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Coffee Break (1987)
Experimental film which incorporates a range of materials, ink, coloring pencils, watercolors, and graphite, to narrate the story of a woman who is transformed into a cat while she drinks the celebrated beverage of the island, coffee.
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Underwater Blues (1981)
Hand painted, scratched animated Super 8 film examining the contradictions of the psychopathology of colonization.
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Blues Tropical (1983)
First part of the Trilogy of the Island in which Poli Marichal expresses and vents the anger and frustration caused by the colonial situation.
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Al rojo vivo (1982)
This work recreates the spirit of frustration and is the result of scratching and painting the tiny super 8 mm frame without magnification. The soundtrack was performed with a percussion instrument and voice.
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Isla Postal (1984)
Hand painted, scratched Super 8 film meditating on Puerto Rico's political status through the layering of traditional Bomba music and governmental speeches.
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Micro Trip (1988)
Musings about what it means to travel, let the imagination fly, and to escape from reality. Combines documentary footage, animation on paper, and hand-painted and scratched film.
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Blum (1983)
Tale about the fragility of power, the story of a David and a Goliath. Animated frame by frame with modeling clay on a light box's glass.
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Los espejismos de Mandrágora Luna (1987)
One night, while celebrating at home with friends during the San Sebastián Street Festival, a pregnant woman is visited by three characters, who could be unfoldings of herself, and take her on an inner journey in search of her identity.
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Dilema I: Burundanga boricua (1990)
Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.


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