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poster

?

6.9

/16/

10

/1/

Primer on the meaning, techniques and background of Stanley Kubrick's 1968 film "2001: A Space Odyssey." Keir Dullea, who starred in the film as astronaut Bowman, narrates on camera and over many excerpts from the film.

poster

?

40

/2/

Excerpted parts of interviews conducted by Pia Lindstrom (daughter of Hitchcock actress Ingrid Bergman) and William Everson for a 2 Part episode of the TV series Camera Three called The Illustrated Hitchcock. Subjects include working with actors, acting styles, techniques of suspense, casting choices and the making of various films

poster

?

8.2

/7/

10

/1/

Author-critic Anthony Burgess explores in a free-wheeling way perspectives of James Joyce's great experimental novel "Finnegans Wake". He is in the unusual setting of an Irish pub, utilizing a variety of props to illustrate his points. Burgess, erudite and ironic, brings in photographs, history and even sings a song from the book -- the "Ballad of Persse O'Reilly." All this with Burgess leaning on the big wooden bar of the pub. Internationally known author Burgess ("A Clockwork Orange", "ReJoyce", etc.) has always been fascinated by "Finnegans Wake", its idiosyncratic language, its enormously complicated structure, and its attempt to address those most universal human questions of life, death, sex, mind, and mankind's fall and resurrection.

poster

?

7.1

/48/

20

/3/

60

/1/

The work of photographer Diane Arbus as explained by her daughter, friends, critics, and in her own words as recorded in her journals. Illustrated with many of her photographs. Mary Clare Costello, narrator Themes: Arbus' quirky go-it-alone approach. Her attraction to the bizarre, people on the fringes of society: sexual deviants, odd types, the extremes, styles in questionable taste, poses and situations that inspire irony or wonder. Where most people would look away she photographed.

?

America's great film director-actor Buster Keaton, discussed by film critic Andrew Sarris and Raymond Rohauer, cinema historian, with some unusual perspectives on his goals and motivations. Illustrated with many film excerpts from 1917 to 1928. Rohauer knew Keaton and was partly responsible from rescuing many of his old films from destruction. Sarris is a leading film critic who has often written about Keaton.

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