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poster
Kanopy
79
7.6
/922/
72
/28/
70
/31/
4.0
/2994/
89
/27/
92
/5/
73
/10/

Araya (1959)
"Araya" is an old natural salt mine located in a peninsula in northeastern Venezuela which was still, by 1959, being exploited manually five hundred years after its discovery by the Spanish. In images, the life of the "salineros" and their archaic methods of work before their definite disappearance with the arrival of the industrial exploitation.
poster
Criterion Channel
80
71
7.6
/5297/
76
/115/
72
/88/
3.9
/15784/
96
/26/
83
/77/

Memories of Underdevelopment (1968)
In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young girl he seeks to mould into the image of his ex-wife, but at what cost to himself?
poster
Criterion Channel
77
71
7.1
/6186/
72
/154/
71
/164/
3.8
/31675/
100
/15/
79
/54/
74
/6/

Black God, White Devil (1964)
Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
poster
73
61
7.3
/3955/
75
/114/
73
/121/
3.9
/18283/
60
/5/
81
/30/

Entranced Earth (1967)
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
poster
74
59
7.5
/3340/
75
/92/
73
/97/
3.8
/14896/
73
/34/

Barren Lives (1963)
In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
poster
71
57
7.0
/2567/
66
/96/
69
/88/
3.8
/11493/
76
/392/

Antonio das Mortes (1969)
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
poster
80
54
7.6
/1621/
70
/37/
72
/46/
3.9
/3226/
100
/5/
89
/13/

Death of a Bureaucrat (1966)
A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.
poster
78
54
8.2
/1433/
79
/45/
76
/38/
4.3
/4872/
67

The Battle of Chile: Part II (1976)
Chronicles the events immediately surrounding the CIA- supported coup itself.
poster
75
51
7.6
/1264/
66
/25/
67
/29/
3.9
/3048/
90
/331/

Jackal of Nahueltoro (1970)
Based on an actual murder case that ignited a furious debate over the death penalty in Chile in 1960, this experimental social drama portrays the life and death of an illiterate peasant who, while drunk, murdered the woman with whom he had a relationship and her five children.
poster
74
50
7.6
/1173/
73
/44/
73
/34/
4.1
/3729/
67

The Battle of Chile: Part III (1979)
Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.
poster
68
49
6.8
/2324/
66
/87/
69
/86/
3.5
/10057/
70
/22/

Macunaima (1969)
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
poster
Criterion Channel
73
48
7.1
/1328/
61
/35/
64
/29/
3.9
/2748/
89
/9/
78
/16/

Lucía (1968)
Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the 1890s, the 1930s, and the 1960s.
poster
75
47
8.1
/1814/
78
/65/
72
/49/
4.3
/7024/
60
/10/

The Battle of Chile: Part I (1975)
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.
poster
Kanopy
69
45
7.1
/954/
65
/25/
68
/38/
3.7
/4573/
67
/223/

The Turning Wind (1962)
In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.
poster
65
44
6.7
/1278/
65
/24/
61
/42/
3.5
/3364/
63
/372/

How Tasty Was My Little Frenchman (1971)
Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.
poster
71
42
7.2
/1082/
70
/32/
74
/18/
3.8
/4077/
65
/253/

Invasion (1969)
Hearing the summons from an elderly man, a volunteer troop of middle-aged men gather to defend their country from dark foreign invaders.
poster
74
41
7.8
/594/
76
/21/
76
/20/
4.0
/3007/
62

Saint Bernard (1972)
The story of Paulo Honório, a poor ploughman who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways.
poster
76
41
7.6
/873/
73
/21/
76
/30/
4.0
/4936/

The Guns (1964)
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
poster
73
38
7.5
/1140/
74
/48/
70
/39/
4.0
/11541/
68
/5/

Rio, 100 Degrees F° (1955)
On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.
poster
76
38
7.6
/1305/
65
/20/
71
/29/
4.0
/4326/
92
/8/

