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poster

59

6.3

/3244/

63

/78/

61

/87/

3.3

/3460/

62

/53/

52

/12/

60

/17/

2.0

In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.

poster

70

45

7.3

/1934/

65

/19/

59

/32/

3.6

/1161/

83

/281/

During the Russian Civil War, the production of a silent melodrama runs into numerous complications.

poster

75

26

7.8

/762/

62

/17/

73

/18/

4.0

/1262/

83

/6/

A documentary on Soviet filmmaker Aleksandr Medvedkin, examining his tumultuous career, the rediscovery of his masterpiece Happiness, and Russia's struggles over the course of the 20th Century.

poster

?

7.8

/83/

65

/2/

50

/4/

The Russian filmmaker, Pavel Klusjantsev, has had an extraordinary influence on an entire genre of films. Throughout his career at the film studio in St. Petersburg, Klushantsev pioneered and invented legendary techniques for filming the planets, stars and weightnessless - long before anyone else. He went on to redefine the science fiction genre and influence the way Hollywood made their science fiction films, including the Academy Award-winning Visual Effects Master, Robert Skotak, a man who spent years trying to track Klushantsev down

poster

66

?

6.9

/150/

62

/4/

63

/7/

3.5

/200/

This half-hour documentary focuses on Medvedkin and his CineTrain of the 1930s, a sort of mobile film workshop, complete with post-production facilities, animation stations and a large laboratory. Traveling thousands of miles across the Russian countryside, the train stopped to have its filmmakers document Ukranian harvest practices, steel production facilities in southern Russia and other industrial / agricultural matters; With each crew member living in 1 square meter living quarters, all individuals on the train were responsible for various odd-jobs and other practical matters in addition to their own film-making concerns.

poster

51

?

7.2

/243/

30

/3/

52

/5/

Made in wartime and edited in candlelight, Vartanov's rarely-seen masterpiece tells about his friendship with the genius Parajanov who was imprisoned by KGB "at the height of his fame ". Vartanov resurrects the riveting scenes from his banned 1969 film The Color of Armenian Land, where Paradjanov concocts the chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - then reveals the shocking request Parajanov sent him in unpublished 1974 letters from Ukrainian prisons. Vartanov's camera documents Parajanov's staggering last day at work in 1990 during the making of the unfinished Confession - which survives in The Last Spring - as Parajanov comments on this cherished autobiographical film. The foremost achievement of The Last Spring, emphasized by critics, is Vartanov's exquisite wordless montage that "evoked the very soul" of Parajanov and earned the praise of many of cinema's greatest masters, such as Martin Scorsese and Francis Ford Coppola.

poster

?

6.4

/24/

10

/1/

57

/3/

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

poster

?

6.4

/52/

10

/1/

30

/4/

The director's story about his life in the Soviet Union before his departure to Israel in 1971. The movie interweaves chronicle-documentary footage and fragments of Mikhail Kalik's films.

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