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5.8

/8/

10

/1/

In 1988 the largest demonstrations and strikes ever in the history of the Soviet Union took place in Armenia. The immediate cause for it was the demand of Nagorno Karabakh, an autonomous area in Azerbaijan, to be an administratively accounted Armenian territory.

poster

?

4.6

/65/

43

/6/

In Holland, a group of Armenian terrorists have swung into action, murdering a Turkish intelligence agent and holding his son for ransom. As the battle of wits between the terrorists and the Dutch police plays itself out, an author from Armenia living in Rotterdam finds himself following the events as he thinks back on his life in his homeland, indulging in fantasies about his past, his future, and his obsessions.

poster

?

4.8

/30/

20

/1/

Folk-musicians earn their money on the streets of Armenian capital Yerevan, the ropewalkers dance in front of the old monastery Khor-Virap. Their improvisations appear like a poetic mirror for the psychical sensitivity of Armenians.

poster

27

?

5.0

/122/

10

/1/

20

/1/

Things may not be fast at the German post office, but they're a lot of fun: postal supervisor Max Sparwein knows a thing or two about it, because he really can't complain about boring and monotonous service on his tour through the city. This is also the experience of journalist Mara Schönwetter, who accompanies him on his walks up and down the stairs to write a report.

poster

?

3.3

/28/

20

/1/

30

/1/

“Drawing on archival footage, fragments of interviews, and scenes from his films, this newly constructed portrait of Sergey Paradjanov was composed by the highly accomplished Armenian director Don Askarian (Komitas, Avetik). According to the director's synopsis: "The year is 1989. The place is the film festival in Rotterdam. Farewell at the Hilton Hotel. And Paradjanov says, ‘Help me make Confession’. I answer, ‘As a child of two fathers, the film will be born a bastard’."

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