The Hour of the Furnaces (1968)
An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.
poster
84
37
7.9
/706/
77
/37/
82
/33/
4.2
/9476/
100
/2/

Rio, Northern Zone (1957)
A talented songwriter of sambas is forced to face the social injustices of the city around him.
poster
Criterion Channel
68
36
7.0
/812/
64
/20/
63
/29/
3.9
/5946/

One Way or Another (1977)
In Miraflores, Cuba, the growing romance between Mario, a factory worker, and Yolanda, a schoolteacher, throws into relief the differences in their perspectives and values in Revolutionary Cuba.
poster
65
34
6.9
/429/
48
/8/
61
/17/
3.5
/1418/
80

Three Sad Tigers (1968)
A glimpse at the few days and nights in the lives of a brother and sister, Amanda and Tito, in Santiago’s semi-criminal underworld. A rambling portrait of Chilean society.
poster
75
32
7.1
/688/
63
/14/
71
/24/
3.7
/2243/
100
/7/

Blood of the Condor (1969)
A community reacts against a group of foreigners who under the guise of development assistance are forcibly sterilizing the peasant women.
poster
62
32
6.3
/508/
54
/14/
59
/28/
3.6
/2223/

The Lion Has Seven Heads (1971)
A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.
poster
76
31
7.5
/741/
74
/12/
78
/22/
3.8
/1456/
81
/12/

The Last Supper (1976)
A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.
poster
71
29
7.0
/247/
52
/8/
66
/13/
3.4
/413/
Popcorn
100

The Smoking Fish (1977)
A handsome young man is released from jail and goes to "El Pez que Fuma", a bordello in the outskirts of Caracas. La Garza, its middle-aged owner, hires the young man as handy man, but soon he takes the place of the administrator, who is also La Garza's lover.
poster
68
27
7.0
/349/
58
/11/
70
/18/
3.7
/1600/

Toss Me a Dime (1958)
Everyday the children of the neighborhood known as "Tire Dié", in the city of Santa Fe, wait for the train to ask for money, shouting "Tire dié!" (toss me a dime!) to the passengers. Considered the first survey-on-film in Latin America.
poster
71
26
7.0
/665/
71
/21/
70
/21/
3.5
/1862/
79
/4/

Xica (1976)
The romanced story of Xica da Silva, a slave that used her "feminine atributes" in order to get power.
poster
Kanopy
70
19
7.4
/232/
67
/16/
63
/11/
3.8
/1250/

The Brickmakers (1972)
This film documents the life of a family of brick makers in the outskirts of Bogotá, using the personal experience of the Castañeda family to expose the exploitation of manual laborers. Marta Rodríguez and Jorge Silva worked on this documentary from 1966 to 1972, establishing a relationship with the family which allows the viewer an intimate look at their hardships.
poster
61
18
6.6
/340/
50
/15/
57
/19/
3.7
/742/

LBJ (1968)
This is a montage of different images from the JFK, Martin Luther King and Bobby Kennedy triumphs and assassinations, all three events being observed by Lyndon Johnson as the dark figure who is plotting the anti-black rights movement.
poster
70
16
7.4
/245/
62
/11/
71
/9/
3.7
/905/

The Traitors (1973)
Based on a true story, the film narrates the life of a fictitious Peronist union leader who, after years of militancy, gains power in the union during the 1960s and gradually becomes a corrupt bureaucrat.
poster
73
15
7.5
/69/
63
/9/
86
/7/
3.6
/931/

Viramundo (1965)
Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.
poster
66
15
7.7
/154/
40
/3/
75
/10/
3.7
/741/

Enough Praying (1972)
Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.
poster
67
15
7.4
/212/
55
/5/
68
/12/
3.6
/734/

Valparaiso My Love (1969)
A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.
poster
69
14
7.7
/277/
63
/8/
68
/10/
3.6
/757/

