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poster

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3.1

/15/

Set in medieval Rajput court, mainly addresses Rajput notions of chivalry. The legendary warrior Mansingh (Phatak) is the nation's strong man but he is cordially hated even by his own people. Claiming to have been offended by Taramati (Tarkhad), he insists to her eminent father that only a marriage (on terms insulting to her) can placate him. He becomes a tyrant imprisoning large numbers of people, and eventually Taramati's father, also in prison, leads a popular revolt, threatening to kill his son-in-law. Only Taramati's decision to protect her husband resolves the conflict.

poster

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6.0

/20/

A love tragedy featuring a policeman, Moti (Modak) and a prostitute, Kesar (Hublikar).

poster

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3.0

/16/

This special-effects laden film is based upon an episode from the Ramayana. Indrajit, son of Ravan, initiates an attack on Rama (Mane) and Lakshmana (Kulkarni) in which they are captured by Mahi (Kelkar). They escape with the assistance of Rama's disciple, the monkey-god Hanuman (Manajirao). The narrative foregrounds Chandrasena (Tarkhad), wife of Mahi, who reveres Rama but disapproves of the bacchanalian orgies and the celebration of liquor that is the norm in his kingdom. She helps resolve the stalemate of the battle when Mahi (who can duplicate himself and his dead soldiers) proves invincible, by revealing the secret formula that will kill her husband. In addition to the usual flying figures and magic arrows mandatory for a Ramayana mythological, there is an effective scene of a gigantic Hanuman picking up a miniaturized human figure.

poster

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8.8

/40/

55

/2/

Marathi version of the film starring Mazhar Khan, Gajanan Jagirdar and Anees Khatoon. In a small village in India, the villagers of different communities live in harmony. But when an industrialist, arrives to construct a dam, he sows distrust and disunity between the Muslim and Hindi communities.

poster

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7.6

/24/

Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.

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6.9

/15/

53

/3/

57

/3/

Prabhat's expansively mounted historical set at a contentious period of the Maratha empire is a biographical of Ramshastri Prabhune (1720-89), chief justice at the court of Madhavrao and later of Nana Phadnavis, and a major figure in the development of an indigenous legal code.

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4.9

/25/

45

/2/

50

/3/

This classic opens with a sensational low-angle circular track movement as Chandika cult followers meet in a dungeon of flickering lights and deep shadow. As the more rationalist King Krantivarma (Varde) banned human or animal sacrifices from the increasingly fanatical festivals dedicated to the goddess, the cult's high priest (Chandramohan/Date) orders the hapless Vishwagupta (Kelkar) to kill the king.

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7.6

/64/

80

/11/

50

/3/

A love tragedy featuring a policeman, Ganpat (Modak) and a prostitute, Mainal (Hublikar). Ganpat saves Maina from a police raid on a brothel and they fall in love. Her reputation and sense of guilt resist his attempts to rehabilitate her. Ganpat's respectable middle-class mother (Sundarabai) symbolizes all that Maina would like to be, but she is arrested for murdering her evil uncle and refuses Ganpat's offer to release her from prison.

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62

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6.5

/316/

55

/9/

69

/10/

This classic film chronicles the life of Tukaram (17th C.), one of Maharashtra’s most popular saint poets, activating the 20th century resonances of his turning away from courtly Sanskrit towards vernacular rhythms of religious poetry.

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8.1

/72/

60

/1/

90

/2/

It's the story of a boy who finds enlightenment by experiencing religious hipocrisy and dogmatism. Dnyaneshwar liberated the "divine knowledge" locked in the Sanskrit language to bring that knowledge into Prakrit (Marathi) and made it available to the common man.

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Bichwa (Khote) is the queen of a devout Untouchable community not permitted to enter the temple. Her daughter Lakha, the best dancer in the community, marries the prince of a rival community of atheists and is excommunicated by her own people. The devout group has their devotion tested by economic setbacks and a major conflict erupts between them and the atheists but god materialises on earth, thus solving the problems of belief and its attendant conflicts. Untouchability is abolished and they can all join together to worship in the temple. This transparent piece of religious propaganda saw Guru Dutt’s acting debut in the minor role of Lachman, Lakha’s brother.

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This mythological tells of the playful child Krishna (Marathe) and his battle against the evil King Kamsa (Ganpatrao) who rules the city of Gokul. The stories, mainly from the popular 'Bhagvat' and 'Vishnu Purana', also show Krishna vanquishing Keshi (Haribhau), Kamsa's general who arrives in disguise to capture him. Finally, when Kamsa unleashes rain and flood over the city (in a departure from the original legend where Indra caused the natural disaster), Krishna raises the mountain Govardhan over the people to protect them.

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