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poster
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7.7
/25/

Monument (2015)
During the 90's, Croatia suffered systematic destruction of its anti-fascist monuments. By combining the images of these impressive works of abstract sculpture with the potent nature surrounding them, Monument creates powerful visual metaphors.
poster
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6.6
/14/

I Can Barely Remember the Day (2018)
Zoe, Goran’s youngest child, is celebrating her tenth birthday. While children, friends, and closest family members are gathering and the party is kicking off, Goran receives a phone call with news that could darken this happy and eagerly awaited celebration.
poster
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Osijek – Copenhagen, City Searching for a Killer (2021)
In the spring of 1992, multimedia artist Ivan Faktor travels from war-struck Osijek to Copenhagen. To inform Danes of the ongoing war, his team appears on Stop TV, the most important independent TV station in Denmark. Faktor films the entire trip, his travel companions, the TV appearance, conversations on art and war, friends they visit, meeting his wife and son, and their trip back.
poster
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Aqualia (2021)
In an underwater robotics test pool a machine infected by an unknown biological conglomerate conducts a fatal manoeuvre. The new compounds create their own forms, self-sustainable, self-forming and adaptable. An Anthropocene, a human product, has opened a possibility for the extension of the body without organs to host other forms of life, inhumanly wondrous and unpredictable.
poster
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Just Between Us (2020)
After a long time, Ema returns to her native town as her father suddenly falls ill. Staying at her parents’ home, she is flooded by childhood memories, which lead us to conclude that there is a problem in the family relationships. The problem also hovers above Ema’s relationship with her sick father, as we see her uneased. However, when Ema stumbles upon a box full of snow globes at her family home, we learn that she was sexually abused by her father when she was little, and he gave her snow globes as a gift.


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