeylin Aguilar raises her newborn daughter Karla on the same streets she has been calling home for the past eight years. Based in a city park and part of a larger group of youngsters, mother and baby struggle to reach the little one's first birthday. Beautifully told and full of hope, Karla's Arrival offers an intense personal story about second generation street children.

poster

?

6.3

/7/

"Beyond the Ararat" is the story of a woman of Turkish origin who embarks on a journey to better understand what makes up her identity. A road movie which brings her from her childhood neighborhood in Brussels to Turkey and Armenia. A quest where each woman she encounters could be the reflection of herself. Entering the land of her ancestors, Anatolia, she questions her cultural heritage. Stopping in her grandmother's village, she discovers the "Agit"; an antique oral tradition where women sing for their dead. The songs open a potential space for mourning, where Turkish, Kurdish but also Armenian women missing from that land, can sing "together". The confrontation with the "missing" from her memory, brings her farther eastward in Anatolia to the foot of the Ararat Mountain, and beyond.

poster

?

6.1

/74/

10

/2/

38

/5/

How do Europeans deal with their recent dark history (the wars, dictatorships and occupations)? What traces are etched?

poster

?

80

/1/

N/A

poster

?

7.9

/16/

This polyphonic film by the Belgian film artist about the history of Europe and art is an unforgettable, sensual journey between memory and nightmare. To a meditative, threatening soundtrack, we hear a series of monologues by poets and crazy people, mothers and children. Meanwhile, the image forces the eye to reflect on what and where.

poster

?

In 1956, Louis Carré bought, on the advice of his friend Jean Monnet, a piece of land near Paris in order to build a new house. Wil Grohmann, a Berlin art critic, put him in touch with the Finnish architect Alvar Aalto, who would complete the construction of this house three years later. This historical anecdote is the origin of a trip through Europe that links the Carré house and the experimental house, built in Finland by Aalto, with buildings located in Brussels, Venice and Porto. These places, whose history resonates with European history, question, thanks to knowledge from the sciences, the existence of the membranes (whatever it is : a micro-organism, a house, a state, …) that allow a place to develop, to interact with the outside world. In the end, this film favors the notion of exchange over that of borders and evokes the possibility of tracing other paths within the European space.

poster

?

When giants die let three generations look back on the street happenings around parties and manifestations. The grandfather appears as a ghost and represents processions organized by order of cities and municipalities. It is his son who places the parades in a series of processions, historical processions, parades, traditional parties and carnival parties. Criticism and attraction play their game. Finally, the grandson searches for contemporary forms and points to demonstrations, manifestations. Reclaiming the street, forming a community, expressing thoughts on the street, together outside, ... 'The street, the mother of democracy', is how it sounds through a robot-controlled horn. To give up the street is to lose freedom.

poster

?

Under the White Mask: The Film Haesaerts Could Have Made uses fragments of Under the Black Mask, a 1958 film about Congolese art directed by the Belgian artist Paul Haesaerts, which has been qualified as colonial propaganda. This new film imagines what the masks – now subjects, and not objects – would say. Aimé Césaire’s Discourse on Colonialism is spoken in Lingala for the first time. This speech is still a critical mirror for Europe. Under The White Mask is limited to the elements already existing in 1958.

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