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poster

82

46

8.1

/1212/

71

/25/

69

/18/

4.2

/1587/

100

/8/

93

/12/

On the eve of 1987's Second National March on Washington for Lesbian and Gay Rights, surviving families and friends of people who have died of AIDS prepare panels to be added to a large-scale memorial quilt project. Drawing from the sea of names memorialized, director Robert Epstein focuses on the lives of six people. Alongside the intimate profiles offered, through news footage and interviews, Epstein puts the AIDS crisis in the larger context of social and government response to the disease.

poster

66

38

6.8

/2448/

68

/182/

72

/49/

2.6

/1044/

70

/3/

Lauren Gabriel leaves everything behind in Boston to embark on a new chapter in her life and career. But an unforeseen detour to the charming town of Grandon Falls has her discover unexpected new chapters - of the heart and of family - helping her to embrace, once again, the magic of Christmas.

poster

?

6.3

/84/

75

/2/

1937: Young Emily is trapped in a nightmare, chronic agoraphobia and a strange, domineering mother have turned their sprawling gothic mansion into a prison. On the brink of madness, Emily is haunted by lurking malevolent forces, her only hope, the desperate belief her missing father could save her from this living hell. But as she longs for his return, Emily is tormented by visions of a sinister, gnarled black hand—a spectre haunting her earliest memories. It is a homage to the unsettling atmosphere of 1950s horror cinema, echoing the terror of THE HAUNTING and the ghostly dread of THE INNOCENTS.

poster

?

5.7

/7/

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

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