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Strangers is a reflective film that explores memory and the lingering echoes of our last happy moments memories that continue to follow us long after they have passed. The film delves into unfinished dreams and the emotional weight they carry, while observing the current state of the world and the growing difficulty of human connection compared to the past, when interaction felt simpler and more genuine. Through the protagonist’s memories, we witness a time when dreams were modest and people felt familiar. As he comes to understand the reality of the world around him, he finds himself transformed no longer belonging, but becoming a stranger.

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The analogy likens plastic pollution to a person wearing a plastic bag on their head, illustrating how our beautiful and clean surroundings are at risk due to plastic contamination. It suggests that every individual space is susceptible to this pollution. The central idea advocates acknowledging our current reality and taking initial steps to improve it, preventing the repetition of the same mistakes for future generations. The proposed solution focuses on starting with a basic action – reducing the use of plastic bags. The concept encourages individuals to recognize their role in the issue and emphasizes that by collectively making small changes, such as eliminating plastic bags, we can free ourselves from the metaphorical plastic mask covering our environment. This approach aims to create awareness and instigate a positive shift toward a cleaner and more sustainable future.

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Circles is a psychological journey about repetition, identity, and the quiet moment when a hero begins to question himself. Trapped in patterns of choices and consequences, the protagonist slowly realizes that time doesn’t always change who we are it reveals who we’ve been becoming all along. As the line between right and wrong blurs, the film explores how intentions decay, how denial grows, and how one can unknowingly cross from resistance into responsibility. Circles asks a simple but unsettling question: at what point do we stop fighting the cycle and become part of it?

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This story is about stopping, looking inward, and choosing not to give up. We all make mistakes, but what matters is learning from them and facing ourselves honestly. It’s about finding your way back before you lose yourself completely.

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The film builds itself as a noir narrative heavy with doubt, shadows, and suspicion making everything feel larger than it is. Parody slips in quietly. Beneath the metaphors and hard-boiled dialogue lies an absurd truth: it’s all about a missing office remote. Every line, every “pressure” and “control,” is just wordplay masking something trivial. At its core, the film is a satirical portrait of paranoia, control, and inflated self-importance—where nothing means much, yet everything feels fatal.

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CONCENTRATE. EVERYTHING IS CONNECTED. EVERYTHING GUIDE US TO BE WHO WE ARE. EVERYTHING GUIDE US TO BE HERE DID YOU FEEL IT?

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In a fading seaside city, a forgotten notebook becomes the unlikely thread connecting two lives. One, burdened by the weight of their memories, fills its pages with raw emotions about lost time and fractured dreams before discarding it. The other, driven by curiosity, discovers the notebook and sets out on a journey to trace the stories it holds. Through its pages, a haunting reminder echoes: “If the whole world forget, never forget. If the whole world forgive, never forgive. Gone, but never forgotten.” As their paths unknowingly cross in shared spaces, both must confront whether to remain anchored in their histories or let go and move forward. A poetic exploration of memory, loss, and renewal, “If We Ever Forgot” asks: can we ever truly leave the past behind?

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