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poster
Kanopy
85
7.7
/8227/
78
/256/
75
/229/
4.3
/67200/
100
/22/
84
/49/

Funeral Parade of Roses (1969)
In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.
poster
72
42
6.6
/396/
66
/23/
50
/14/
4.0
/6034/
100
/9/

Shakedown (2018)
‘Shakedown’ was a series of parties founded by and for African American women in Los Angeles that featured go-go dancing and strip shows for the city’s lesbian underground scene. Inspired by transwoman Mahogany who, as the mother of the scene, presided over queer strip shows and balls for non-heterosexual audiences in the 1980s, butch Ronnie Ron created, produced and presented the new shows. In them, the largely female clientele from the ‘hood’ slipped dollar notes into lap dancers’ panties while celebrating lesbian sexuality to pulsating hip-hop beats.
poster
58
36
5.8
/1913/
68
/114/
60
/195/
3.2
/2768/
40
/2/

Quarter to Two Before Jesus Christ (1982)
In antique Rome, a simple pepboy for chars becomes involved in a coup against Cesar. Rahatlocum is a North African Roman colony where Julius Caesar came to spend an expensive holiday. The revolt rumbles among the small people who find a leader in the person of Ben-Hur Marcel.
poster
?
7.5
/96/
30
/1/
23
/3/

Private Life (2006)
Yorkshire, England 1952 Ruth Ackroyd leaves the monotony of her work at her father's textile mill on a Friday evening and secretly takes the train to Manchester. There, she meets a man on the platform, but all is not what it seems.
poster
46
?
5.5
/165/
38
/7/

AE-Autoexposure (2012)
After a shooting assignment, Henrique is mugged by two armed motor-bikers who steal his camera and speed off. Seconds later, he watches both get hit by a pickup truck driven by a self-appointed avenger, someone weary of feeling defenseless against the urban violence, and who decided to take action. Henrique recovers his stolen equipment and leaves, feeling avenged. But he goes back to find the memory card, with the photos, lost during the crash. From that moment, he is trapped in a situation where he is now the criminal for failing to rescue a victim, who had been his aggressor. Going from the murder scene to the police station, and then to the emergency ward of the public hospital, he attempts to clear himself.


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