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poster

77

33

7.5

/106/

65

/4/

74

/13/

3.7

/807/

100

/5/

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

poster

71

31

7.1

/149/

55

/8/

70

/3/

3.4

/1418/

93

/14/

Comprised entirely of hundreds of pirated film samples, Hello Dankness is a bent suburban musical that bears witness to the psychotropic cultural spectacle of the period 2016 to 2021. Set in the American suburbs, the film follows a neighbourhood through these years as consensus reality disintegrates into conspiracies and other political contagions. Part political satire, zombie stoner film, and Greek tragedy, the work is also informed by the encrypted memetics of contemporary internet culture.

poster

73

?

7.4

/76/

82

/4/

67

/7/

3.6

/395/

The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.

poster

?

6.6

/36/

67

/3/

Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.

poster

?

6.6

/21/

A Documentary about violence, horror, censorship and legislation on the web. In 2009, Remy Couture, a special effects makeup artists from Quebec was arrested by the police right in front of his home and would be later charged with obscenity and corruption of morality. Montreal's police was responding to a complaint regarding pictures coming from his website Inner depravity.com which had been freely circulating on the Web. ART/CRIME discusses violence, fiction and censorship in movies but also in the loosely regulated environment that the Web still represents. The documentary allows many, like movie director Nacho Cerda, Robert Morin and Patrick Senechal to present their thoughts on the matter.

poster

?

8.4

/49/

15

/2/

60

/1/

Mimicking the hyperbolic rhetoric of today’s copyright cops, Hollywood Burn pits a righteous league of video pirates against the evil tyrant Moses and his Copyright Commandments. Determined to alter the present by changing the past, the pirates travel back to 1955 to construct the ultimate weapon: an Elvis Presley video-clone. Part sci-fi + rom com + biblical epic + action movie, this free-culture manifesto adopts the tactical responses of the parasite, feeding off the body of Hollywood and inhabiting its cinematic structures and codes. The unwitting all-star cast includes Elvis Presley, Charlton Heston, Monkey, Batman, Bette Davis, Jaws, Jesus, The Hulk, The Hoff and the Ghostbusters.

poster

?

5.5

/20/

20

/2/

Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms.

poster

29

?

6.3

/359/

15

/2/

10

/2/

The works of today's most revered talents are set against a provocative, highly amusing commentary track in this celebration of queer art.

?

3.8

/75/

83

/6/

This documentary scratches its way beneath the surface of an infamous Toronto animal cruelty case, deftly exploring the opaque logic surrounding this macabre act.

poster

?

5.8

/7/

60

/1/

Splicing together footage from the musical comedy Pardon My Sarong (1942) and the TV series Graffiti Rock (1986), Tap Hop stages a dance battle between the pioneering 1980's hip-hop crew the New York City Breakers and the seminal 1940's tap group Tip Tap & Toe.

poster

?

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". This episode considers the politics implicit in Public Enemy’s claim that we’re already living [in] armaged-don. It begins with the discovery of an ancient stone crosshairs at an archeological site in Egypt. Sixty years later a giant alien mothership emerges from a mena-cing cloud over New York City, hijacking President Ron-ald Reagan’s TV statement in order to transmit a pirate broadcast from Chuck D, Flavor Flav and Sun Ra. Like Sun Ra’s mantra that ‘it’s after the end of the world’, Public Enemy invoke armageddon to insist upon the critical moment in which we already live.

poster

?

An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". Destination Planet Rock maps the intergalactic legacy of Sun Ra and George Clinton in the sci-fi futurism of early hip-hop. Set in 1974 in the South Bronx, the episode be-gins in a neighborhood center where Sun Ra is explain-ing his ideas about the intersection of race, myth and outer space. The three future originators of hip-hop—DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash—are abducted and transported across the galaxy to Planet Rock, where they are schooled in the alien language of turntablism.

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