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poster
58
27
6.9
/264/
41
/5/
52
/11/
72
/18/
58
/5/
58
/10/

Virgil Bliss (2001)
Fresh out of a long stretch in prison, Virgil Bliss (Clint Jordan) vows to go straight in this gritty, character-driven drama. But finding a job, a wife and a sense of purpose doesn't come easy when you're living in a halfway house surrounded by junkies and thugs. Things start to look up when Virgil falls for Ruby (Kirsten Russell), a prostitute and fellow lost soul, but her drug addiction stands in the way of his shot at a normal life.
poster
?
4.0
/35/
10
/1/

250 Grammes – A Radioactive Testament (1983)
Max Sjöman, Architect: "This is the story of my daughter. Her life was short. Short is not purposeless. I brick her picture into the cornerstone of an atomic power station. It is my testament to the future generations. They'll see from that photograph what a healthy child once looked like."
poster
?
6.5
/81/
10
/2/
56
/18/
55
/10/

Milk and Honey (2003)
Over one night in New York City, lives of disparate strangers intersect by fate and circumstance.
poster
51
?
5.6
/225/
51
/5/
49
/8/

Kimono (2000)
A hot summer day on a country road. A young woman in her bridal dress gets kicked out of a car. Lost and frustrated, she wanders off across a sea of grass into a dark wood - and discovers an abandoned house. Tired and worn out, she lies down on a bed. When she is awakened from her nap by a clap of thunder, she sees a cup of steaming hot tea and a package on the floor. She opens it - and finds a kimono. The bride knows she no longer is alone ... but should she put on the kimono?
poster
43
?
6.4
/146/
10
/1/
48
/6/

Flame Top (1980)
This biographical film celebrates the little-known life of the Finnish novelist and revolutionary Maiju Lassila (Asko Sarkola), born in 1868. Lassila's early years are briefly shown, then the film richly details his active and paradoxically reclusive adult life, beginning with his sojourn in St. Petersburg, working as a businessman. Unable to stay away from politics, he caused the assassination of a high-ranking Czarist and as a result, had to run back to Finland to hide. Once established in the comparative safety of a small village, he taught school in order to support his real vocation as a writer. Always living on the edge of poverty, if not square in the middle of it, Lassila continues to avoid public contact - he keeps his identity low-key and camoflages it by publishing under a variety of pseudonyms.


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