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poster
67
36
6.2
/597/
65
/22/
66
/16/
3.4
/1066/
91
/11/
48
/4/
69
/4/

The Last Time I Saw Macao (2012)
A filmmaker returns to Macao, China, to help a friend who is in trouble.
poster
56
8
6.4
/541/
55
/12/
47
/12/
3.3
/230/
50
/1/

Florbela (2012)
Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.
poster
?
80
/1/

Flowerwork (2024)
In a world where art is no longer valued, the curator of a museum is preparing to close the doors of the institution. As she faces the reality of adulthood and the difficulties that come with it, she tries to find the magic, hope and freedom she felt as a child in order to face her uncertain future.
poster
?
90
/1/

Fragment 24 (2025)
One night, contract killers Safo and Erina celebrate their latest work when they are surprised by an unusual request: a black envelope with just the signature 'V'.
poster
?
100
/1/

em silêncio, amor (2024)
N/A
poster
?
4.7
/10/

The House or a Machine for Living in (2017)
People speak in conversations and banal situations, a loose, uncompromising, though sometimes tense and timid speech. It is these voices that tell minimal stories that the image unmasks, multiplies or breathes: universes that are people-house (or house-people) are anchored in boxes, bodies, secrets, desires, looks or in the ephemerality of the stories. In this flow, we access unstable territories, places of being in permanent construction - the inner house of each one.
poster
?
8.9
/21/
100
/1/

Umbral (2024)
According to Sigmund Freud: “Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways”. “Umbral” materialises the moral dilemma of whether there is a cause and effect link between trauma and criminal behaviour.
poster
?
6.2
/12/
60
/1/

Sério Fernandes - The Master of Oporto’s School (2019)
Forty years ago, Sério Fernandes was a television advertising director and owner of one of the most successful advertising companies in Portugal. That's when he decides to leave everything to focus on his own movies. Nowadays, Sério Fernandes is known as the master of Oporto’s school.
poster
59
?
5.9
/172/
57
/7/
62
/5/

Revolta (2022)
As a result of the pandemic and the economic crisis, there is a widespread revolt in the main cities of the country and Paulo and Cristina, an upper-middle-class couple with a newborn child, only do not join the popular indignation because they agreed, that same night, to organize a dinner for two friends: João, going through a divorce process that plunges him into a strange depression; and Raquel, Cristina's childhood friend who has spent the last few years crossing the planet on a journey of self-discovery. It's a night where, while the world changes outside, people reveal themselves inside, in this apartment where the confrontation between the real and the virtual reveals the most terrible truths.
poster
?
6.0
/6/

Kinorama: Beyond the Walls of the Real (2019)
In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.
poster
?
6.5
/23/

Bustarenga (2020)
Every summer Ana goes to Bustarenga, a small mountain village in the interior of Portugal. At the age of 36, this Parisian woman of Portuguese origin is still single. The inhabitants of the village, worried about her future, make her understand that the clock is ticking. Ana listens to the advice and warnings of the villagers to find a Prince Charming according to the principles of the village.
poster
69
?
6.1
/161/
76
/24/
70
/6/

Entre os Dedos (2008)
After the structural collapse at a construction site, Paulo loses his job because he denounces the situation to the authorities.
poster
?
6.8
/21/

Suzanne Daveau (2019)
This documentary portrait covers all the themes of Daveau’s rich life: from her field research and private life to feminism and the influence of the modern age on family relationships and science. Her passionate life is examined in detail in an inexhaustible series of stunning archival photos and home videos recorded by Daveau, and in voice-over she speaks openly, extensively and full of wonder about life and the world around her.
poster
?
7.9
/20/

Muitos Dias Tem o Mês (2009)
A view of rising dependence to credits in the shadow of a overgrowing economical crisis in a consumers society.
poster
Fandango at Home Free
70
?
6.9
/189/
78
/6/
63
/5/
3.5
/461/

Ashore (2018)
Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon. Divided between the quiet solitude of the river and the family ties that wash him ashore, the film follows Albertino Lobo, as nature renews itself with each season cycle.
poster
73
?
7.5
/74/
55
/4/
90
/3/
3.6
/228/

