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poster

69

27

7.3

/448/

66

/9/

61

/24/

3.8

/1303/

Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.

poster

62

18

6.5

/439/

55

/4/

61

/13/

3.5

/971/

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

poster

60

9

6.8

/122/

50

/4/

55

/13/

3.4

/261/

Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.

poster

?

5.8

/13/

60

/1/

Akhalkalaki, Armenian-inhabited town in Georgia, is depicted as burlesque and the same time tragic model of a Soviet town.

poster

50

?

6.5

/86/

10

/1/

58

/6/

3.5

/240/

In his wordless debut film, Mikhail Vartanov presents the ancient and modern art of Armenia through the post-impressionist painter Martiros Saryan’s silent commentary of gestures. Biblical landscapes, the ruins of temples, frescos, cross-stones, contemporary sculptures of Tchakmakchian (Chakmakchyan), the first appearance on film of iconic modernist painter Minas and his paintings, as well as the world famous behind-the-scenes episodes of Sergei Parajanov’s landmark "The Color of Pomegranates (Sayat Nova)." The film had its first public screening at one of the world’s largest and prestigious cinematic events, the Busan International Film Festival, 43 years after it was made.

?

A film written and directed by Andrei Ayrapetov in memory of Sergei Parajanov. It was produced at Hayk Studio in Yerevan (Armenia) in 1995.

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