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poster
?
6.0
/8/
10
/1/

Monsieur Jean-Claude Vaucherin (1968)
A writer goes through a prolonged ritual of preparation but is unable to put a word on paper.
poster
?
5.4
/7/
10
/1/

L'Agression (1973)
N/A
poster
?
10
/1/

Faire la déménageuse (1972)
In 1972, what does making a film mean? How does a movie make? What is the relationship between the producer of shows and the spectator? How does meaning travel in the story? These are the questions posed and proposed by the film.
poster
?
6.5
/21/
43
/3/

The Goodbye Singing (1977)
In her suburban house, Madame Vaussart brings together a group of solitaries every Wednesday. Everyone tries to forget their problems, their complexes, their sadness. Between Mr. Michel, very shy, Mrs. Lebris, a former actress, a former colonial soldier and a few others, a project was soon born. They arm themselves and organize a manhunt from which, voluntarily, no one will come out alive.
poster
59
?
7.7
/90/
10
/1/
80
/1/
3.6
/375/

The Sleeper (1974)
Begins with scenes of nature, in which one hears the sounds of birds and water. The final few minutes of the film focus in on a man laying down in the grass.
poster
?
6.9
/11/
10
/1/
80
/1/

Le Soldat et les Trois Sœurs (1972)
A deserted soldier takes refuge among the peasants.
poster
?
7.4
/11/
45
/2/
80
/1/

L'Apparition (1986)
A man's bathroom routine triggers a miraculous vision in a nearby church.
poster
?
6.4
/21/
53
/3/
10
/1/

La Champignonne (1974)
A woman bathes near a creak. She runs away when she becomes aware of the camera.
poster
?
7.3
/46/
78
/4/

Death of the Rat (1975)
A factory siren sounds, workers punch in, the machinery starts... Aubier makes use of a series of successive pictures to portray the series of events that completes a cycle.
poster
?
7.0
/21/
10
/1/
80
/1/

Tenebrae factae sunt (1965)
A documentary about the Parisian night club “Bus Palladium”. This film was theatrically released as a complement for Godard's Masculin, féminin.
poster
?
6.1
/45/
48
/6/
44
/5/

Valparaiso, Valparaiso (1973)
Alain Cluny is Balthazar, a bumbling middle-aged intellectual who spouts off from time to time about leftist causes, usually to his current girlfriend. Then Edwarda (Bernadette Lafont), who is active in the political underground, comes into his life. From that point on, he begins to act on his beliefs. Edwarda's underground political action group stages a little drama to test Balthazar's commitment and reliability, putting him through an interrogation by what appear to him to be French secret police. Having passed this test, he is given a real assignment. This film is a comedy with elements of satire, and it explores the humor to be found in left-wing pretentiousness of all kinds. - Rovi


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