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poster

63

52

5.5

/3151/

55

/152/

62

/62/

2.9

/16171/

89

/9/

64

/18/

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.

poster

71

37

7.3

/1355/

67

/23/

70

/20/

3.8

/2465/

The story of a provincial woman named Vasfiye, whose life passed changing hands and drifting between men in Aegean towns, is told by different narrators. The story changes every time the narrator changes. However, it is not known which story is the truth.

poster

73

13

7.2

/63/

74

/5/

75

/4/

3.7

/949/

Preparing for a role, an actress holds conversations with pregnant young girls. Throughout the process, the girls lay out the stories of their own lives on camera, changing the course of the production of the film.

poster

53

10

5.5

/213/

51

/7/

44

/15/

3.2

/434/

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

poster

42

7

3.1

/259/

41

/18/

39

/14/

2.9

/236/

Vicky and Sonia are two young girls who investigate the secret of a luxury house that killed several people. On his first night there will realize that things are not as they imagined... they are even better.

poster

?

6.0

/110/

Against the backdrop of the 1977 Edinburgh Film Festival, two low-budget filmmakers attempt to talk up some finance as they hunt for cash, cast and ‘name director’ Sam Fuller to shoot their Aberdeen-set oil-boom adventure ‘Gulf and Western’. Along the way, they encounter a plethora of filmmaking luminaries including Wim Wenders, Stephen Frears, John Boorman, Bill Forsyth and Alan Bennett.

poster

?

9.6

/10/

100

/1/

100

/1/

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.

poster

75

?

5.0

/103/

100

/1/

A bloody thriller (sort of Agatha Christie does The Twilight Zone) morphs into its own “making of”, a really talky one - a conversation about film, about fear, about fiction. The type of film where the less you know, the better. The title is almost a malaprop - a better one would’ve been F for Fake, but it was already taken. Howard Hawks said that a great movie needs three good scenes and no bad ones. This movie has only three scenes - so there you go.

poster

69

?

7.0

/46/

3.4

/254/

When a couple of filmmakers decide to shoot a documentary about couples in love, problems and tensions between the two force them to question their own relationship and the meaning of cinema.

poster

?

9.4

/22/

A man discovers he's the protagonist in a cliché, short student film and struggles to get out of it.

poster

?

7.4

/30/

10

/2/

50

/1/

A revelation about Oscar Torres, her unknown and once world-famous queer filmmaker cousin, sends Victoria down a path of self-discovery through reconstructions of his intimate memories living in the 1950's authoritarian Caribbean, as Victoria leads re-enactments of his unproduced screenplays with the family who erased him.

poster

56

?

6.4

/657/

51

/7/

47

/3/

A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.

poster

?

4.6

/22/

20

/1/

N/A

poster

?

6.6

/28/

65

/4/

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.

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