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The film from the series "Impressions" realized in the technique of classical animation made with painting technique on celluloid. The viewer's guide through selected paintings by Marc Chagall is the figure of the Jew - the Eternal Wanderer, a symbol of the artist's feelings and experiences. Through the composition of selected paintings or their fragments, the film refers to the artist's life experiences and his self-defining worldview.

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10

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A film impression inspired by Paul Cezanne's still lifes and Fryderyk Chopin's music.

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20

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An impression that bears traces of the filmmaker's subjective attitude towards the work of Gustav Klimt. The film uses, among others, the paintings "Turbulent Water," "Philosophy," and "Medicine."

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20

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A film from the series "Impressions" made using classical and trick animation techniques, inspired by the paintings of Joan Miro. Deformed figures - ideograms from Miro's paintings, float in an undefined space. The plastic forms of the sun and moon symbolize the elements associated with the cosmos - the activity of day and the magic of night, the eternal relationship of light and darkness. The natural link between the cosmos and the earth are the birds, which, returning from their skyward wanderings, smash the remnants of the night with their wings, only to disappear a moment later into the light of day.

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4.8

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A series of paintings set to the music of Robert Schumann

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10

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Memories of Alhambra

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10

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From the series of animated films to classical music.

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10

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From the series of animated films to classical music.

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10

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From the series of animated films to classical music.

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10

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From the series of animated films to classical music.

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10

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A film miniature to classical music. Chopin's nostalgic music illustrated in the film image with associations with the Polish countryside through poetics taken from 19th century painting. Fields of grain with flowering poppies, a country road with a ladder cart, a thatched cottage, a hearth, a well with a crane and a woman carrying a bucket of water. The images seamlessly intermingle with each other to create a highly evocative story about the passing and transience of moments filled with work from dawn to dusk.

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20

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A film from the series "Impressions" made using the technique of painting on celluloid. Using selected paintings by Van Gogh, the author of the film presents the story of the painter's life. From his first impressionist paintings, through paintings that distort the perception of the world. The nervousness of the lines and patches of color, the increasing expression of colors, symbolize the artist's descent into madness.

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10

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10

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A film miniature set to music from Antonio Vivaldi's concert The Four Seasons. The seasons are linked in film impressions to periods in human life. The film refers directly to the theme of autumn in relation to man and his "autumn" season of life. During this period, despite a certain stability, people try to be active and creative. To this end, they draw on their wealth of experience and mature reflections. However, memories increasingly creep into their daily routine of intense work. They want to capture the color and mood of these memories and preserve them in their minds through associations with music.

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4.6

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Polish avant-garde animation featuring vanishing staircases and desperate searchlights with occasional breaks for a digital clock and a stone face.

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20

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10

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35

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In an idyllic atmosphere, surrounded by an environment that does not imply the slightest aggression, a sound appears that grows louder as time passes. It arouses fear in every creature, forcing them to flee. Suddenly, a great giant appears, wreaking destruction. However, it turns out that he is not the biggest. The hand that lifts him up suggests that there is someone bigger and more powerful.

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20

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The waves of the fjords hit the shore waking the little gnome. In a fantastic mountain landscape, the gnome finds the entrance to a mysterious grotto. Fascinated by the flickering light, he follows the direction from where it comes. The creeping gnome is watched from behind picturesque rocks by trolls. Behind the next rock paragraph, the gnome notices the shadows of the trolls dancing in a frenzied rhythm. Above a huge bonfire towers the figure of the King of the Mountains. The gnome is pulled into the dancing circle. In the final stage of the ecstatic dance, the King of the Mountains leaps into the fire and emerges from it as the all-powerful ruler of the underworld.

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10

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A film to classical music made using the pixilation technique - animation of a live set with a time-lapse camera. Panorama of the city shown to the rhythm of music imitating the rhythm of the flight of a bumblebee. The camera here plays the role of eyes - it is from the point of view of the flight of the insect that the world is shown. The image of the roofs of houses is coming closer or moving away. A chimney sweep standing on the roof abruptly dodges something flying at him...

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10

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A film from the "Impressions" series, made using classic animation techniques – pastel drawings on paper. The director's debut and diploma at the State Higher School of Fine Arts in Poznań under the supervision of Prof. Kazimierz Urbański. The film's composition uses selected portraits by Witkacy from his "Portrait Company." The director refers to Witkacy's "cosmic imagination" by showing animated portraits on a visualization of Earth "stolen" from the Universe.

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10

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The unusual atmosphere of Fantaisie Impromptu, in which anxiety gives way to subtle reverie, is conveyed through a sequence of dreamlike, poetic scenes. A cloud of black birds emerges from the piano keys. A ballerina dances to the sounds of Chopin's piece; the woman breaks away from the ground and swirls with the birds in the air. The music allows her to transcend the boundaries of the real world.

