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poster
79
71
8.2
/6406/
78
/197/
75
/164/
4.1
/41925/

Don't Hug Me I'm Scared (2012)
A disturbing puppet short exploring the concept of creativity.
poster
79
62
8.2
/2804/
80
/119/
76
/96/
4.0
/20868/

Don't Hug Me I'm Scared 4 (2015)
The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
poster
78
60
8.1
/2822/
79
/110/
73
/97/
4.0
/20403/

Don't Hug Me I'm Scared 5 (2015)
The two remaining puppets learn about eating healthy, but things go awry when they receive a mysterious phone call.
poster
75
59
7.8
/2918/
77
/120/
70
/90/
3.8
/20849/

Don't Hug Me I'm Scared 3 (2014)
During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.
poster
?
8.0
/11/

The Ugly Face of Disability Hate Crime (2015)
Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.
poster
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Haiti On Fire (2024)
This film chronicles the turbulent gang war and the spiraling violence happening on the ground in Haiti and attempts to cut through the hype surrounding Chérizier, the former police officer-turned-gang chieftain at the center of Haiti’s of it all. It offers a sobering look at the man behind the myths.
poster
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The Life That Will Come (2025)
This documentary, made entirely of archival footage shot mainly by amateurs, revisits 50 years of Chilean history. A fascinating lesson in memory, this personal montage adopts a popular, even fringe, perspective to help write a more complete national memory. As the filmmaker asserts in her narration, there’s the history we’re told, the history we live, and the history we tell ourselves. Between the coup d’état of September 11, 1973, and the recent double failure of the new constitution project, this film shows that the people of Chile have long oscillated between excitement and disappointment, accumulating shattered hopes. Rejecting the pessimism that would trap us in collective immobility, Karin Cuyul instead draws on the past to ask how we can continue to dream of the necessary social and political changes.
poster
?

bubble skin (2025)
A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.
poster
?

The Passage (2024)
A promising student in the hood is blackmailed by his best friend into fabricating the truth about the events that unfolded on the night his girlfriend was raped.
poster
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For Better or For Worse? (2025)
The Philippines remains the only nation without legalized divorce. Through the perspectives of a controversial priest, a women's rights advocate, and a child of a separated couple, this documentary explores whether the legalization of divorce in the country would be for better or worse.
poster
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Café au Lait
N/A
poster
?

Adios My Love
This film is about a conversation between a woman and an old house.
poster
?

Better Living (2023)
After going through an emotional breakdown, a woman tries to realign herself before deciding if she can take on another job.
poster
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Lips of Demise (2022)
Mina, a battered daughter, has left home to separate herself from her father's constant abuse and pain. As she scoured the streets of Manila, where she met Denise, a free-spirited girl who introduced Mina to the reality of what reality meant.


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