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poster

78

7.3

/7545/

72

/317/

72

/246/

3.6

/14610/

96

/115/

77

/48/

79

/25/

3.5

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

poster

67

6.6

/16013/

64

/383/

61

/232/

3.4

/52518/

56

/36/

75

/661/

75

/18/

3.0

After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can't quite work up the inertia to escape their university's pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.

poster

60

6.3

/17838/

66

/335/

64

/291/

3.9

/41895/

53

/81/

67

/561/

57

/32/

1.5

A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.

poster

57

6.1

/5805/

63

/153/

56

/88/

3.2

/14157/

42

/12/

43

/56/

54

/5/

3.0

A shy, lonely film buff embarks on a killing spree against those who browbeat and betray him, all the while stalking his idol, a Marilyn Monroe lookalike.

poster

55

12

5.7

/431/

47

/18/

55

/9/

62

/13/

Being the adventures of a young man whose principle interests are movies, New York, and mass murder. CHARM is an ultra low budget black comedy about Malcolm - a New Yorker who gets tired of how gentrified, tepid and antiseptic it's all become. What's happened to the 'Good ole days'?! And so he decides to take matters into his own hands by personally starting a crime wave which he hopes will catch on and drive real estate value down, opening up the city to bohemians, artists and a swell of creativity, just like the supposed good 'ole days of the 1970s and 80s. The only problem is: Nobody is paying attention.

poster

?

6.0

/110/

Against the backdrop of the 1977 Edinburgh Film Festival, two low-budget filmmakers attempt to talk up some finance as they hunt for cash, cast and ‘name director’ Sam Fuller to shoot their Aberdeen-set oil-boom adventure ‘Gulf and Western’. Along the way, they encounter a plethora of filmmaking luminaries including Wim Wenders, Stephen Frears, John Boorman, Bill Forsyth and Alan Bennett.

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