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10

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10

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The film presents a juxtaposition of the author's photographs of Memling's triptych "The Last Judgment." It poses the problem of choosing good and evil. Images of atomic explosions, the rubble of a burned-out city and the mocking laughter of the devil.

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20

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10

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15

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In a certain house in the kingdom of Lailonia live brothers and sisters. Each of them has different habits: Gia likes to smoke a cigar with a plume on his head in an armchair, Pepi has to hunt a few toucans before every breakfast, Kaku swallows barrel hoops, Heja wears ordinances on his back, and Hipa lassoes chimpanzees.

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10

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20

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A young raspberry ice cream vendor named Gyom lives with his wife Mek-Mek in Lailonia, in the city of Batum. Since he believes that only older men can get good jobs in Lailonia, he decides to change his appearance. He grows a beard and a mustache, but it turns out that this is not enough to be considered an old gentleman. So he buys a bowler hat, glasses, an umbrella and wellingtons. He becomes an old gentleman and thanks to this he gets a job in a hotel as a "removalist" of flowers from vases.

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10

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10

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10

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A film from the "Impressions" series, made using a combination of techniques. It presents the work of Dutch painter Piet Mondrian through documentary photographs from the era in which he lived and worked. The director shows the evolution of the visual arts at the beginning of the 20th century from Fauvism to geometric abstraction using Mondrian's paintings as an example. The artist's philosophical journey into abstraction, which for Mondrian was a confirmation of the superiority of the mind over the senses. The artist's works are woven into the turbulent history of the early 20th century, full of historical events and civilizational changes.

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20

/1/

The protagonists of the film are three brothers: Eino, Aho and Laje. The brothers live from the cultivation of the family land. Eino works from dawn to night. Aho likes to spend time playing at a nearby inn. Laje once helps Eino, and once accompanies Aho. Once Aho gets cheated by playing dice and losing his family land. The brothers set off in search of a job. They reach a road fork. Eino wants to go left, Aho to the right, and Laje agrees once with one, once with the other brother. The brothers, unable to convince each other for their reasons, start a great quarrel.

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10

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An animated film in loose material set to music by Johann Sebastian Bach. The imagery in the film is inspired by the magnificent interiors of Gothic cathedrals (Reims, Chartres). The composition of the film follows the principle of viewing a Gothic cathedral: first, the author shows the facade, then "enters" the interior and shows the lower part of the building emerging from the shadows. Then the camera focuses on the columns and pillars, the niches with reliefs, to reach the magnificent rose window crowning the nave. The bright light falling into the interior makes the real shapes disappear and is replaced by light, a symbol of lasting spiritual values.

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20

/1/

A stonemason Ajio, quiet, honest and conscientious by nature, works on road construction in Lailonia. One day, a hump grows on his back, which quickly turns into Ajio's double. Ajio's double is aggressive, vicious and lazy. He quickly manages to convince those around him that he is the real Ajio. Soon an epidemic of humpbacks affects all the residents of Lailonia. Real people are replaced by their doubles. They are aggressive and imperious. Ajio's double takes over the city of humpbacks. Only Ajio's son manages to escape the city. He hopes that when he grows up - he will return and deal with the humpbacks.

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20

/1/

Ditto is an idealist. He does not, unlike Lina, his life companion, attach importance to the things around him. Lina, on the other hand, is captivated by objects and all her attention is focused on collecting them. One day all things revolt against Ditto. The objects complain to Lina that it is Ditto who mistreats them and Lina believes the objects. Ditto decides to turn himself into a thing to show Lina their true nature. However, the things are not malicious towards Lina. After a while, Ditto begins to understand that he has lost the war with things.

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10

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From a series of animated films set to classical music. Classical animation created using painting techniques on paper and celluloid. A montage of four parts from 1991–1995.

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20

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Etam, a young man from a small town in Lailonia, plucks pears from a neighbor's tree for his friend Nita. He is branded with a red patch on his pants for the theft. It soon turns out that the patch is contagious. Red patches appear on the pants of all Etam's friends. The patches get bigger and the boys wear a big red patch instead of pants. So they decide to pretend that they have red pants. When they come to school, however, the Teacher sees red patches instead of pants. He tells them to return to school only when they have pants. The boys, on Nita's advice, make holes in the patches and sew the real colored patches onto them. To the boys' surprise, the Teacher at school accepts the patched pants. He explains to them that the previous day they had red patches, and now they have patched pants. This is because it is possible to patch pants, while patches cannot be patched.

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