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Angelo Debarre meets his friends for a tribute to the culture of Travellers. Since Django Reinhardt, which is celebrated 100 years, until today, this rich music that thrilled several generations. His strength is always reinventing itself. This beautiful tribute takes place around the “fire” in a caravan decor (set created for the show). He is talking about the past and future by remembering the fabulous legacy of Django: spiritual father of gypsy jazz.

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A small church in Normandy turns out to be a heavenly setting for this session of Passengers, with Christine and the Queens performing tracks from last album Paranoïa, Angels, True Love.

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On the Jazz à Porquerolles stage, Ballaké Sissoko's kora blends with the delicate folk of Piers Faccini. It's a subtle and spellbinding union, sealed by a four-handed album: Our Calling.

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Singer, multi-instrumentalist and composer Sona Jobarteh brings the sound of her kora to the jazz festival in Porquerolles.

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At Jazz à Porquerolles, Yom and brothers Théo and Valentin Ceccaldi join forces on a project as audacious as it is meditative: Le Rythme du Silence.

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At Jazz sous les Pommiers, pianist André Manoukian pays musical tribute to his grandmother. The concert features his quartet, singer Dafné Kritharas and the Balkanes choir.

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Cuban pianist and composer Harold López-Nussa is packing his bags for Jazz sous les Pommiers! A made-in-Normandy performance enhanced by the presence of harmonica star Grégoire Maret.

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Simon-Pierre Bestion celebrates the musical and cultural heritage of Paris' Notre-Dame with the La Tempête ensemble and a host of guests like Sabine Devieilhe and Olivier Latry, among others.

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The story of the kora, one of Africa's most iconic and virtuosic instruments, is told here on film. Ballaké Sissoko, the award-winning musician from Mali, takes us on a unique journey in search of the origins and development of the 21-string harp, through legend, history, tradition, and innovation.

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Otis Taylor plays and sings the Blues out of a deep gravelly voice that confers his music an irresistible power of attraction; attraction for the truth told by the Bluesman. It critically shows a man grappling with today's life villainies and the American society; a man possessed by the stories he tells to the point of being known as "the inventor of Trance Blues". Deep roots and History run through his style, in turns dark and majestic, that hasn't forgotten either its West African origins or the Folk and Rock extras. Of History, the singer knows that it's not single sided but made of different phases, down to its Native American origin. The name of his last record is "My World is Gone": probably as a way to say that another one will be born, just like each time the Bluesman sings.

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