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poster

78

7.7

/2145/

77

/141/

74

/38/

3.8

/7060/

92

/49/

84

/14/

76

/18/

3.0

In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, A Saucerful of Secrets, helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers.

poster

77

70

7.8

/2892/

80

/310/

75

/242/

3.9

/9534/

George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)

poster

74

35

7.3

/1132/

69

/32/

67

/40/

3.7

/1365/

87

/9/

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

poster

67

32

6.8

/950/

59

/38/

59

/36/

3.8

/2635/

76

/2/

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

poster

55

32

5.6

/1097/

48

/25/

53

/46/

3.2

/1855/

Cornell employs clips from 1931's jungle melodrama East of Borneo – more specifically, clips of its lead actress, Rose Hobart – to disquieting effect. Through Cornell's collage editing, Hobart becomes a singular object of desire and dread, trapped in an exotic paradise.

poster

61

27

6.2

/393/

54

/17/

60

/17/

3.5

/3417/

Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.

poster

66

24

6.7

/371/

62

/14/

63

/42/

3.6

/602/

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

poster

66

22

7.8

/265/

44

/7/

63

/15/

4.0

/1278/

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

poster

57

18

6.2

/331/

38

/14/

61

/18/

3.5

/749/

Inspired in part by a dream he had of murdering his mother, Brakhage here gives us one of his profoundest meditations on human aggression.

poster

61

9

7.2

/155/

43

/3/

59

/8/

3.6

/426/

A Trip Down Memory Lane is a 1965 experimental collage film by Arthur Lipsett, created by editing together images and sound clips from over fifty years of newsreel footage. The film combines footage from a beauty contest, religious procession, failed airflight, automotive and science experiments, animal experimentation, skyscraper construction, military paraphernalia, John D. Rockefeller and scenes of leisure, Richard Nixon and scenes of war, blimps and hot air balloons, and a sword swallower. Lipsett envisioned his film as a kind of cinematic time capsule for future generations.

poster

53

6

5.5

/136/

45

/12/

46

/10/

3.4

/229/

An elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac.

poster

?

50

/1/

A short collection of footage from a last year.

poster

?

50

/1/

N/A

poster

?

20

/1/

A collage about "operator awareness" and enilghtenment.

poster

?

70

/1/

A sock puppet explores a family history told from the perspective of a mother and father.

poster

?

10

/1/

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

poster

?

9.2

/13/

100

/1/

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

poster

45

?

5.0

/7/

33

/3/

60

/1/

5.4

/205/

Short animation by Renzo and Sayoko Kinoshita satirizes in a non narrative way the 'economic animal' Japan and predicted the economic recession in the 70s

poster

?

8.1

/7/

60

/1/

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

poster

?

7.1

/13/

50

/1/

In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.

?

100

/1/

The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.

poster

?

100

/1/

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

poster

17

?

2.9

/115/

11

/6/

13

/3/

"The Dark Empire is determined to conquer the Universe and get rid of anyone who stands against it. The Space Thunder Kids, made up of three valiant youths, are responsible for patrolling space and obstructing any invasion by the Dark Army." - Official Synopsis . Made up of eight animated films from South Korea. Seven of the films were already distributed by IFD films with pre existing English dubs. The eighth film, "Iron Man Trio" (철인 삼총사) did not have a pre existing English dub from IFD .

poster

?

60

/1/

An audiovisual investigation into the way Spanish cinema has represented its audience throughout history, and a tribute to those who, for over a hundred years, have inhabited the theaters, mutually nurturing their deepest dreams and aspirations.

poster

?

100

/1/

Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.

poster

?

40

/1/

Humankind has always dreamt of the night sky. Of the infinite freedom offered by the black void, and of the strong, shining beacon inviting us to ascend. This is a story, a history of the events that led up to our conquest of space, and the consequences throughout wider humanity. The film is a collage. Of genres, documentary and comedy. Of media, drawing from painting and film. Of films, cannibalising all film history. Of truth, both objective and subjective. Watch the small steps and let your mind take a giant leap.

poster

?

