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poster

74

6.6

/5758/

63

/111/

60

/90/

3.6

/7921/

87

/15/

74

/121/

4.0

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

poster

54

18

5.4

/474/

46

/10/

54

/21/

3.3

/844/

One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.

poster

61

13

6.9

/540/

53

/6/

53

/7/

3.5

/680/

Inspired by Karl Marx's "Das Kapital", three men and a girl named Jugoslava decide to wake up the conscience within the working class and peasants. Faced with the primitivism and a lack of morale, their revolution fails and the girl is the one to be sacrificed as a witness of their unsuccessful attempt.

poster

71

11

7.7

/167/

60

/3/

72

/6/

3.9

/611/

The Serbian province of Vojvodina is home to a multi-ethnic population of Serbs, Croats, Slovaks, Ukrainians, Romanians, and Roma. The different groups seem to coexist cheerfully and peacefully, full of respect for each other’s customs, songs and religions. But the filmmaker’s ironical gaze discovers cracks in a facade that has long been less harmonious than it seems…

poster

?

6.1

/37/

50

/1/

A committee made up to investigate illegal masonry in Yugoslavia causes more problems both for the builders and government, and in fact no one have any use of it. The pressure from all sides makes committee work less diligently.

poster

?

7.7

/97/

10

/1/

62

/7/

Story follows a weekend in a village where young adults after a hard working week let there steam off in taverns eating, drinking, singing, breaking glasses and occasionally other things every Sunday.

poster

?

6.9

/84/

40

/2/

65

/4/

The action takes place in 1943 and today, and a Partisan school in Srem is in the center of action. A young journalist gets appointed to shoot a film report about the participants in the Liberation War from this area. In Srem village she meets common, simple people. She discovers that a free territory and a Partisan school was there. She also finds out that everybody acted as one. Deply going through all of those events, young reporter grows mature, identifying herself with the revolution participants.

?

10

/1/

White people live in white houses, wear white clothes, eat yogurt and drink milk. They raise white sheep and white mice; when snow falls, they arrange a festival.

poster

?

6.4

/62/

30

/2/

55

/4/

Grim and almost surreal depiction of corruption in Vojvodina city.

poster

?

6.3

/66/

10

/1/

57

/3/

Two partisans, a man and a woman, try to escape a Nazi manhunt in the infernal landscape of WW2 Vojvodina.

poster

?

10

/1/

An examination of the existence of people who are forced to live from seasonal work.

poster

?

6.5

/89/

60

/3/

The story of political prisoners, detained in a jail before the start of the WWII, and their torture and attempts to escape, and join a partisan unit.

?

10

/1/

Fifteen-year-old Pavle Hromiš, obeying the will of his parents, leaves Germany and goes to live in Yugoslavia with his grandmother. He has problems with the language and the different curriculum. The only place where he feels fine is the aeronautic club where he practices hang gliding. The film was the basis for a docudrama shot the following year: The Second Generation.

poster

?

5.2

/14/

10

/1/

50

/3/

The Belarusian born in Yugoslavia considers completely himself as a Yugoslav. Still during the Soviet-Yugoslav conflict his origin will be reassessed.

poster

?

5.0

/15/

10

/1/

47

/3/

The father remained in the village to farm land, while the son lives far away from their homeland and country for business. At one point, the son returns to the village and then the crucial question is: who will take care of the land when the father dies?

poster

63

?

7.3

/171/

55

/2/

51

/6/

3.7

/532/

Director invites six homeless men to his flat for a few days (surprising his wife). He asks officials and people on the street if someone can help them, this being SFRJ, a state officially without those left on their own.

poster

66

?

7.7

/125/

55

/2/

61

/8/

3.7

/321/

In SFRJ, the state officially takes care of all it's citizens. Every child is a good little pioneer. However, in reality no one (especially not the state) takes care of Roma and many other poor kids leaving them to poverty and the streets.

poster

?

7.2

/6/

10

/1/

50

/1/

This film is based on the engravings of Hristofor Žefarović, an 18th-century painter, engraver, writer and poet. He was exclusively engaged in copper engraving and book illustration after 1740. he engraved copper plates for his books, and printed them in the "etching-typographical workshop" of his collaborator Thomas Mesmer in Vienna. His engraving was of great cultural-historical importance to the Baroque art of the time. His style of 'bright cut' engraving was thoroughly masterly and original, specializing in the higher branches -- engraving for printing -- of the engraver's art.

