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10

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The director describes the everyday life of a little boy who, as a "latchkey kid," has to spend the afternoon alone until his father finally comes home in the evening. The mother, for whom the boy makes a letter the following day, seems to have left the family.

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17-year-old Ramona comes from a home in Berlin to a small village and introduces herself as the baker's daughter. Neither of them knew anything about each other. Laconic images of the dreariness of the East German provinces show the excessive demands on the long-married baker and the mutual speechlessness of daughter and father.

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Gitti lives in Berlin. She's single and decides to put an ad in the personal to find her perfect man. She gets a lot of responses, however she is quite choosy.

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In interviews, several important GDR personalities and also GDR citizens comment on the events of October 1989.

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Short documentary

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A chronicle of the events in Dresden in the fall of 1989, which began on October 4 with the passage of refugee trains from Prague and the associated riots. Among many others, a doctor who describes the injuries of police officers and demonstrators, young demonstrators who were arrested and a couple whose son disappeared have their say.

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This portrait shows Black cartoonist Oliver Harrington from New York, who fled to the GDR. For his political drawings, he drew on worldly anecdotes and his love of storytelling. Director Hans Hattop later taught videography at the University of Film and Television.

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Rainer Burmeister (director) tells a story about everyday working life of 46 young Mozambican people in the GDR who were employed as contract workers. Among them is 20-year-old Luisa, who worked in the mining industry and, like the others, is now training to be a craftswoman.

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Leave Me Alone is a film about America, as it appears in music about America and in pictures from America.

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It’s only after the separation from her husband that another man tells her how valuable she is: the Chladek family, she’s a teacher, he’s a student. The first few years were nothing but quarrels: the Surau family, he’s a plumber, she’s a postal worker. Should she really intend to get further education at evening school, he won’t accept this: the Lehmann family, he’s a locksmith, she’s a lecturer. Three thirtysomething couples live in the Potsdam high-rise behind whose windows Petra Tschörtner looked for her graduation film. Long interviews that pierce the surface at once, equally revealing and oppressive. Promptly awarded a prize at the West German Short Film Festival in Oberhausen.

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The documentary focuses on a children's home in East Berlin. In 1953, the largest children's home in the GDR was established in Königsheide. Initially built to house war orphans, the educational institution quickly became the GDR's model home and was given the name "Kinderkombinat A.S. Makarenko." From the mid-1960s onwards, "state children" were to be raised here according to the slogan "Ideal home in an ideal state."

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A documentary portrait of a Berlin baker's wife Maria Bartel.

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A Little Boy in the ruins of World War II and the white lie of an old man - after a story by Wolfgang Borchert.

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East German short by Helke Misselwitz.

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Kollwitzplatz, Prenzlauer Berg: Children are playing and climbing all over the monument to Käthe Kollwitz, frowning adults are watching them. What would Gustav Seitz, the creator of the sculpture, say? Christa Mühl has asked him but reveals his answer only when the adults have finally disappeared. Until then, she constructs explosive matter as light as a feather, set to Belgian cembalo jazz and with the perky montage style that characterises her early documentary work. After Karl-Eduard von Schnitzler himself had the most controversial scene cut, the film could be broadcast on television and triggered a lively discussion about the practical value of art.

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A wounded Soviet soldier is kept hidden by his wife in their home for 26 months. He hopes to survive the war in this way. Too late, they both realize the error of their ways.

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The story of Paris-based Palestinian painter Samir Salameh.

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When Michael was released from the Jugendwerkhof at the age of 16, he said: "... There has to be controversy to make progress, to achieve something in life, to be a human being at all." Three years later, the movie tries to find out what has become of him.

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Student film depicting recess at a grade school.

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Student film about hiding Jews during the Second World War.

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A documentary portrait of the everyday life of teenagers in Mecklenburg.

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Short film about foreign affairs

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The film tells the story of Hans and Peter, who protested in the Johannesburg ghetto in 1976. There, they witnessed the murder of 300 black pupils and students by racist police forces. The film allows them to talk about what happened.

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The film documents the hard work in the Frank-Behrendt coal business.

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Andrees’ graduation project approaches the perky 14-year-old Jacki mainly through her social environment: the stressed patchwork family mother, the solitary long-distance truck driver father, the eclectic neighbourhood. The closer the film gets to its protagonists, the freer the movements of the camera become, gliding through a studio as if in a trance or flying over the nocturnal motorway as if over a UFO landing strip.

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Sibylle Schönemann’s film about abortion lets young and older women speak; women who were forced to abort by their partners or who chose to carry the baby to term despite predicted difficulties. Assembled as a kind of collage, a round table alternates with stylised passages, while the camera also shows moments in a clinic right before and after the procedure. The attitude vacillates between drama and affirmation of life. Liberal perspectives, with one exception, are left out. Schönemann, together with Tamara Trampe, almost managed to take up the complex issue in a feature film.

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The minutes before the train departs: time pauses.

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Documentary short about Husemannstraße in Berlin's Prenzlauer Berg.

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