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poster
Criterion Channel
78
33
7.5
/818/
65
/17/
66
/18/
3.7
/710/
100
/6/
92
/4/

The Red Head (1932)
A red-haired boy is his mother's punching bag; only his father's presence is a great comfort to him, but this weak man is under the shrew's thumb. His pain is so great he feels suicidal.
poster
?
7.2
/59/
10
/1/
60
/1/

Un tournage à la campagne (1994)
Edited from 4½ hours of unused material left over from the shooting of Jean Renoir's 1936 PARTIE DE CAMPAGNE (A Day in the Country) and donated by the producer Pierre Braunberger to the Cinémathèque Française. Re-edited for a new version, much of the film is shot with synchronised sound with Renoir's voice instructing and guiding the actors.
poster
?
5.5
/53/
60
/1/
80
/5/

The Life of the Jews of Palestine (1913)
The Life of the Jews in Palestine is a silent documentary film depicting Jews and Jewish communities in Ottoman Palestine.
poster
44
?
3.3
/41/
40
/2/
40
/1/
3.2
/236/

Henri Langlois vu par... (2014)
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
poster
?
7.0
/13/
10
/1/

À la recherche de Jean Grémillon (1969)
Documentary about filmmaker Jean Grémillon.
poster
?
7.8
/20/
10
/1/

Orson Welles at the Cinémathèque Française (1983)
On April 24th, 1982, when Orson Welles was invited to Paris to receive the Légion d'honneur from François Mitterand, a lively filmed interview took place inside the French Cinémathèque.
poster
?

Claire Denis : Leçon de cinéma (2017)
N/A
poster
?

Jean Pierre Et Luc Dardenne : Leçon de cinéma (2014)
N/A
poster
?

Albatros, debout malgré la tempête (2010)
N/A
poster
?

Gaston Méliès and his Wandering Star Film Company (2005)
In 1912-1913, movie pioneer Gaston Méliès, brother of Georges Méliès, did a ten month long trip around Asia-Pacific, shooting both documentaries and fictions on location in Polynesia, New Zealand, Australia, Java, Singapore, Cambodia and Japan. He wanted the “real” thing” he filmed, with the locals, being one of the first to give Polynesians, Maoris, Aborigines and Khmers a chance to appear on screen. His hybrid cinema dealt with questions of alterity, identity and representation.


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