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What does the people in the street think of nuclear physics today? These men and women do not walk far from the imposing Cité des Sciences et de l'Industrie (Porte de la Villette, Paris). They have more nuanced ideas than one might imagine, just like those of scientists. This rapprochement between everyone is beneficial.

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In Paris, there is a network of men married to young Filipinas, chosen through an international agency. Here is the portrait of a couple from this business: immersed in a happiness that drowns the spectator.

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From inside the kiosk, you can hear the trains leaving for Nairobi. In this little restaurant, the customers with the lowest income have gathered to eat a cheap meal, the only one they can afford. All around the station people rush about, cook and eat, in time to the rattle of the trains.

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A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.

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Armel, Ahmed, Antoine, Ezechiel, Rougeot and Issa are motorcycle cabs at the Ahougnansou train station. Criticized and marginalized, they show organization and solidarity, determined to make their dreams come true.

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Thi was born in a traditional family in the country. Her parents are teachers. She came to Hanoi to study languages. Today, she works as a translator. In the city, she gains more freedom: she meets foreigners and some of them have become friends. But when her mother comes to visit, she reminds Thi of the principles of traditional education, the duties and obligations of a young woman, and is insistent on the issues of marriage and children.

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Saud now lives in Paris, caring with devotion and tenderness for his two young children while closely following the drama in Gaza. “It's hard to be far away.” He speaks sadly of his situation as a Palestinian citizen of Israel. When he accompanies his daughter to school, they both stick up placards for the liberation of Palestine...

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Alix left his native island, Martinique, and its musical culture, to study opera singing in Paris. Portrait of a young man who now embraces all his singularities: his rare countertenor voice, his kohl and his done nails. He works hard to realize his dream of becoming a professional artist.

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Montmartre, in the square. They pass each other, ogle and play. As much as they sniff, lick and bite each other. The regulars have a field day.

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Manuel raps about his life, his thoughts, his whole world of revolt, surrounded by the kind attention of the villagers who welcome him into their homes. Inhabited by his lyrics, he tries to live them and pass them on.

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About questioning, cycling and moving on.

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For centuries, along the Mekong river, the brick kilns in Mang This used to be the symbol of the delta’s economic prosperity. Now, the last brick kilns finally come to an end.

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In an old district of Hanoi, formerly a village, new loud speakers must be repaired and installed. By observing everyday life, Vang Anh films with humor the animation caused by this event and plunges us into the heart of Vietnamese contradictions.

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Documenting the transformation of Bưởi Road in Hanoi, from a labyrinth of houses and small businesses to a highway, with demolition crew destroying buildings - some still inhabited, gleaners looking for metal scraps to sell for a living, and people living on the edge of this crowded road finding a way to keep on living.

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Wakis, a lumberjack in the Central African Republic, works with his family collecting wood to process into charcoal. But faced with its increasing scarcity—and to avoid conflicts with his neighbours—he must “hunt” trees further and further away from his production site. Tanguy Djaka Yarissi creates an accurate social chronicle about the insecurity of a traditional trade. – Emmanuel Chicon

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