The Peculiar Crime of Oddball Mister Jay (2019)
In a city where nature has been forbidden, a small crime by a simple man triggers a chain of unexpected consequences.
poster
70
?
7.0
/150/
71
/5/
70
/7/

St. Louis (2019)
Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.
poster
?
7.0
/30/
80
/1/

Lupo (2019)
The Italian Rino Lupo directed some of the most important silent films of Portuguese cinema. Pedro Lino develops, in Lupo, an investigation about the director, discovering one of the mysteries that surrounded him, the year and place of his death.
poster
?
6.0
/7/
45
/2/

The Cypress Dance (2020)
“A Dança do Cipreste” (The Cypress Dance) springs from our interest in the immanent transformations of the body driven by dreams and desire, love and death, in their lucid and ghostly variants. Embracing the influence of imagination in the encounter with nature, it brings to light relationships of continuity and discontinuity with other beings and elements, as it follows the movements of a family circle. Mariana appears to us in her solitude, a woman and painter, at the height of her search for pleasure and desire, committed to artistic representations and her family life. Witty figures of strangeness, eroticism and violence emerge. Mariana, Henrique, Artur and Rafael, together or individually, find themselves in mutual projections and symbiotic relationships, in the days spent outdoors and in imaginary places. A sensorial portrait, which combines simple relationships of contact and affection, exploratory moments in nature and creations of the spirit.
poster
57
?
6.0
/430/
58
/10/
48
/6/
3.1
/363/

The Last Bath (2020)
A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.
poster
?
3.9
/16/

My Grandmother Trelotótó (2019)
«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»
poster
?
6.0
/91/
63
/3/
70
/1/

The Night's Advices (2019)
Roberto, a retired and disappointed journalist, leaves his work in a farm and goes back to his hometown, Braga, which he thinks will be his last hiding place. However, in returning, he feels a strong energy in the city and between journeys to the past and an intense night life, a new chapter arises.
poster
52
?
5.5
/58/
40
/1/
3.1
/209/

Breeding Ground (2019)
From Sunday to Sunday, the Arcozelo football field is battered by the North wind. The lawn has to be swept and lots of clothes washed. - The boys are coming! - The two equipment managers, São and Cunha, know the name of the little players. Everyone is taken care of and the socks drying on the goals are also to be lent.
poster
?
6.1
/68/
66
/3/
54
/6/

If I Were a Thief... I'd Steal (2013)
1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.
poster
?
6.5
/72/
35
/2/
20
/2/

A Primeira Missa ou Tristes Tropeços, Enganos e Urucum (2014)
On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?
poster
?

Parousia (2025)
Three students hangout in a living room. What Hugo and Paulo don't know, however, is that this night is not like the others. Luís has something to reveal to them, a secret with apocalyptic consequences, that will test their friendship.
poster
?

Pélago (2024)
Ema tries to end her insomnia. However, in her last effort, while walking by the sea, the line between sleep and reality merges, leading her to question what has been real until now.
poster
?

Opalina (2019)
The short film tells the story of Natasha, a young woman of dual nationality who, after years living with her mother in Riazan (Russia), is looking for an opportunity to earn money in Portugal. Natasha becomes a waitress and, as time goes by, encounters Pub’s economic difficulties and poor pay for her work. Enticed by her colleagues, she ends up making decisions that will condition her future.
poster
?

The Secret of the Closed House (2018)
On the riverside quay of the enormous container port of Lisbon two old decaying sky-blue painted buildings are located directly opposite to each other. One is closed and abandoned, the other inhabited by the two bright and inquisitive girls Ana and Matilde. Watching the closed building every single day and night the sisters get more and more suspicious. Strange phenomenons and movements behind the thick blue walls increase their curiosity. How is possible what their children`s eyes are witnessing? Who are those mysterious neighbours? How to discover old house`s secret?
poster
?

Viagem aos Makonde (2019)
A documentary about Margot Dias (Germany, 1908 - Portugal, 2001), an ethnologist who shot between 1958-61 among the Makonde tribe, at Mueda, Mozambique. The film is an inner journey that will gradually unravel the circumstances in which these original filming were made, during the period of Portuguese domination of Mozambique, based on Margot Dias' unpublished diary and other texts and sounds, from archives related to the colonial period. But it's also these materials' confrontation with the people we are meeting on the trip to Mozambique, to whom we want to return part of its history.


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