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poster
?
7.0
/16/

Agnikankan: The Branded Oath (1932)
Prince Sudhirchandra goes into hiding as an infant when his father gets overthrown by Naagraya, a greedy minister. After 20 years, Sudhirchandra returns to reclaim his throne.
poster
?
6.6
/27/
60
/1/

Amar Jyoti (1936)
Faced with extreme patriarchal laws in an ancient seaport kingdom and denied the legal custody of her infant son, a young woman becomes a pirate declaring war on the state's tyrannical minister of justice.
poster
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7.6
/24/

Ayodhyecha Raja (1932)
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.
poster
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7.7
/37/

Hum Ek Hain (1946)
Zamindari Ma, the old landlady of a village supports its people during a famine and raises three orphaned children of differing religions. The children, although encouraged to practice their separate religions, are taught to remain united at all times.
poster
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8.1
/18/

Padosi (1941)
Hindi version of the film starring Mazhar Khan, Gajanan Jagirdar and Anees Khatoon. In a small village in India, the villagers of different communities live in harmony. But when an industrialist, arrives to construct a dam, he sows distrust and disunity between the Muslim and Hindi communities.
poster
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7.0
/12/

Sinhagad (1933)
Based on the legend of Tanaji Malusare.
poster
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7.3
/15/

March Ahead (1947)
In a tale that dared to challenge tradition, Aage Badho follows the heartbreaking journey of Sarla, a bride whose joy turns to sorrow as she becomes a widow on her wedding day. Trapped in a life of torment by her cruel stepmother, Sarla attempts to end it all, only to be rescued by the compassionate Uday. Can Uday help Sarla defy societal norms and embrace a second chance at love and happiness, marching ahead towards a future free from the shackles of a regressive past?
poster
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Chand (1944)
A musician's move to Bombay ignites a love triangle with his new landlord's daughter and his former, unrequited admirer. Misunderstandings and family opposition lead to separation, but a fateful reunion during a crisis ultimately brings the true lovers together with a happy ending.
poster
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Seeta Kalyanam (1934)
The story of this film revolves around Sri Rama and Seetha's wedding.
poster
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In Rural Maharashtra (1945)
Happy farmers, a wedding and some giant cauliflowers...
poster
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Gopal Krishna (1938)
This mythological tells of the playful child Krishna (Marathe) and his battle against the evil King Kamsa (Ganpatrao) who rules the city of Gokul. The stories, mainly from the popular 'Bhagvat' and 'Vishnu Purana', also show Krishna vanquishing Keshi (Haribhau), Kamsa's general who arrives in disguise to capture him. Finally, when Kamsa unleashes rain and flood over the city (in a departure from the original legend where Indra caused the natural disaster), Krishna raises the mountain Govardhan over the people to protect them.


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