A Long Journey (1967)
The death of his newborn brother will cause a child from the poor neighborhoods of Santiago to walk around the city with the lost cardboard wings that the dead baby lost after the wake, trying to return them to him with the illusion that his little brother can fly to heaven.
poster
66
13
6.8
/97/
56
/3/
70
/17/
3.6
/345/

Hasta la Victoria Siempre (1967)
An obituary of Che Guevara, made in forty-eight hours to be shown at the mass meeting on the 18th October 1967 in the Plaza de la Revolucion in Havana, where Fidel Castro announced the death of Guevara in Bolivia.
poster
69
12
7.3
/158/
61
/7/
73
/15/
3.6
/299/

The Courage of the People (1971)
A documentary reenactment of the government-ordered massacre of striking tin miners and their families at the Siglo XX Mines in 1967 in Bolivia.
poster
67
12
7.1
/273/
61
/9/
65
/10/
3.6
/496/

And So It Is (1966)
While her husband is on his way to the market, a peasant woman is raped and murdered. Her widower carefully plans his revenge.
poster
63
11
6.9
/389/
57
/8/
54
/15/
3.6
/292/

Letters from Marusia (1975)
Chronicle of the repression that a foreign company exerts on the miners of a small nitrate town in Chile, whose workers decide to claim their most essential rights. A reflection of the historic union struggles in the northern Chile that ended with terrible repressive acts.
poster
63
9
6.8
/138/
45
/5/
68
/11/
3.5
/249/

The First Charge of the Machete (1969)
Cuban peasants wield machetes in a violent uprising against Spanish authorities in the late 19th century.
poster
?
6.9
/8/
60
/1/
50
/3/

Río Negro (1977)
Tirso Fabre, a militiaman and member of the Black River co-operative farm, and Chano Carrillo, a counterrevolutionary hiding behind his front as a Castro sympathizer, receive the news in different ways, in line with their antagonistic ideological positions.
poster
?
10
/1/

Piedra sobre piedra (1970)
Documentary about the earthquake that devastated the Yungai area on May 31, 1970, which killed more than 40,000 Peruvians.
poster
?
6.4
/11/

Bay of Pigs (1974)
On 15th April 1961 the anti-revolutionary forces bombed the airports of San Antonio de los Baños, Ciudad Libertad, and Santiago de Cuba in an attempt to eliminate the Cuban air force. This incident portended an imminent invasion. On the next day, while the victims of the bombing were being buried, Fidel Castro proclaimed the state of war. On the morning of 17th April mercenaries went ashore at Bay of Pigs, and proceeded to occupy two centrally situated places: Playa Larga and Playa Girón. Meanwhile, paratroopers landed north of this area in order to control the only access roads to these two beaches, which ran through the Zapata swamp. Thus, the occupiers created a centre of force in Bay of Pigs and appointed a provisional government. They intended to take over power by fighting a war of attrition, with the aid of the U.S.
poster
?
7.3
/41/
20
/2/
64
/6/

The Expropriation (1974)
The film captures the activities of the inhabitants in the countryside, in southern Chile, and the CORA (Corporation for Agrarian Reform). Although the action was filmed in four days and four nights in 1971, the movie was only finished in France in 1973, after the military coup.
poster
?
7.3
/10/
10
/1/
50
/1/

The Witnesses (1971)
This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.
poster
?
7.2
/48/
50
/3/
73
/3/

Reverón (1952)
Directed by Margot Benacerraf, Reverón is a poetic and visually striking documentary that delves into the life and artistic vision of Venezuelan painter Armando Reverón. Set in the sun-drenched coastal landscape of Macuto, where the artist lived in near isolation, the film captures his eccentric lifestyle and unique creative process. Through evocative imagery and a contemplative narrative, Reverón explores his deep connection to nature, his experiments with light and texture, and his profound artistic genius. This seminal work stands as a tribute to one of Venezuela’s most influential painters and a landmark in Latin American documentary filmmaking.
poster
?
5.9
/28/
35
/2/
53
/3/

Entangling Shadows (1998)
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.


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