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poster

71

6.2

/2374/

61

/156/

58

/30/

3.3

/3760/

91

/56/

71

/9/

78

/15/

3.5

Travis, a jaded detective, arrives in the remote outback town of Limbo to investigate the cold case murder of local Indigenous girl Charlotte Hayes 20 years ago. As truths about the murder begin to unfold, the detective gains a new insight into the unsolved case.

poster

70

6.9

/2847/

69

/58/

69

/54/

3.6

/3241/

80

/5/

61

/44/

3.0

The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.

poster

?

10

/1/

The 1981 murder trial of Alwyn Peter made Australian legal history when his defence lawyer successfully argued that charges of murder and manslaughter were inappropriate for dispossessed, semi-tribal Aborigines.

poster

?

8.2

/9/

10

/1/

A document of Australia's nuclear industrial history, from uranium mining and its toxic legacy to the nuclear weapons tests conducted at Maralinga in South Australia.

poster

51

?

7.2

/63/

10

/2/

3.6

/315/

A multi disciplinary film and photographic art project created by Yankunytjatjara artist Derik Lynch and Australian artist Matthew Thorne that explores (in dream and memory) Derik's childhood growing up in the heart of central Australia. The story follows his road trip from the oppression of white city life in Adelaide back to country - Aputula - to perform Drag on sacred Inma ground, while memories from his youth return. Inma is a 60,000+ year old form of storytelling using the visual, verbal and physical. As a place of storytelling it is also the place where the history and stories of the past are written and shared in the present.

poster

?

7.9

/18/

80

/1/

The story of a Warlpiri woman, Audrey, and her Sicilian partner Santo as they navigate through colonial systems to keep the children they care for together. Audrey Napanangka was born at a time when the world was changing for the people in the Central Australian Desert. Settler colonisation was permeating the desert and forced changes and the fusion of two worlds shifted Audrey’s life forever. Today, Audrey raises young people to walk in many worlds, by centering culture, language, and Law in their lives alongside mainstream education. The intimate footage filmed over 10 years in Mparntwe (Alice Springs), Yuendumu and Audrey’s Warlpiri country Mount Theo, showcases a heartwarming story about the power of kinship and family in what is known as Australia.

poster

?

7.2

/24/

60

/1/

Our world is at a crossroads of myriad crises, but all too often the solutions to the problems we face – especially climate change – are put in the ‘too hard basket. But, as director Celeste Geer discovers, it doesn’t have to be this way. Following Then the Wind Changed, her Walkley Award-winning film about rebuilding after the 2009 Black Saturday bushfires, she sought answers to why, after decades of warnings, we continue to shirk the necessary measures that will prevent all-out climate catastrophe.

poster

?

6.0

/28/

30

/3/

10

/1/

As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

poster

74

?

5.8

/123/

75

/2/

90

/1/

Writer and Director Warwick Thornton has assembled a collection of the most poignant, sad, funny and absurd ghost stories from around Australia. He will bring them to life with the help of some of Australia's most iconic actors as the storytellers.

poster

?

8.2

/54/

10

/1/

Our Generation is a 2010 Australian documentary film about the struggle of Aboriginal Australians in the Northern Territory to retain their land, culture and freedom.

poster

?

8.0

/48/

56

/3/

The shameful history of persecution of the Aborigines in Australia. The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Aborigines were, and continue to be, treated. Because Aborigines had not cultivated the land they were seen by British colonists as having no proprietorial rights to the land. They had no treaty and therefore no rights under British colonial rule. Little of their resistance is recorded.

poster

?

7.8

/34/

10

/2/

The Maralinga people survive aggressive colonisation, including dispossession to enable atomic testing, and through their tenacious spirit and cultural strength fight to retain their country.

poster

?

The most isolated metal band in the world, Southeast Desert Metal, and their Aunty Kathleen, share ancient Arrernte culture with the world through song and painting.

poster

?

Anindilyakwa man, Steve 'Bakala' Wurramara is afflicted with a profound hereditary neurodegenerative disorder. While modern medicine looks for answers, the stories of an ancient curse and black magic still permeate this remote Aboriginal community in far northern Australia. Bakala enlists the help of his daughter to search for a cure from the traditional bush medicines in the land, desperate to find an answer before she too is diagnosed. As his desperation grows and his disorder takes an ever greater hold, Bakala realises he must fight this ancient curse to unlock the secrets of his Ancestors.

poster

?

Deals with the echoes of a reprisal raid by pastoral settlers against local aboriginals.

poster

?

This documentary focuses on the sacred sites in and around Mparntwe (Alice Springs) in central Australia, and the struggle of the Arrernte people to identify, document and preserve these sites in the face of rapid urban expansion and property development.

poster

?

N/A

poster

?

'A Dying Shame' examines the plight of Aboriginal health in Australia. Through the personal stories of families and individuals within the Aboriginal community in Borroloola in the Northern Territory, this film reveals the human tragedy behind the bald statistics of Aboriginal health. Shot over nine months the film documents the struggles of individuals and their families in the face of poor health and an ineffectual health system, said to be one of the most inequitable health services in the Western world.

?

Yanyangkari and her clever dog, Kungka, go hunting in the bush. What they catch surprises and delights them, and their companions.

poster

?

Produced in association with Waringarri Aboriginal Arts at Kununurra in Western Australia, this moving documentary features three women who talk about their paintings as an expression of their relationship to their country. The women share a sense of belonging to their place and express this belonging through dance and song and all of their artistic expressions. On a trip into the bush around Cockatoo Lagoon near Kununurra, they explain the stories of their Dreaming and of their land, and talk of their own experiences growing up as workers on stations in the area. Each artist talks about why they paint - to teach and to share stories about their country with others in the community and wider afield. The film also observes them working on paintings, each giving her personal interpretation of a loved environment and a living culture. The paintings are all very different in style but all express a life-affirming sense of identity intimately linked to their own country.

poster

?

Aboriginal people on the Goldfields of Kalgoorlie, Western Australia (Australia) recount their history, speaking amidst living conditions of grinding poverty next to the gold and nickel mines and uranium development.

poster

?

A middle aged Aboriginal woman lives on her own in the community. Trapped in routine, Grace is determined to remain lonely and bored as punishment for her sins. With her days lost in the humdrum of a life alone and the mistakes of the past, Grace waits – for death or change, whichever comes first.

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