?

5.6

/60/

30

/2/

58

/4/

The story of a young woman courted by numerous suitors which she turned down, to eventually choose an unexpected fiancé

poster

?

7.2

/95/

10

/1/

56

/7/

SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

poster

63

?

5.8

/214/

62

/4/

71

/7/

This WW2 epic was one of the last movies of that kind made in former Yugoslavia. It tells the true story of great transport of Partizans from Vojvodina to Bosnia in 1943.

poster

52

?

6.1

/154/

43

/6/

54

/10/

The film speaks of student demonstrations in Belgrade, 1969 and of the critical quality, enthusiasm and discipline of this form of protest. It was the most powerful public criticism of "red bourgeoisie" - members of communist apparatus, who suppressed creativity and affirmation of new generations throughout Eastern block.

poster

50

?

5.8

/105/

46

/6/

47

/11/

The film describes the suffering of a character who is renovating his house while being confronted with a monstrous bird which is terrorising and oppressing him. It should be read as a parable of the 1968 Soviet invasion of Czechoslovakia. The film was subject to severe criticism at the 1970 Oberhausen film festival in Germany in 1970, in particular from directors from South American communist countries.

poster

?

4.9

/29/

10

/1/

52

/3/

An adaptation of a well-known novel by Hungarian writer Lajos Zilahy.

poster

74

?

7.8

/687/

70

/9/

76

/9/

3.6

/236/

After a train breaks down and the passengers are forced to spend a day at a remote country tavern, the mix of seasonal farm workers, transients, musicians, and would-be party kingpins heads toward some explosive moments. A truckload of chickens arrive to be killed and cooked for the unruly group of passengers, and when a few boorish men harass a female singer, their actions lead to unexpected violence.

poster

61

?

7.2

/141/

46

/3/

60

/8/

3.6

/303/

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

poster

?

10

/1/

50

/1/

Documentary focusing on the making of "I Miss Sonia Henie"

?

10

/1/

Bojana Marijan joined the film club crowd (including Zilnik and Makavejev, her future husband) at Novi Sad where Zilnik had already set up the legendary production company Neoplanta. Her political argument is obvious, but in Vesela Klasa, as Amos Vogel puts it, “Instead of complaints there are lyrics, music and wine.”

poster

?

4.2

/42/

10

/1/

45

/2/

Life in a small town, sunk in boredom and lack of excitement where dogcatcher is very important person.

poster

?

6.4

/67/

10

/1/

66

/4/

A man who used to be a political brigade commissar offended the society. Twenty years after the war, he comes to visit the old monument erected in honor of his dead comrades, unwanted and abandoned. They were roll-calling the dead and alive, but his name was not mentioned. And he stood before his comrades, face to face. He stood, and it looked as if he had never existed.

poster

80

?

7.6

/392/

85

/4/

80

/3/

The story takes place during WW II in Vojvodina. Two boys, Milan and Rasa, are sent from a partisan squad to a village for the winter. Soon Rasa becomes very ill and Milan goes to a nearby village populated by Germans. Here he finds a job as servant in Jakob Jerih's house. At night, Milan secretly nurses his friend Rasa in a hut in a swamp near the village. Soon, he finds another hiding place in master Jerih's stable. Jerih likes the diligent Milan and he even considers adopting the boy, but Jerih's cousin and assistant is against this idea. Namely because he counts on inheriting master Jerih's estate.

poster

55

?

6.8

/123/

40

/2/

57

/6/

A railway worker moves to another city and experiences a love affair with a suburban prostitute. Their encounter disturbs his solitude, and the two begin their life together.

poster

47

?

6.7

/111/

10

/2/

63

/3/

In 1947, among the ruins of war and in anticipation of a catastrophic flood, the locals of a Vojvodina village find themselves caught between the devastation of their livelihoods and the demands of the new Communist authorities.

poster

?

While looking for help with his burning house, a terrified man meets many surreal people and creatures and discovers that they too are threatened by fire.

?

Pseudo-kaleidoscopic grids, a declared homage to Georges Méliès but closer in spirit to the ethereal poetics of James Broughton and the intergalactic Jordan Belson.

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