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poster
?
7.1
/44/
30
/2/
60
/1/

Borders (1989)
A philosophical flume ride through the physical, political and moral borders that inhibit the free movement of people and ideas. Mixing commentary, computer graphics, dramatizations, and investigative journalism, Borders probes the unsettling paradoxes behind immigration, drugs, Star Wars, and other topics.
poster
54
?
6.2
/50/
30
/2/
60
/1/
3.3
/281/

O Panama (1985)
O Panama features a man confined to his apartment on a winter day as he suffers through an illness. Built on the polarity between hot and cold, the tedious reality of the man's sickness and the vivid hallucinatory visions of his delirium, O Panama conveys the workings of the subconscious.
poster
?

Secret of the Waterfall (1983)
The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.


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