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poster

66

60

6.8

/8205/

63

/204/

66

/354/

3.5

/21229/

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

poster

61

38

6.4

/1162/

57

/30/

58

/54/

3.4

/2300/

Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?

poster

55

30

5.4

/878/

53

/30/

55

/47/

3.0

/1388/

Country rube thinks what he sees on the movie screen is real. He jumps out of his seat to try to stop a kissing scene.

poster

57

30

5.7

/830/

57

/30/

54

/44/

3.0

/1488/

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

poster

58

27

5.8

/770/

55

/22/

58

/38/

3.1

/1037/

A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.

poster

54

27

5.5

/767/

53

/23/

50

/32/

3.0

/1614/

The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?

poster

58

17

6.7

/948/

62

/27/

64

/21/

3.3

/525/

31

/2/

Mrs. Hardy throws Ollie and Stan out of the house. They try to impress two young ladies at a golf course and end up fighting with other golfers.

poster

55

15

5.4

/487/

54

/9/

52

/20/

3.1

/516/

A train heads for a tunnel. In one car, a restless man smokes, and a woman is reading on the seat opposite him. In the darkness of the tunnel, he rises, crosses over to her seat and the two share a willing embrace and kiss. The train steams out of the tunnel toward us and past us. A Bamforth Films remake of George Albert Smith's The Kiss in the Tunnel (I) (1899).

poster

59

14

6.0

/486/

60

/13/

55

/16/

3.2

/530/

A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer on the scene climbs the fence, enters the house, and is soon fighting with the thief on the roof. Falling from the roof, the officer is injured and requires an ambulance. Meanwhile, the thief flees, pursued by more men in blue.

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