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poster

20

16

1.2

/15172/

15

/66/

15

/57/

1.9

/1996/

Evil teenager assassins Rike & Tom want to kill and film the execution of the rock star Daniel Küblböck [or Lana Kaiser to be correct], who is spiritually supported by his dead grandfather Johnny, with the support of the mysterious Baltazar! Will our well-intentioned wizard succeed to survive this Christmas related mess and learn to forgive the others while beign kidnapped and almost executed, even if that means stickin' his finger in cakes, rollin' in tha snow like a cat or having psychedelic music dreams? (and singin' some bangers in the meanwhile!)

poster

69

15

7.1

/293/

67

/9/

68

/10/

3.6

/756/

In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.

poster

58

12

6.3

/342/

55

/12/

49

/14/

3.3

/516/

A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is therefore marks the turning-point between Borowczyk's career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field.

poster

56

9

6.1

/398/

60

/13/

64

/8/

40

/10/

"Spring Symphony" is the story of Robert Schumann and Clara Wieck. Both were music entities. Robert Schumann turns out to have been a second tier composer, if that, never rising to the heights of a Beethoven or Mozart. In contrast, Clara Wieck was a master technician in the playing of the piano, a composer (probably not at Schumann's level), and was a child prodigy.

poster

?

7.0

/8/

10

/1/

Max Ernst on amateur astronomer Ernst Wilhelm Leberecht Tempel.

poster

?

6.2

/54/

20

/2/

46

/4/

Brother and sister meet again after 15 years and fall in love with each other.

?

6.8

/10/

10

/1/

A satirical examination of the ways the influx of German tourists to Spain affects the local population.

poster

?

5.8

/46/

10

/1/

60

/1/

Customs officers Katti and Wolfgang are so deeply in love with each other that they are barely aware of their surroundings. But after the wedding reception, there's nothing but trouble.

poster

47

?

7.3

/116/

20

/1/

A documentary about Germany's last emperor Kaiser Wilhelm II.

?

10

/1/

N/A

poster

?

10

/1/

N/A

poster

66

?

6.9

/562/

55

/4/

70

/5/

3.6

/322/

Martin is 25 years old and very reserved about work. Together with his buddy Henry, he lives in their Schwabing apartment in the day. But everything changes when he falls in love with the attractive Barbara and observed a slump: For when he gives up the police report, the officials themselves suspect him of the crime. In addition, he still owes a text to the hit producer Viktor Block. Suddenly Martin is up to his ears in chaos.

poster

?

6.4

/16/

40

/2/

10

/1/

To mark the artist Fernando Botero's 75th birthday, Peter Schamoni made a documentary film about his moving life. Fernando Botero is immediately recognizable by his colourful and exuberant works. Schamoni convinces us that, behind the cliché of the naïve, Fernando Botero is an artist who also devotes himself to serious and profound themes. Schamoni not only accompanies Botero to Tuscany, where he creates his sculptures, and to his Parisian painter's studio. The film also takes us on a journey to Colombia, where Schamoni lets the viewer take part in the world in which the artist lives and works, in the highs and lows of his life.

poster

?

7.0

/85/

48

/5/

61

/7/

In 1972, the camera eye observes Friedensreich Hundertwasser in the ambiance he has created for himself and presents a wide selection of his beautifully coloured pictures, which are owned by collectors all over the world, while the artist himself speaks about his life, his work, his ideas, and his manifestoes.

poster

?

6.7

/22/

10

/1/

10

/1/

A group of gamblers travels through Europe.

poster

?

5.6

/69/

10

/1/

40

/1/

West Berlin, summer 1968: the attitude to life at the time through the eyes of (at least) three different quartets: the anarchic bards of "Insterburg & Co." wander through the backyards of Kreuzberg, passing the time with silly poems, homemade instruments and their playmates. The lively Jacob Sisters and their four poodles make guest appearances as international show stars in the luxury hotels. And postcard Berlin is presented by four oil sheikhs who are on a state visit.

?

10

/1/

Allegory of a man who leads the people to destruction and then is reborn to recommence the cycle.

poster

49

?

4.4

/180/

55

/2/

50

/3/

Potato Fritz and his friends have moved from Germany to the American Wild West, settling eventually in the Rockies. They are besieged by what appear to them to be hostile Native Americans. Before too long, it becomes clear that the hostiles are in fact a gang of gold thieves. This movie is notable among German-made Westerns for its use of authentic period costumes and firearms.

poster

?

7.5

/10/

10

/1/

90

Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.

poster

?

6.5

/55/

10

/1/

58

/4/

Two old school friends, both in their late twenties. One lives on his parent’s rural estate and does nothing; the other half-heartedly pursues work as a journalist in Düsseldorf.

?

5.6

/5/

10

/1/

70

/1/

N/A

poster

?

7.2

/54/

50

/3/

A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.

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