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poster
Kanopy
76
7.2
/652/
75
/42/
69
/24/
3.5
/775/
91
/23/
74
/6/

M. C. Escher: Journey to Infinity (2018)
A portrait of the visionary Dutch artist M. C. Escher (1898-1972), according to his own words, taken from his diary, his correspondence and the texts of his lectures.
poster
Kanopy
65
48
6.4
/1597/
65
/26/
59
/44/
3.7
/2837/
60
/10/
67
/40/

The Last of England (1987)
The artist's personal commentary on the decline of his country in a language closer to poetry than prose. A dark meditation on London under Thatcher.
poster
73
47
6.2
/1475/
57
/39/
65
/43/
4.0
/7115/
100
/9/
78
/3/

Dog Star Man (1965)
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
poster
56
46
5.3
/3318/
50
/67/
52
/91/
3.5
/9579/
56
/43/

Wavelength (1967)
Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.
poster
73
36
7.2
/715/
71
/26/
69
/23/
4.0
/2731/

The Angel (1982)
The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
poster
Kanopy
56
26
6.1
/972/
57
/17/
50
/24/
3.4
/1968/
48
/9/

The Angelic Conversation (1987)
The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”
poster
38
15
3.5
/562/
23
/9/
36
/23/
2.9
/974/

Sleep (1964)
Footage of John Giorno sleeping for five hours.
poster
65
11
6.8
/150/
60
/4/
62
/9/
3.6
/525/

Coming Attractions (2010)
A film woven around the idea that between early cinema and avant-garde film exists a connection.
poster
?
5.9
/32/
60
/4/
60
/2/

Time and Dreams (1976)
Created in 1976 by Mort Jordan, a student at Temple University, “Time and Dreams” is a unique and personal elegiac approach to the civil rights movement. The filmmaker has described “Time and Dreams” as a personal journey back to his Alabama home, where he contrasts two societies: the nostalgia some residents have for past values versus the deferred dreams of those who are well past waiting for their time to fully participate in the promise of their own dreams. Through vignettes and personal testimonies, the film portrays Greene County, Alabama, as its people move toward understanding and cooperation in a time of social change.
poster
Hoopla
?
4.3
/40/

Young Turks (2013)
Documentary - From 1977 to 1981, multimedia artist Stephen Seemayer shot a Super-8mm movie of his creative friends in their unnatural habitat: the deserted industrial buildings of Downtown Los Angeles. His camera captured them at work and at play. - The Light Bob, Linda Frye Burnham, James Croak
poster
?
5.2
/18/
10
/1/

Klappenfilm (1968)
N/A
poster
?
35
/2/

Si prende una ragazza, una qualunque, lì a caso... (1969)
Experimental short film by Anna Lajolo and Guido Lombardi.
poster
?
10
/1/

River Colors (1995)
Observations through a slowly gliding camera on the canals of Thailand reveal the living quarters and open lifestyles of people living right on the waterfront. A uniquely filmic spatial illusion is created, accented by an outstanding soundscape.
poster
Kanopy
?
7.5
/12/
10
/1/

American Art in the 1960s (1972)
During this critical decade in American life, artists built on the styles of the 1950s. An explosion of artistic energy produced Pop Art, Minimalism, color-field painting, and hard-edged abstraction. Sculptors and painters on both coasts explored new methods and new subject matter. American Art in the Sixties examines the key figures of that decade including Rauschenberg and Johns, two crucial transitional figures between Abstract Expressionism and the sensibilities of the new decade. The art of that time mirrors the optimism and the affluence, and the technology and the vulgarity of those boom years.
poster
Kanopy
?
7.5
/9/
20
/1/

Speaking of Abstraction: A Universal Language (1999)
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
poster
?
8.1
/8/

Red Ball Express (1976)
A drawn-on-film train builds itself and takes a trip, set to the bluegrass standard Orange Blossom Special.
poster
?
8.0
/48/

Uso Justo (2005)
When an experimental filmmaker decides to shoot a film in the fictional town of Uso Justo the residents unknowingly become tools to his whimsy. Miller's first narrative creation is like nothing you have seen before. Uso Justo (roughly translated: 'Fair Use') is a complete restructuring of an obscure 1959 Mexican film. As the experimental filmmaker pulls the strings on the residents of this fictional town, the technique proves to be existential and hilarious, intelligent and stupid. All the while, the citizens try to keep up with the filmmaker's absurd sensibilities and crazy antics. Their actions all end in vain with hilarious consequences.
poster
?
6.2
/64/
40
/3/
48
/2/

The Fantastic World of M.C. Escher (1980)
Explores the life and work of the Dutch graphic artist M.C. Escher.
poster
65
?
6.7
/95/
62
/8/
66
/8/
3.4
/411/

Abstronic (1952)
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
poster
?
20
/1/
60
/1/

La vida privada (1996)
N/A
poster
67
?
6.7
/221/
58
/6/
71
/8/
3.5
/457/

Escape (Synchronomy No. 4) (1937)
To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
poster
?
4.8
/43/
40
/2/
45
/2/

Elasticity (1975)
Impressionistic surrealism in three acts. The approach is literary experimental with optical effects. There are three mental states that are interesting: amnesia, euphoria and ecstasy. Amnesia is not knowing who you are and wanting desperately to know. I call this the White Night. Euphoria is not knowing who you are and not caring. This is the Dream of Meditation. Ecstasy is knowing exactly who you are and still not caring. I call this the Memory of the Future. This is an autobiographical film funded by the American Film Institute.
poster
58
?
6.0
/201/
45
/10/
60
/2/
3.4
/374/

Caluga o Menta (1990)
Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties.
poster
?

The Last Elephant On Earth (2023)
poster
Kanopy
?

The Artist's Studio: Carroll Dunham (2014)
In an effort to work without the distractions of the city, artist Carroll Dunham moved his studio from Manhattan to a small village in Connecticut, not far from where he grew up. Finding himself to be more at peace in the calm, rural setting, Dunham feels the freedom to create wildly bold and visually stimulating work, painting his way through expression and sexuality. Continuously holding a mirror up to society, Dunham aims to examine the ways in which we interpret images and ideas surrounding the physical human form and our contrived notions of appropriate depictions of it through art and media. Dunham's large canvas works are flooded with vivid color and striking imagery that grabs the attention of its audience and encourages a reconsideration of form and gaze. "The Artist's Studio: Carroll Dunham" documents a visit with critic Roberta Smith as she observes his new captivating work: a series entitled "In the Flowers" and a large canvas "The Beach".


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