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poster
53
?
5.4
/169/
58
/6/
46
/16/

Necropolis (1970)
Frankenstein's monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa.
poster
?
7.1
/43/
10
/1/
60
/2/

Death and Devil (1973)
Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting. The film attempts to display sexual barriers and misconceptions, and about the role-playing and the confusion around the whole question of sexual and sensual involvement. The essence is the confrontation with self-deception, lies and the real fear of contact with both sexes.
poster
?
7.9
/17/
10
/1/
80
/1/

Mare's Tail (1969)
From one flick of the mare’s tail came an unending stream of images out of which was crystallised the milky way.


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