50

/1/

A modern reimagining of the trick film, combining the love of spectacle, the artist's process and the dark state of today's politics.

poster

?

6.1

/22/

43

/3/

40

/2/

An artistic short film directed by Stan Vanderbeek.

poster

?

70

/1/

Untitled is a collage film that combines the image and sound of Takashi Makino, the music of Lawrence English and the automatic writing text of Esperanza Collado, produced between March and June 2020, when the first attack of the coronavirus shook the world.

poster

?

6.3

/44/

10

/3/

62

/5/

The mythic nature of cowboy masculinity is deconstructed in this scathing montage of re-contextualized sounds and images culled from advertising, television, arcade game footage and other pop culture iconography.

poster

?

7.6

/18/

60

/1/

Loose Ends is a collage film about the process of internalizing the information that bombards us through a combination of personal experience and media in all forms. Speeding through our senses in ever-increasing numbers and complicated mixtures of fantasy, dream and reality from both outside and in, these fragmented images of life, sometimes shared by all, sometimes isolated and obscure, but with common threads, lead us to a state of psychological entropy tending toward a uniform inertness… an insensitive un-involvement in the human condition and our own humanity. —Chick Strand

poster

?

6.1

/13/

40

/1/

26

/3/

A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.

poster

?

20

/1/

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

poster

?

7.5

/24/

10

/2/

An archival fiction feature about the eternal battle of the sexes, in which two star-crossed lovers trapped in a kingdom of shadows fight to keep their love alive as they gradually fall in hate. Their names are Forever Man and Forever Woman. They are embodied by actors and actresses from long-gone eras, but also by cartoon characters and puppet animations. Together they narrate the story of the euphoric ups and tragic downs of human existence. When Forever Dies, a virtuoso collage of film fragments from the Eye Filmmuseum archive, is an epic ode to largely unseen cinema anchored in the polarizing world of today.

poster

?

6.0

/7/

44

/5/

In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…

poster

?

4.8

/37/

70

/1/

37

/3/

A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.

poster

?

A found footage collage film sourced from several different places and composed primarily of audio from the films of Jean-Luc Godard.

poster

?

A dreamy video collage of digital photography and paper animation, set to Heavy Eyes by Loveth Besamoh.

poster

?

An experimental video collage piece that investigates the concept of self-destruction across genres, eras, and cultures. Features footage from Abbas Kiarostami's Taste of Cherry (1997), Satyajit Ray's Apur Sansar (1959), Charlie Chaplin's City Lights (1921), and Jeff Tremaine's Jackass 4.5 (2022), among others.

poster

?

An experimental, mixed-media retelling of the Biblical story of Adam and Eve. Of course, when a story this old is told countless times throughout the centuries, a few important details are bound to get lost in translation...

poster

?

a collage of films i had on my ssd

poster

?

When did online life become a non-stop Turing test? And when did humans become the ones who are failing it? It began nearly two decades ago, when advertising models staked out their territory over the data used to structure our online lives.

poster

?

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

poster

?

A city is made of people. Here, the figure of the gaze establishes a central role in the relationship with the urban environment, perceiving the interferences and constant verticalization of the contemporary world. How much, in the end, is human nature contracted by the city?

?

An ancient king takes so long to build his palace it becomes his mausoleum. He recalls days of his life both cold and hot – unquenchable longing for power, insatiable desire tout court.

poster

?

A short experimental film compiled of previously filmed 'rushes', exploring the art of creating in a sustainable way.

?

This is an artificial intelligence (AI)-generated film that envisions the Middlesbrough Collection as a sleeping repository of the past and present. Perks and Stewart used the Collection and displays as source material, asking three groups to imagine the dreams of the Collection through creative writing, meditation, observation exercises and karaoke. The resulting material was inputted into ChatGPT to generate a script and then fed into an AI moving image platform, Pictory AI, which translated it into a sequence of moving images from existing databases.

poster

?

A collage of various excerpts from German TV channels, all recorded on Tuesday, June 16th, 2009 and arranged by Holger Kreymeier and shown without commentary in an attempt to cover the absurdities of a typical broadcasting day, inspired by Walter Kempowski's book "Bloomsday '97".

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