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poster
?
7.3
/8/

Birthday (2016)
Birthday is a film about a group of teenagers who find a bizarre way for entertainment. One rainy evening, Marko and Kecko join in to celebrate Milan eighteenth birthday. It starts as a typical birthday party in which they indulge in hedonism and vices. Knowing that Milan is still a virgin and is desperately in love with their class teacher Nevena, Marko decides to make him an offer he can not refuse.
poster
45
?
6.5
/574/
32
/2/

As a Bad Dream (2003)
Story about people and their destinies, frustrated by war traumas who try to erase memories of their past.
poster
?
8.7
/64/
65
/4/

Bugs (2004)
What becomes of a young man who lives entirely in his own world? Melancholy and powerful images bring back memories from the boy's past while revealing his contemplation on the present.
poster
54
?
6.4
/427/
45
/4/
55
/4/

Upside Down (2007)
Jan is the type of romantic malcontent who can't find rest, who continually hurts people and gets hurt himself. This dark, raw and uncompromising Macedonian film presents a gloomy testimony of the degradation of the life of the individual and society as a whole.
poster
?

Eurasia (Questions on Happiness) (2018)
Assembling cinematic sequences shot in the Southeastern Urals and in Macedonia, archival footage and animation, Eurasia (Questions on Happiness) sets forth on a journey towards the Eurasian steppe where it meets the New Silk Road. Imagining a fractured continent in the thrall of self-learning data sites that trigger world events, the film confronts various forms of hoax, from cut and paste political doctrines to neo-classical facade architectures. Mapping ideological and political currents that are presently unraveling the European Union, Eurasia describes fake news as a man-made proxy of the indifference that an artificial intelligence may feel toward the human condition. Through modes of science fiction, documentary, and folk tale, Eurasia creates an immersion within layers of media production, wrapping facts in fictions, and fictions in facts.


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